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HAND (John Oliver), WOLFF (Martha)
Early Netherlandish Painting.
1986 Washington, National Gallery of Art -Cambridge University Press, 1986, 22 x 28,50 cm, 271 pp, reliure d'éditeur toilée rouge ,avec jaquette,
Reference : 17668
The collections of National Gallery of Art.
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5 book(s) with the same title
Early Netherlandish Painting - The Thyssen-Bornemisza Collection
London 1989 Philip Wilson Publishers, Limited Hardcover Very Good
Hardcover, Jacket: Very Good, 30 X 25 cm, 288 pp., English, Illustrations, book condition: Very Good. Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession. It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century. An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling. A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.
The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Stroo, Cyriel et al: The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Brussels: 2001. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards. 30x21.5cms. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden.
Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English
The Flemish Primitives IV: Masters with Provisional Names. Vol. 4. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Dubois, A. et al: The Flemish Primitives IV: Masters with Provisional Names. Vol. 4. Brussels: 2006. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 464pp with 140 colour and 290 monochrome illustrations. Boards. 30x21cms. The fourth volume of the Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium, examines the works attributed to masters with provisional names from the 14th to the early 16th century. First grouped on the basis of stylistic affinities in 1900, the 19 paintings have been submitted to scientific examination in the hope of identifying these anonymous painters in the future.
The fourth volume of the Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium, examines the works attributed to masters with provisional names from the 14th to the early 16th century. First grouped on the basis of stylistic affinities in 1900, the 19 paintings have been submitted to scientific examination in the hope of identifying these anonymous painters in the future. Text in English
Early Netherlandish Painting. Its Origins and Character. Volume One: Text. Volume Two: Plates.
New York, Harvard University Press, Cambridge, 1958 2 VOLUMES Paperback, vol. I: XIII-573pp-28plates, vol II: XXIV-334plates, 18x23.5cm., ills. in b/w., good condition
Classic study on early netherlandish painting.
Image of the City in Early Netherlandish Painting (1400-1550)
, Brepols 2019, 2019 Hardcover, 356 pages., 95 b/w ill. + 17 colour ill., 14 b/w tables, 178 x 254 mm, English, . ISBN 9782503579825.
Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especially oil painting, which thrived in the fifteenth-century Low Countries among a heterogeneous elite and the well-off urban middling groups, succeeded as no other medium in capturing the urban landscape in its finest details. In order to gain an insight into how late medieval citizens, clerics and noblemen conceived of urban society and space, this book combines a serial analysis of a large corpus of painted city views with a critical discussion of some well-documented and revealing works of art. Throughout the book a variety of questions are addressed, ranging from the religious conception of the city, the theatrical dimension of urban space, the extent to which Early Netherlandish painting depicted the city as an economic space, how images of city and countryside functioned as identity markers of the donor, and how technical advances in the field of cartography impacted the portrayal of towns in the sixteenth century. In doing so, this study explores the duality of some of the major interpretive schemes that have determined the last few decades of historiography on late medieval Netherlandish culture, oscillating between bourgeois and courtly, realistic and symbolic, profane and religious, and innovative versus traditional.
