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KOENING (Frédéric)
Raphaël
Tours, chez Alfred Mame et fils éditeurs, 1898 - in-8, 192 pp - rel. cartonnage pap. vergé rouge, fer d'institution sur le 1er plat (dos abimé, coiffe de tête abimée, coiffe de pied manquante, trous de vers sue la page d'avant-garde)
Reference : 2507
bon ét. int.
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Librairie Art et Arts
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5 book(s) with the same title
Reconsidering Raphael
, Brepols, 2026 Hardback, 412 pages, Size:225 x 300 mm, Illustrations:16 b/w, 220 col., 3 musical examples, Languages: English, Italian. ISBN 9782503604275.
Summary One of the most brilliant and consequential artists in the western tradition, Raphael (1483-1520) was extolled during his lifetime as "prince of painters." This indelible characterization, though fitting, has long obscured his considerable achievements in other arenas. Raphael was not solely a painter, but a creative impresario, active in many media and fields of endeavor: architect, urbanist, archaeologist-antiquarian, designer of sculpture, silver, prints, tapestries, and even of landscape. In recent decades, a richer understanding of his myriad undertakings has taken form: one that reckons not only with Raphael's activity as a draftsman and as a designer in an array of media, but also considers his productive collaborations with other artists, and his meaningful interactions with patrons, advisors, humanists, literati, admirers, and friends. Yet scholarship has been slow to digest how his projects across categories related to one another, and lingering vestiges of the mythic Raphael enshrined by devotees of past centuries still color our understanding. Posing fresh questions that move beyond familiar lines of inquiry, this volume considers major themes in Raphael's life and work that are still little understood: the nature and profile of his workshop, his inventiveness as a designer across many media, and his depictions of, and relations with, women and the significant roles they played as patrons, collectors, and viewers. Drawing on multiple approaches-including conservation and technical art history-Reconsidering Raphael explores these and other elements of his astonishingly inventive, diverse, and influential body of work, recasting Raphael not as the quintessential "old master," but as a daring and bold innovator who in many ways anticipated the modern. TABLE OF CONTENTS Acknowledgments Introduction Yvonne Elet, Sheryl E. Reiss, and Linda Wolk-Simon Part I: Prismatic Approaches All in the Familia: Raphael's Workshop and the Business of Art Linda Wolk-Simon Raphael, Female Patrons, and Gendered Reception: From the Sixteenth Century to the Twentieth Sheryl E. Reiss Raphael's Activity as Urban Planner Hubertus G nther Raphael, Landscape Architect Yvonne Elet Raphael and the Material Turn: A Technical Historiography, 1970 to the Present Tiffany Lynn Hunt Part II: Projects, People, and Practices Sappho in the Segnatura: Poetic Networks and the Lyric Subject in Raphael's Parnassus Kim Butler Wingfield Raphael, Leo X, and Music: The Vatican Stanze and Other Spaces as Venues for Musical Performances Anthony M. Cummings Raphael's Tapestries for the Sistine Chapel and the Renaissance of Early Christian Rome Tracy Cosgriff Raphael's Late Color Style and His Interaction with Sebastiano del Piombo Marcia B. Hall Sex Shop: Raphael and the Erotics of Prints Madeleine C. Viljoen Raffaello legge Vitruvio Francesco Paolo Di Teodoro "Queste cose minute vogliono tempo": New Evidence for Raphael, the "arti minori," and France from the Correspondence of Baldassare Turini da Pescia (1518) Eva Trizzullo Woven Medici Riddles and the Rhetoric of a New Golden Age: The Giochi di Putti Tapestries of Leo X in the Sala di Costantino Konstantinos Gravanis Part III: Afterlife Canonization and Its Consequences Nicholas Penny List of Illustrations and Credits Abbreviations Bibliography Index
L'homéopathie exactement. L'esprit du remède. Dix années de travaux de l'Ecole Hahnemanienne de Fréjus Saint-Raphaël. Tome 1 : Clef pour le Kent
Soft nature 1989 253 pages in8. 1989. broché. 253 pages. Ce livre est le tome 1 de la série 'L'homéopathie exactement' intitulé 'L'esprit du remède'. Il rassemble des études de Matière Médicale réalisées par les membres de l'École Hahnemanienne de Fréjus/Saint-Raphaël sous la direction du Dr Didier Grandgeorge. L'ouvrage s'adresse à la fois aux professionnels de la santé comme outil de pratique quotidienne et au grand public averti pour approfondir ses connaissances en homéopathie
Bon état
Eloge de l'Olivier. Avec une préface en musique d'Ennemond Trillat, un frontispice de Raphael Drouart, des photographies de Blanc et de Demilly, le texte imprimé par Audin et Cie de Lyon.
Lourmarin de Provence, Les Terrasses de Lourmarin, 1939, 1 volume in-4 de 280x230 mm environ, 100 pages, un frontispice de Raphael Drouart, 12 photographies de Blanc et Demilly, texte imprimé par Audin et Cie, exemplaire numéroté (n° 100/500), sur super-Alfa des Papeteries de France, avec envoi de l'auteur, dos légèrement insolé avec plis de lecture et petits frottements, sinon bon état.
Marie-Henri d'Arbois de Jubainville, né à Nancy le 15 décembre 1827 et mort à Paris le 26 février 1910, est un historien, archiviste et celtologue français. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
"(FIBIGER, MATHILDE) + (JULIUS CHRISTIAN GERSON) (+) (PETER VANDAL)
Reference : 63447
(1851)
Clara Raphael. Tolv Breve, udgivne af Johan Ludvig Heiberg. Andet Oplag (+) Fem Breve til Clara Raphael fra en Ung Hustru (+) Blik paa det verdenshistoriske Værk ""Clara Raphael"" og den derved fremkaldte Damelitteratur.
