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LES CONCEPTS.
, PC SOFT, s.d.; in-8, 766 pp., broché, couverture illustr.
Reference : 200609471
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commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
5 book(s) with the same title
Z badan metodologicznych nad definjowalnoscia terminow [Polish, i.e.: Some Methodological Investigations on the Definability of Concepts]. Odbitka z XXXVII Rocznika przegladn filozoficznego. - [THEORY OF DEFINABILITY]
Warszawa [Warsaw], 1934. 8vo. Orig. printed brown wrappers. Near mint condition. 25 pp (pp. 438-60 in Przeglad Filozoficzny, vol. 37).
Exceedingly scarce first edition, off-print with own pagination also, of this very important article by one of the four greatest logicians ever, the Polish-American Alfred Tarski.Tarski's theory of definability, which he presents in this article, belongs to one of his main contributions to logic. Tarski here distinguishes between groups of concepts within the methodology of the deductive sciences: 1) concepts such as ""axiom"", ""theorem"", ""rule of inference"", ""proof"", and 2) ""primitive (undefined) concept"" (or ""primitive term""), ""definable concept"", ""rule of definition"", ""definition"". ""A far-reaching parallelism can be established between the concepts of the two groups: The primitive concepts correspond to the axioms, the defined concepts to the derivable sentences, the process and rules of definition to the process and rules of proof."" (English translation of the article, 1956, p. 296). Until this article was written, nothing on the subject of methodology of deductive sciences had primarily dealt with the concepts of the first group, but, as Tarski himself states, ""in considering the second group of concepts many interesting and important problems force themselves upon us, some of which are quite analogous to those which arise in connection with the first group."" (Introduction, English translation, 1956, p. 296). Two problems are discussed within this domain: the problem of the definability and the mutual independence of concepts, as well as the problem of the completeness of concepts of an arbitrary deductive theory.Tarski (1901-1983) has contributed seminally to the fields of mathematics and logic in a number of ways, and together with Frege, Russell and Gödel, he now ranks as the most important contributor to the field of logic. He is thus considered one of the four greatest logicians of all times.
THEORIE DES CONCEPTS. EXISTENCE, ORIGINE, VALEUR.
P. LETHIELLEUX. NON DATE. In-8. Broché. A relier, Couv. défraîchie, Dos abîmé, Intérieur frais. 466 pages. Manque le second plat. Manques au dos coupé en plusieurs parties. Auréole sur le premier plat.. . . . Classification Dewey : 210-Philosophie et théorie
"Sensations et concepts - Images et concepts - Noms et concepts - Existence distincte et absolue des concepts - Maximum d""apriorisme objectif - Maximum d""apriorisme subjectif - Minimum d""apriorisme - Formation des concepts - Valeur des concepts - donnees de conscience - Réalisme. Classification Dewey : 210-Philosophie et théorie"
Conceptualizing Bronze Age Seascapes. Concepts of the Sea and Marine Fauna in the Eastern Mediterranean in the Second Millennium BCE
, Brepols - 2023, 2023 Paperback, x + 218 pages, Size:216 x 280 mm, Illustrations:20 b/w, 7 col., 13 tables b/w., 3 maps b/w, Language: English. ISBN 9782503606477.
