Paris Editions du Fanal 1982 In-4 Cartonnage toilé, jaquette illustrée
Reference : 007959
EDITION ORIGINALE française traduite par Alain Dupuy. Nombreuses photographies d'Ansel Adams. Index in fine. 282 pp. Très bon 0
Librairie-Galerie Emmanuel Hutin
Emmanuel Hutin
5 rue d'Argenson
75008 Paris
France
01 42 66 38 10
Prix nets. Port en recommandé à la charge du client. Règlement par virement. Expédition après réception du paiement.
Les Iconomécanophiles du Limousin. 2004. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 20 pages augmentées de nombreuses photos et illustrations en noir et blanc et couleurs dans le texte. Relié par une baguette.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : Polaroïd 95, 80, 110, 150, 800, 900, J33, J66, Polaroïd SX70 - Base Polaroïd mat. Prof. - Polaroid oscilloscopes - etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues
, CIRCA, 2022 HB, 250 x 200 mm, 128 pages, 72 color illustrations, Eng. edition. --- 1/500 signed copies --- FINE!. ISBN 9781911422310.
Ifa Brand never felt satisfied as a model. The dissatisfaction stemmed from not being able to represent her true identity: 'I fell "between styles": alternative but not alternative enough; fetish but not in a typical sense. I also disliked photographers telling me how I should look, pose, behave; telling me no to red lips, no to precious lingerie and all the things I loved.' In 2017, she decided to go her own way. She saw photography as an opportunity to be her own creative director, to follow her own storylines, and to explore her own vision of sensuality, eroticism and fetish. Hers is a quest for personal empowerment through the art of self-portraiture: 'I find it very important to present a strong, independent woman. There needs to be an element of being untouchable. The message to the viewer is: yes you can look but solely on my terms.' Ifa Brand spent five years at the Royal Academy of Fine Arts, Antwerp, studying jewellery design, graduating as a master silversmith & jewellery designer. During her time there, she began modelling as a hobby, but it soon assumed a bigger role in her life. In 2013, she had her big break when she was featured on the cover of Dutch Playboy magazine. In 2017, she decided to go her own way. She saw photography as an opportunity to be her own creative director, to follow her own storylines, and to explore her own vision of sensuality, eroticism and fetish. She bought a Polaroid camera to experiment with and loved it immediately: 'It gave me a whole new experience. The sound of the camera "taking" the image. The smell of the chemicals, which are so strong and specific to Polaroid. And the end result - the way the images roll out of the camera, unedited and pure. For me, technique is secondary to feeling. I think in colours, shadows and contrast. Polaroid is unstable, always unpredictable. It pushes you each time to be the best photographer you can be with varying degrees of success. As a creative, I do not believe in comfort. If you are not willing to submit yourself to discomfort and frustrations, you will never grow, or create interesting work.'
Verlag Photographie 1982, in-4to, With 3 original Photos (2x 18x24 cm / 1x 12.5x17.5 cm, showing the Polaroid 50x60 cm Camera taking pictures of Leonardo’s ‘Abendmal’ + Businesscard of Polaroid Chef de Presse J. Bauer + 1 leaf publicity). Richly illustrated in color after orig. polaroids. / Reich farbig illustriert. Alle in diesem Bildband gezeigten Aufnahmen wurden, mit Ausnahme der 50x60 cm-Bilder, direkt ab Polaroid-Originalien reproduziert, Original-Pappband.
Phone number : 41 (0)26 3223808
Union des Editions Modernes. Février 1981. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 770-Photographie
Sommaire : Hamilton en quinze secondes, le Polaroid nouvelle fièvre de David, Essai : time zero, un film Polaroid sous le signe du progrès, George Platt-Lynes, images surréalistes sauvées de l'autodafé, Une nuit américaine, texas : Michel Folco escorte le Samu de Houston, Flaherty inconnu Classification Dewey : 770-Photographie
Publicness. Décembre 1979. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 130 pages. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 770-Photographie
Sommaire : Portraits polaroid : quelques personnalités connues et inconnues photographiées avec le nouveau système polaroid instantané Studio 50x60, Les droits d'auteur du photographe, forfait ou participation par Pierre Frémond, Le Nikon EM testé par Chenz, L'Illustration : premier article d'une série sur ce magazine exemplaire dans l'utilisation de la reproduction de l'image par Yves Aubry Classification Dewey : 770-Photographie