1900 br. plaq. 31 x 15 cm, illustré P. Draeger ca. 1900
Reference : 15568
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Librairie ancienne Georges de Lucenay
M. Georges de Lucenay
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71120 Charolles
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[Camille Orovida Pissarro] - Pissarro, Joachim and Claire Durand-Ruel Snollaerts
Reference : 064421
(2005)
ISBN : 8884911788
Pissarro, Joachim and Claire Durand-Ruel Snollaerts: Camille Pissarro. Critical Catalogue of Paintings. 3 vols. Paris: Wildenstein Institute, 2005. Vol.1: Essays, Chronology, Bibliography and List of Exhibitions, 436pp; Vol.2: Prefaces, Catalogue 1852-1883, 498pp; Vol.3: Catalogue 1884-1903, Appendix, 464pp; altogether 1321 colour and 1024 monochrome illustrations. Cloth in a slipcase. 30x25cms. In depth study of the life and work of this French master, which draws extensively on the 1939 catalogue raisonnÃ, but also includes some 200 previously unpublished pictures (making a total of 1529 paintings) and many documents. Looks at his career which covered the second half of the 19th century, and which incorporated researches into the new movements including Impressionism and Divisionism. With detailed catalogue description and analysis of each entry, complete biography with archival photographs, bibliography and list of exhibitions. Text in English and French.
In depth study of the life and work of this French master, which draws extensively on the 1939 catalogue raisonnÃ, but also includes some 200 previously unpublished pictures (making a total of 1529 paintings) and many documents. Looks at his career which covered the second half of the 19th century, and which incorporated researches into the new movements including Impressionism and Divisionism. With detailed catalogue description and analysis of each entry, complete biography with archival photographs, bibliography and list of exhibitions. Text in English and French
Reference : 122110
Bloch - Pimentel, Feill Sales Catalogue. Two auction catalogues bound in red buckram; catalogue I: 85 pages, 55 black and white illustrations; catalogue II: 1 colour plate, 16 black and white plates. Hardback. 25.5 x 20cms. Catalogue I: Uhrensammlung Dr. Antoine-Feill, Hamburg, Cologne: Franz A. Menna, 1955; Catalogue II: Collection Bloch-Pimentel: Montres Des XVI - XVII - XVIII et XIX Siecles, Horloges et Pendules, Livres Anciens, Paris, HÃŽtel Drouot, 1961, both catalogues include annotated prices. Text in German & French.
Catalogue I: Uhrensammlung Dr. Antoine-Feill, Hamburg, Cologne: Franz A. Menna, 1955; Catalogue II: Collection Bloch-Pimentel: Montres Des XVI - XVII - XVIII et XIX Siecles, Horloges et Pendules, Livres Anciens, Paris, HÃŽtel Drouot, 1961, both catalogues include annotated prices. Text in German & French
Thijs, Alexander: Nicolaes Gillis (Antwerpen 1593 - Haarlem 1630). Pionier van het Haarlemse voedsel- en bloemstilleven: catalogue raisonnÃ. Leiden: 2024. 296 pages, over 400 illustrations. Hardback. 29x25cms. The catalogue raisonne of Dutch Golden Age still life painter Nicolaes Gillis (1593-1630). 6 essays explore Gillis' early life, his arrangements of food and flower in his works, his influence on Floris van Dijck, his own adaptations of Andries I van Baesrode and Osias I Beert's paintings, and Gillis' employment of the vanitas theme. The catalogue of 56 entries is divided into 4 parts: signed works, attributed works, revised attributions, and references to unidentified works. The appendices contain transcripts of archival documents from Antwerp and Haarlem, notes from Abraham Bredius, and historical recipes with fruits featured in Gillis' still lives. Text in Dutch.
The catalogue raisonne of Dutch Golden Age still life painter Nicolaes Gillis (1593-1630). 6 essays explore Gillis' early life, his arrangements of food and flower in his works, his influence on Floris van Dijck, his own adaptations of Andries I van Baesrode and Osias I Beert's paintings, and Gillis' employment of the vanitas theme. The catalogue of 56 entries is divided into 4 parts: signed works, attributed works, revised attributions, and references to unidentified works. The appendices contain transcripts of archival documents from Antwerp and Haarlem, notes from Abraham Bredius, and historical recipes with fruits featured in Gillis' still lives. Text in Dutch
[Edouard Vuillard] - Salomon, Antoine and Guy Cogeval
Reference : 064427
(2003)
ISBN : 8884911192
Salomon, Antoine and Guy Cogeval: Vuillard: The Inexhaustible Glance. Critical Catalogue of Paintings and Pastels. 3 vols. Milan: 2003. Together, 1742pp with 1200 colour, 2300 monochrome and duotone illustrations. Cloth in a slipcase. 31x26cms. Catalogue raisonnà of the paintings and pastels of this French artist (1868-1940). With hundreds of photographs taken by Vuillard himself, and an unprecedented collection of preparatory drawings and sketches. With indices of exhibitions, titles, collectors, galleries, museums and names cited in the catalogue. English Edition.
Catalogue raisonnà of the paintings and pastels of this French artist (1868-1940). With hundreds of photographs taken by Vuillard himself, and an unprecedented collection of preparatory drawings and sketches. With indices of exhibitions, titles, collectors, galleries, museums and names cited in the catalogue. English Edition. Text in English
[Carel de Moor] - Fowler, Pamela & Piet Bakker
Reference : 123332
(2024)
ISBN : 9059973933
Fowler, Pamela & Piet Bakker: Carel de Moor 1655-1738. His Life and Work. A Catalogue RaisonnÃ. 2024. 349 pages, illustrated in colour throughout. Hard cover. 29 x 25cms. A catalogue raisonne of the works of Carel de Moor (1655-1738). 4 essays look at De Moor's life, his career and his clients, his artistic development, and critical reception of his art. The catalogue itself is divided into 7 parts: accepted paintings, problematic and rejected attributions, works known only through descriptions, works known only through reproductions, drawings, etchings, engravings and mezzotints. Also includes 2 appendices on De Moor's social environment and transcripts of archival records.
A catalogue raisonne of the works of Carel de Moor (1655-1738). 4 essays look at De Moor's life, his career and his clients, his artistic development, and critical reception of his art. The catalogue itself is divided into 7 parts: accepted paintings, problematic and rejected attributions, works known only through descriptions, works known only through reproductions, drawings, etchings, engravings and mezzotints. Also includes 2 appendices on De Moor's social environment and transcripts of archival records. Text in English