Summary The Mediterranean has, for millennia, formed the heart of an intensive trading network of ideas, goods, and people. For the ancient populations of the Levant, Cyprus, and Southern Anatolia, interactions with the sea ? from fishing to seafaring, and from trade to dye production ? were a constant presence in their life. But how did the coastal peoples of the Bronze Age understand the sea? How did living on the shore influence their lives, from daily practices to mythological beliefs? And what was the impact on their conceptual world? This volume seeks to engage with these questions by addressing the relationship between environment, diet, material production, perception, and thought formation through a combination of archaeological analysis and engagement with primary sources, and in doing so, it offers unique insights into the conceptual world of the ancient Mediterranean maritime cultures of the 2nd millennium BCE. TABLE OF CONTENTS Acknowledgements List of Abbreviations List of Common and Scientific Names of Fish and Molluscs Mentioned in the Text Part I: Framework Chapter 1. Introduction Objectives Organization of the Book Chapter 2. History, Theory, and Methods State of the Art Theoretical Framework Chronological Framework The Evidence Part II: Regional Chapters Chapter 3. Levant Faunal and Material Cultural Evidence Textual Evidence Discussion Chapter 4. Cyprus Faunal and Material Cultural Evidence Textual Evidence Discussion Chapter 5. Southern Anatolian Coast Faunal and Material Cultural Evidence Textual Evidence Discussion Part III: Overarching Analysis Chapter 6. Concepts of Marine Fauna Marine Fauna as Food Fish and Molluscs: Offerings and Purity Marine Fauna as Status or Commodity Visual Concepts of Marine Fauna Chapter 7. Concepts of the Sea The Sea as a Place The Sea as a Supernatural Force The Sea as a Divine Entity Chapter 8. Conclusions: Concepts of Seascapes Works Cited Index
THEORIE DES CONCEPTS (THESE)
Non précisé. Non daté. In-8. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos à nerfs, Intérieur acceptable. 466 pages. Auteur, titre, fleurons et filets dorés sur le dos. Etiquette de code sur le dos. Tampons de bibliothèque en page de garde et en 1re page. Page de titre manquante. Annotations en page de garde (titre). Quelques annotations au crayon dans le texte. Dos décoloré (insolé). Epidermures en coiffe de pied (mors gauche).. . . . Classification Dewey : 210-Philosophie et théorie
(Rare) Thèse pour le Doctorat en Philosophie prés. à la Faculté canonique des Théologie de l'ICT. Sensations et concepts. Images et concepts. Noms et concepts. Existence distincte et absolue des concepts. Maximum d'apriorisme objectif. Maximum d'apriorisme subjectif. Données de conscience... Classification Dewey : 210-Philosophie et théorie
Book of Colour Concepts : 1686-1963 :
, Taschen, 2024 Hardcover, two vols. in slipcase, 24.3 x 30.4 cm, 846 pages, Multilingual (English, French, German, Spanish). ISBN 9783836595650.
The human history of color, in two sweeping volumes The earliest forms of human creativity ? in carvings, markings, and cave paintings ? bear witness to humanity?s engagement with color. Almost as old as these examples is the desire to assign structure, order, and meaning to this universal yet elusive concept, and it is this fascination that unites the works compiled in this expansive edition. Gathering over 65 rare books and manuscripts from a wealth of institutions, including the most distinguished color collections worldwide, The Book of Colour Concepts takes the reader on a chromatic odyssey across four centuries and over 1,000 images of luscious wheels and globes, painstakingly collated charts, and meticulous diagrams, many of them newly photographed exclusively for this edition. Some of these concepts provide exhaustive taxonomies of color, while others reflect upon the relationship of color and music, or the affinities between color and human emotions. Seminal works of color theory, such as Isaac Newton?s Opticks and Johann Wolfgang von Goethe?s hugely significant Zur Farbenlehre, are shown alongside rare and unfamiliar contributions, including the theosophical color systems of Charles Webster Leadbeater and Annie Besant, the comprehensive color ?dictionary? of Aloys John Maerz and Morris Rea Paul, and the patchwork combinations of the Japanese costume designer and artist Sanz? Wada. The two volumes also bring many intriguing and often overlooked works by women into the spotlight, including the radically inventive color ?blots? of the English flower painter Mary Gartside and a botanical notebook by the pionieering spiritualist Hilma af Klint. The color systems that make up this edition are contextualized by introductory essays from editor Alexandra Loske and co-author Sarah Lowengard, while authoritative texts from the editor on the works reproduced set out each concept in further detail. Illuminating the history of color in all its shapes and forms, The Book of Colour Concepts offers a chromatic chronology unparalleled in scope.
