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HAND (John Oliver), WOLFF (Martha)
Early Netherlandish Painting.
1986 Washington, National Gallery of Art -Cambridge University Press, 1986, 22 x 28,50 cm, 271 pp, reliure d'éditeur toilée rouge ,avec jaquette,
Reference : 17668
The collections of National Gallery of Art.
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Librairie Jousseaume
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5 book(s) with the same title
The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Stroo, Cyriel et al: The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Brussels: 2001. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards. 30x21.5cms. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden.
Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English
The Flemish Primitives IV: Masters with Provisional Names. Vol. 4. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Dubois, A. et al: The Flemish Primitives IV: Masters with Provisional Names. Vol. 4. Brussels: 2006. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 464pp with 140 colour and 290 monochrome illustrations. Boards. 30x21cms. The fourth volume of the Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium, examines the works attributed to masters with provisional names from the 14th to the early 16th century. First grouped on the basis of stylistic affinities in 1900, the 19 paintings have been submitted to scientific examination in the hope of identifying these anonymous painters in the future.
The fourth volume of the Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium, examines the works attributed to masters with provisional names from the 14th to the early 16th century. First grouped on the basis of stylistic affinities in 1900, the 19 paintings have been submitted to scientific examination in the hope of identifying these anonymous painters in the future. Text in English
Van Eyck and the Founders of Early Netherlandish Painting
, Harvey Miller Pub, 1999 Softcover, 224 pages, 28 x 20.5 cm, English text. *As new. ISBN 9781872501284.
Van Eyck and the Founders of Early Netherlandish Painting" by Otto Pacht is a textbook published by Miller Publishers in 1999. The book focuses on the art and history of the Early Netherlandish Painting movement, with a specific emphasis on individual artists such as Van Eyck. With 224 pages, this trade paperback provides in-depth analysis and insight into this medieval European art history. Written in English, this book is a valuable resource for those interested in art, history, and the specific contributions of the Netherlandish painters.
Image of the City in Early Netherlandish Painting (1400-1550)
, Brepols 2019, 2019 Hardcover, 356 pages., 95 b/w ill. + 17 colour ill., 14 b/w tables, 178 x 254 mm, English, . ISBN 9782503579825.
Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especially oil painting, which thrived in the fifteenth-century Low Countries among a heterogeneous elite and the well-off urban middling groups, succeeded as no other medium in capturing the urban landscape in its finest details. In order to gain an insight into how late medieval citizens, clerics and noblemen conceived of urban society and space, this book combines a serial analysis of a large corpus of painted city views with a critical discussion of some well-documented and revealing works of art. Throughout the book a variety of questions are addressed, ranging from the religious conception of the city, the theatrical dimension of urban space, the extent to which Early Netherlandish painting depicted the city as an economic space, how images of city and countryside functioned as identity markers of the donor, and how technical advances in the field of cartography impacted the portrayal of towns in the sixteenth century. In doing so, this study explores the duality of some of the major interpretive schemes that have determined the last few decades of historiography on late medieval Netherlandish culture, oscillating between bourgeois and courtly, realistic and symbolic, profane and religious, and innovative versus traditional.
Early Netherlandish painting (1400-1500) a bibliography (1984-1998)
1998 Interantionaal studiecentrum voor de middeleeuwse schilderkunst in het schelde- en maasbekken Soft cover
Langue: anglais. Peinture néerlandaise précoce (1400-1500) une bibliographie (1984-1998) couverture souple, 29,5 x 21 cm, 385 p, contribution à la peinture du quinzième siècle dans les Pays-Bas du Sud et le principauté de Liège 8 comme neuf, presque en état de neuf
