Anchor book sans date vers 1900. poche. Sans date. Broché. Bon Etat intérieur propre
Reference : 100071956
Livres-sur-sorgue
M. Philippe Arnaiz
04 90 26 49 32
Conformes aux usages de la librairie ancienne et moderne. Les prix sont nets auxquels il faut ajouter les frais de port. <br />Nous acceptons la carte bancaire. <br />
The Folio Society. 1999. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 253 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur hors texte.. . Sous Emboitage. . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Intro. by Emmanuel LEROY LADURIE. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Davies, Glyn and Kirstin Kennedy (eds)
Reference : 091555
(2009)
ISBN : 9781851775798
Davies, Glyn and Kirstin Kennedy (eds): Medieval and Renaissance Art: People and Possessions. London: 2009. 320 pages, 350 colour illustrations. Hardback. 29cms. Published to accompany the opening of the Medieval and Renaissance galleries at the Victoria and Albert Museum this book provides the background and context for the objects that will be on display. Ornament, religious art and the body are looked at in relation to the makers, workshops, patrons and the prevailing links to and influence of the classical past.
Published to accompany the opening of the Medieval and Renaissance galleries at the Victoria and Albert Museum this book provides the background and context for the objects that will be on display. Ornament, religious art and the body are looked at in relation to the makers, workshops, patrons and the prevailing links to and influence of the classical past. Text in English
Turnhout, Brepols, 1999 Hardback, XX+294 p., incl. 8 ills., 1 plan and 2 tables, 160 x 240 mm. ISBN 9782503507675.
This collection of essays examines various aspects of the inter-relation between a number of different medieval 'European communities' and the plays they performed. There has been a marked revival of interest in medieval drama in recent years, much of it informed by an increasing understanding that drama is not just literature, but a social and indeed commercial event, essentially a communal effort, inextricably bound up with social structures. This collection of essays examines various aspects of the inter-relation between a number of different 'European communities' and the plays they performed, covering a range of theatres and play-types, and providing an international perspective on performance cultures across Europe. Contributors include Alan Hindley, Introduction; Lynette Muir, 'European communities and medieval drama'; Graham A. Runnalls, 'Drama and community in late medieval Paris'; Robert L.A. Clark, 'Community versus subject in late medieval French confraternity drama and ritual'; Frederick W. Langley, 'Community drama and community politics in thirteenth-century Arras: Adam de la Halle's Jeu de la Feuillee'; Alan Hindley, 'Acting companies in late medieval France: Triboulet and his troupe'; Alan E. Knight, 'Processional theatre and the rituals of social unity in Lille'; Wim Husken, 'Cornelis Everaert and the community of late medieval Bruges'; Elsa Strietman, 'A tale of two cities: drama and community in the Low Countries'; John Tailby, 'Drama and community in South Tyrol'; Konrad Schoell, 'Individual and social affiliation in the Nuremberg Shrovetide Plays'; Alan J. Fletcher, 'Performing medieval Irish communities'; Pamela M. King, 'Contemporary cultural models for the trial plays in the York Cycle'; Chris Humphrey, 'Festive drama and community politics in late medieval Coventry'; Philip Butterworth, 'Prompting in full view of the audience: a medieval staging convention'; Alexandra F. Johnston, 'English community drama in crisis: 1535-80'; Jane Oakshott, 'York Guilds' Mystery Plays 1998: the rebuilding of dramatic community'. Languages : English.
Minneapolis, 2009, in-8, 409pp, Reliure éditeur jaquette illustrée, Superbe exemplaire! 409pp
Ithaca - London, Cornell University Press 2023, 230x153mm, XIII- 430pages, paperback. Exemplar as new.