Bookking Int 1988 in4. 1988. Reliure editeur. 144 pages. envois en suivi pour la france et l'etranger Bon Etat intérieur propre légèrement frotté sur ses coiffes
Reference : 174987
ISBN : 2877140032
Livres-sur-sorgue
M. Philippe Arnaiz
04 90 26 49 32
Conformes aux usages de la librairie ancienne et moderne. Les prix sont nets auxquels il faut ajouter les frais de port. <br />Nous acceptons la carte bancaire. <br />
, Kerber, 2005 Mit einem Vorwort von Thomas Kellein. 17 x 24 cm. 192 S. mit 123 farb. Abb. Biografien. Fester Einband. Text in deutscher Sprache. . ISBN 9783938025573.
. In June 1905, Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff founded an association of artists known as the Brucke. Emil Nolde, Max Pechstein, and Otto Mueller were also members for a time. Over the eight years? of their intense collective work, until the group broke up in 1913, the Brucke (Bridge) became the quintessence of German Expressionism. The 100th anniversary of the founding of the Brucke is the perfect occasion for the publication to literally put the protagonists into the picture. The theme of the over eighty paintings, watercolors, drawings, and prints taken from German and international collections is the artist?s view of himself and his friends. Of special significance is the group of self-portraits by Ernst Ludwig Kirchner, which have not played much of a role in previous examinations of his oeuvre. More than 120 coloured reproductions of the works are supplemented by texts on Kirchner's portrait techniques and on the background of the artists group.
Leipzig, Kunsthalle Bielefeld, 2005 Hardcover with illustr. boards, 192pp., 17x24cm., 123 col. ills., new. ISBN 9783938025573.
In June 1905, Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff founded an association of artists known as the Brucke. Emil Nolde, Max Pechstein, and Otto Mueller were also members for a time. Over the eight years? of their intense collective work, until the group broke up in 1913, the Brucke (Bridge) became the quintessence of German Expressionism. The 100th anniversary of the founding of the Brucke is the perfect occasion for the publication to literally put the protagonists into the picture. The theme of the over eighty paintings, watercolors, drawings, and prints taken from German and international collections is the artist?s view of himself and his friends. Of special significance is the group of self-portraits by Ernst Ludwig Kirchner, which have not played much of a role in previous examinations of his oeuvre. More than 120 coloured reproductions of the works are supplemented by texts on Kirchner?s portrait techniques and on the background of the artists group.
LIBRAIRIE GERMER BAILLIERE. 20 JUIL 1878. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 49 à 72. Lecture en colonnes.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Revue des cours littéraires. Sommaire : LE SOCIALISME EN ALLEMAGNE PAR LEVIGNY, ANTIQUITES PERUVIENNES PAR LEO QUESNEL, L'ECLAIREMENT DES TABLEAUX PAR BRUCKE, LE MOUVEMENT LITTERAIRE A L'ETRANGER PAR ARVEDE BARINE, L'ALGERIE SOUS LA DOMINATION ROMAINE PAR PAUL GAFFAREL Classification Dewey : 70.49-Presse illustrée, magazines, revues
, Munchen, Hirmer Verlag, 2000., Broche, couverture d' editeur illustre en couleurs, 24x30cm, 196pp, illustre en couleurs et n/b. ISBN 9783777486208.
Exposition, Musee d' Ixelles, 17/02-7/05/2000.
Luzern, Gebr. Egli / Luzern, X. Merzer, o.J. (1828), 1820, Qu.-4° (26,5 x 36 cm). & 8°, (Schwegler:) 1 Textbl. + Mit Orig,-Umschl. mit 7 Titelvign. und 75 lithogr. Tafeln von Gebr. Eglin nach J. Schwegler. durchgehend stockfleckig im weissen Rändern / / Businger: Mit gest. Frontispiz von G. Engelmann (Aussicht der Kapell-Brücke in Luzern) + 2 gest. Titelbl. (mit ornamentalischer Federzeichnung am Rand) + 1 Bl. + 280 S.; XXXVII + 322 S., (stockfleckig), [1] Bl.; Tafeln. Halb-Leder d. Z. mit goldgepr. Rückenschild und eingebundenen Original-Broschuren. / Halb-Leder mit Ecken.
Einzige Ausgabe. - Seltenes Werk über die Brückengemälde der ältesten Brücke von Luzern (1333), die, vom Wasserturm gestützt, sich schief und winklig über die Reuss zieht. - Die Tafeln zeigen dreieckige Abbildungen historischer Darstellungen mit den Wappen beteiligter Familien und Ansichten im Hintergrund, darunter kurze vierzeilige Verse in 2 Spalten. Zusammen mit der 2-bändigen Schweiz. Bilder-Gallerie selten. Lonchamp 1170 u. 2675 (nennt nur 74 Tafeln) / Lonchamp 512. - Image disp.
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