Paris L'age d'homme In-8 Broché Edition originale
Reference : 004731
Edition originale. Exemplaire portant un ENVOI autographe signé de l'auteur à André Pieyre de Mandiargues. Bon exemplaire 0
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Bailey, Colin B.: Patriotic Taste. Collecting Modern Art in Pre-Revolutionary Paris. London and New Haven: 2002. 344pp with 60 colour and 150 monochrome illustrations. Cloth. 25.6x19.2cms. Discussion of six French collectors of the pre-revolutionary period, their collections and the 18th-century patriotic zeal for collecting contemporary art of 'l'Ãcole FranÃaise'.
Discussion of six French collectors of the pre-revolutionary period, their collections and the 18th-century patriotic zeal for collecting contemporary art of 'l'Ãcole FranÃaise'. Text in English
, Brepols, 2019 Hardback, xxiii + 635 pages, Size:156 x 234 mm, Illustrations:9 b/w, 10 col., 4 tables b/w., 2 Musical Examples, Languages: English, Old Norse. ISBN 9782503568805.
Summary Over more than a thousand years since pre-Christian religions were actively practised, European - and later contemporary - society has developed a fascination with the beliefs of northern Europe before the arrival of Christianity, which have been the subject of a huge range of popular and scholarly theories, interpretations, and uses. Indeed, the pre-Christian religions of the North have exerted a phenomenal influence on modern culture, appearing in everything from the names of days of the week to Hollywood blockbusters. Scholarly treatments have been hardly less varied. Theories - from the Middles Ages until today - have depicted these pre-Christian religious systems as dangerous illusions, the works of Satan, representatives of a lost proto-Indo-European religious culture, a form of 'natural' religion, and even as a system non-indigenous in origin, derived from cultures outside Europe. The Research and Reception strand of the Pre-Christian Religions of the North project establishes a definitive survey of the current and historical uses and interpretations of pre-Christian mythology and religious material, tracing the many ways in which people both within and outside Scandinavia have understood and been influenced by these religions, from the Christian Middle Ages to contemporary media of all kinds. The previous volume (I) traced the reception down to the early nineteenth century, while the present volume (II) takes up the story from c. 1830 down to the present day and the burgeoning of interest across a diversity of new as well as old media. TABLE OF CONTENTS List of Illustrations Abbreviations for Volume II The Contributors Introduction to Volume II - MARGARET CLUNIES ROSS Part 1 The Later Grundtvig 1.1 N. F. S. Grundtvig's Use of Norse Mythology (1815-72) and its Aftermath - FLEMMING LUNDGREEN-NIELSEN Part 2 The Influence of Cultural Milieu on the European Reception 2.1 Germany 1650-1860 - CHRISTINA LEE 2.2 Finns, S mi and Swedes - THOMAS A. DUBOIS Part 3 Studies of Norse Myth and Religion in the Nineteenth Century 3.1 The Character of the New, Comparative Scholarship - MARGARET CLUNIES ROSS 3.2 The Nineteenth-Century Emergence of Religionswissenschaft and its Impact on the study of the pre-Christian Religions of the North - BERNHARD MAIER 3.3 The Heavenly Mountains of Asia: Old Norse Religion and Comparative Religion - ANNETTE LASSEN 3.4 The Comparative Study of Celtic and Nordic Religions - BERNHARD MAIER 3.5 Nordic, Germanic, German: Jacob Grimm and the German Appropriation of Old Norse Religion and Myth - SIMON HALINK 3.6 The Rise of Folklore Studies - JOHN LINDOW Part 4 The Influence of Old Norse Myth on Music in the Nineteenth and Twentieth Centuries 4.1 Wagner, the Ring and its influence - EDWARD HAYMES 4.2 Scandinavian Myths in Nineteenth-century Opera and Choral Music - BARBARA EICHNER 4.3 The Music of J n Leifs - FLORIAN HEESCH Part 5 The Reception in Theatre and Performance 5.1 Theatre and Performance (1830-2012) - TERRY GUNNELL AND SVEIN EINARSSON Part 6 The Reception in Literature 6.1.1 Literary Modernism and Old Norse Myth - KATJA SCHULZ 6.1.2 Old Norse myth in James Joyce's Finnegans Wake CHRISTOPHER BLACK 6.2 Old Norse Mythology in Anglophone Fantasy and Science Fiction from 1940 - RANDI ELDEVIK 6.3.1 Norse Medievalism in Children's Literature in English - DAVID CLARK 6.3.2 Norse Mythology in Nordic Children's Literature 1970-2012 - ANNE-KARI SKARDHAMAR Part 7 The Reception in Mass Culture 7.1 Nordic Gods and Popular Culture - J N KARL HELGASON Part 8 The Reception in Modern and Contemporary Art 8.1 Norse Myths in the Visual Arts of the Twentieth and Twenty-First Centuries: A Short Catalogue Raisonn - SARAH TIMME Part 9 The Role of the pre-Christian Religions of the North in Modern National, Political and Religious Movements 9.1 Old Norse Mythology and Heroic Legend in Politics, Ideology and Propaganda - JULIA ZERNACK 9.2 Germanic Neopaganism - STEFANIE VON SCHNURBEIN Part 10 Modern Scholarship and Research as Reception 10.1 On the Concept of 'Germanic' Religion and Myth - JULIA ZERNACK 10.2 Philological Studies of Nordic Religion from rni Magn sson until Today - ANNETTE LASSEN 10.3 The Social Turn: The pre-Christian Religions of the North in the Twentieth and Twenty-First Centuries - MARGARET CLUNIES ROSS 10.4 Pre-Christian Religions of the North: The Reception Now - MARGARET CLUNIES ROSS Index of Authors, Artists and Works Index of Concepts
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Knokke-heist, Berko, 1991 hardcover Couverture rigide, reli e, 25x28,5cm, 192 pp., tr s belles illustrations en couleur, texte en fran ais et en English text **NEUF/New. ISBN 2871140537.
Life and works of the female artist Caroline Stienon du Pre. Richly illustrated with her works of flowers, nature, portraits and every day life. ----- La vie et l'?uvre de l'artiste Caroline Stienon du Pre. Richement illustr avec ses ?uvres de fleurs, de nature, de portraits et de la vie de tous les jours.
How, George Evelyn Paget: English and Scottish Silver Spoons, Mediaeval to Late Stuart, and Pre-Elizabethan Hall-Marks on English Plate. 3 volumes. London: Privately published, 1952. Volume I. xix, 366 pages with frontispiece and 149 pages of monochrome illustrations. Volume II, vii, 401 pages with 144 pages of monochrome illustrations. Volume III. ix, 161pages with 12 pages of monochrome illustrations, 42 pages of facsimiles of hallmarks and 51 drawings of hallmarks in the text. This copy number 25 of only 50 copies on mould-made paper half bound by Sangorski & Sutcliffe in blue morocco, each volume in a Morocco trimmed slipcase, from a total edition of 550 copies. 41.5x31cms.