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ZYKE Cizia
ORO
Paris, Hachette, 1985, in-8 broché, 300 pp. Etat d'usage.
Reference : 14201
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M. ERIC BIBAULT
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5 book(s) with the same title
Stato Pontificio : raccolta dei bolli di garanzia per l'argento e per l'oro usati nelle varie cittaÂŽ dello Stato Pontificio in ordine cronologico
Bulgari Constantino: Stato Pontificio : raccolta dei bolli di garanzia per l'argento e per l'oro usati nelle varie cittaÂŽ dello Stato Pontificio in ordine cronologico. Rome: Fratelli Palombi, 1974. vi, 78 pages illustrated throughout with marks. Adjunct to the series Argentieri Gemmari e Orafi d'Italia. Soft covers. 14x9.75cms. Text in Italian.
Text in Italian
Catsronova, Simonetta, and Viviana Maria Vallet
Reference : 121024
(2021)
ISBN : 9788873204473
Ritratti d'oro e d'argento. Reliquiari medievali in Piemonte, Valle dâAosta, Svizzera e Savoia
Catsronova, Simonetta, and Viviana Maria Vallet: Ritratti d'oro e d'argento. Reliquiari medievali in Piemonte, Valle d'Aosta, Svizzera e Savoia. Exhibition: Turin, Palazzo Madama, 2021. 160 pages, fully illustrated in colour. Paperback. 30 x 21cms. Catalogue of the 31 reliquary busts from the dioceses of Piedmont, Switzerland and Haute-Savoie, displayed at the Palazzo Madama between February and July 2021, all illustrated and discussed in detail. Including essays on their history and development from the fourtheenth to the sixteenth century and technical analysis. Text in Italian.
Catalogue of the 31 reliquary busts from the dioceses of Piedmont, Switzerland and Haute-Savoie, displayed at the Palazzo Madama between February and July 2021, all illustrated and discussed in detail. Including essays on their history and development from the fourtheenth to the sixteenth century and technical analysis. Text in Italian
Pietro Ricchi 1606-1675. Il Vello d'Oro
Poggetto, Paolo dal: Pietro Ricchi 1606-1675. Rimini: LuisÚ Editore, 1996. Series: Il Vello d'Oro. 461pp with 138 colour and c.300 monochrome illustrations. Cloth. 32x23.5cms. An illustrated catalogue of the works (existing, lost, erroneously attributed, and dubious), with a biography and text on the artist's various periods. Bibliography, topographical index of the paintings, general index. Text in Italian.
An illustrated catalogue of the works (existing, lost, erroneously attributed, and dubious), with a biography and text on the artist's various periods. Bibliography, topographical index of the paintings, general index. Text in Italian
Il paradiso riconquistato : trame d'oro e colore nella pittura di Michele Giambono
Ceriana, Matteo & Valeria Poletto: Il paradiso riconquistato : trame d'oro e colore nella pittura di Michele Giambono. Exhibition: Venice, Gallerie dell'Accademia, 2016. 200 pages, illustrated throughout in colour, with 14 catalogue entires. Paperback. 24 x 16cms. Text in Italian.
Text in Italian
Vetri ornati di figure in oro trovati nei cimiteri cristiani primitivi di Roma raccolti e spiegati
Garrucci, Raffaele: Vetri ornati di figure in oro trovati nei cimiteri cristiani primitivi di Roma raccolti e spiegati. Rome: 1858. xxiv, 111 pages 43 steel engraved plates. Half red morocco. 41x30cms. The first significant publication on paleo-christian gold glass was by Filippo Buonarroti in 1716, Osservazioni sopra alcuni frammenti di vasi antichi di vetro ornate di figure trovati nei cimiteri di Roma, in which he made the extraordinary assertion that the aesthetic crudity of early Christian art, often remarked by connoisseurs of Roman arts, had served to intensify the piety of the worshipper, an early expression of feeling for primitive art. After other studies, the Italian Jesuit Raffaele Garrucci published the first illustrated survey in 1858, with an expanded second edition in 1864. In the 19th century a number of imitations, copies and downright forgeries of Roman pieces were made, mostly in Murano off Venice, by firms such as Salviati. Text in Italian.
The first significant publication on paleo-christian gold glass was by Filippo Buonarroti in 1716, Osservazioni sopra alcuni frammenti di vasi antichi di vetro ornate di figure trovati nei cimiteri di Roma, in which he made the extraordinary assertion that the aesthetic crudity of early Christian art, often remarked by connoisseurs of Roman arts, had served to intensify the piety of the worshipper, an early expression of feeling for primitive art. After other studies, the Italian Jesuit Raffaele Garrucci published the first illustrated survey in 1858, with an expanded second edition in 1864. In the 19th century a number of imitations, copies and downright forgeries of Roman pieces were made, mostly in Murano off Venice, by firms such as Salviati. Text in Italian