Kjøbenhavn, 1851. 8vo. In recent blue paper covered boards with white paper title-label to front board. Annotations in pencil to pasted down front end-paper. Internally with light occassional brownspotting. X, 110, 35, (1), 71 pp.
A most interesting sammelband containing the scarce second edition, published the same year as the first, of the first feminist novel in Denmark, the highly controversial and influential ""Clara Raphael"", which is the work that sparked the battle for women's rights in Denmark. Bound together is one of the most important responses to it from the same year (“Fem Breve til Clara Raphael”) as well as Drejer’s (under the pseudonym Vandal) critical commentary. Fibiger’s novel caused enormous controversy. The intellectual elite was in uproar. Within the first year of its publication, ca 25 responses to it were published in newspapers and periodicals and ca 10 brochures and pamphlets pertaining to it. The novel caused vexation in all political camps. The demands for equality between the sexes were scrutinized in all regards, and many politicians began singing the praises of “the woman of the home”. It is in this strain of thought that the famous author of children’s books, Julius Christian Gerson, wrote his significant contribution to the feud, “Five Letters to Clara Raphael from a Young Wife”, also published in 1851. Using the pseudonym “A Young Wife”, he claims, in the voice of this fictitious woman, that Fibiger’s novel had violated the female gender and that the emotions and the striving that are presented as those most pertinent for the woman, are completely foreign to the true woman. He lets his fictitious female author praise herself for being “a young mother who wishes for nothing and wishes to be nothing outside of her circle.” The debate that arose following the publication of ""Clara Raphael"" was very harsh indeed, and the whole public debate was hard on Mathilde Fibiger. Her views were lost on almost all notable men of the period, but she clearly needed to defend herself. ""Clara Raphael"" is the main work of feminism in Denmark and the first Danish governess novel. It founded an entirely new genre of women's novels hitherto unknown in Denmark. The work, which constitutes the break-through of feminism in Denmark, was greatly controversial and immediately caused great furore. It resulted in the so-called Clara Raphael Dispute, in which for instance N.F.S. Grundtvig defended Mathilde Fibiger. Due to the controversial contents of the work, Mathilde Fibiger published it anonymously, and only J.L. Heiberg (1791-1860, perhaps the most famous cultural persona during the Danish Golden Age. He played a more significant role than any other author or thinker during this period) is mentioned on the title-page, as the editor. No publisher had wanted to touch this highly controversial work, and it was only after the appearance of ""Jane Eyre"" that a publishing house dared take it on. As Mary Wollstonecraft had pioneered feminist philosophy with ""A Vindication of the Rights of Women"" from 1792 and argued for education as the means to liberate women, so Mathilde Fibiger surprised her Danish contemporaries with her groundbreaking novel ""Clara Raphael. Twelve Letters"", from 1851, in which she made the connection between the national-democratic movement and the liberation of women. With this book, which deals with the inequality of the sexes and the lack of possibility for women to develop themselves, Mathilde Fibiger became the first notable advocate of the emancipation of women in Denmark. It was not only the political controversy caused by the request of equality that made the book so extremely controversial, it was also the ability of the merely 20 year old author to clearly and precisely state and substantiate the essential problems. When reading the book, it is not difficult to see why it came to have the effect that it did, and why it caused the furor that it did. For instance, Clara Raphael, when despairing at the position of women in society, writes: ""Our position in society is tragic, and why? What right does man have to suppress us? For subjugated we are, despite the chains being gilded."" She understands that casting off these chains will be no easy matter, and that it will not only be a matter of politics, but also of consciousness and mindset: ""When the peasants were granted their freedom, some of them wept, begging for permission to keep things as they had been."" One of the beaming sentences of the novel is Clara's response to her friend when asked what she is actually fighting for: ""I will fight and live for what I understand by the emancipation of women."" Her hope of breaking with the existing patriarchal system of society required national and democratic self-awareness, which for her constituted a promise of freedom. In 1871, Frederik Bajer (1837-1922) and Matilde Bajer (1840-1934) founded the Danish Women's Society, the first women's organisation in Denmark. Mathilde Fibiger was one of the earliest members of the Society. When the Danish Women's Society was established, it did not demand female suffrage. It was not until 1906 that a majority of the members were in favour of making that demand the official policy of the Society. In Denmark, women were not allowed to vote in parochial church council elections until 10+3" not until 1908 were they allowed to vote in parish council and local council elections, and not until 1915 in the Folketing and the Landsting elections. It was not until then that women became fully-fledged citizens in a political sense.
RAPHAEL (after / d’après) / VOLPATO, Giovanni / MORGHEN, Raphael:
Reference : 136456aaf
1) Effigies cognitae in in Scholae Atheniensis... A key to some of the figures depicted in Raphael's School of Athens: 23 figures, all seen bust-length, and the explanatory key below. Etching - Giovanni Volpato (1733-1803) after Raphael - Italien school .
s.d. ca. 1760, 26x38 cm 4 leaves of orig. etchings,
2) Effigies cognitae in Montis Parnassi... A key to some of the figures depicted in The Parnassus, after the fresco designed by Raphael for the Stanza della Segnatura: eleven poets, all seen bust-length, and the explanatory key belowEtching- Raphael Morghen after Raphael - 1775 -3) (after Raphael) by Raphael Morghen (Naples 1758 - Florence 1833). 1.Cardinal Giovanni de' Medici, later Pope Leo X (1475-1521), 2. Pope Saint Leo I 'The Great' (d.461), 3. Perugino (c.1450 – 1523) and 4. Attila the Hun (d.453).4) Effigies cognita Julius Papa Secundus... Image disp.
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