Mazenod. 1984. Gd.in-4 toilé sous jaquette ill.en couleurs.Etui.Iconographie importante pleines Pages.Couleurs et noir.Etat neuf.
Reference : 47633
Librairie Ancienne Laurencier
Patrick et Liliane Laurencier
7 rue du Chai des Farines
33000 Bordeaux
France
livresanciens.laurencier@wanadoo.fr
33 05 56 81 68 79
Paris 1984 Mazenod Original Cloth As New
L'Art de la Renaissance quatorzieme titre de la collection L art et les grandes civilisations Hardcover, reliure toile , avec jacquette et dans un etui de l editeur 325 x 255 mm, 606 pp, le poids du livre et plus de 4 kilo ( frais postaux supplémentaires ) etat comme neuve
Paris 1984 Mazenod Original Cloth As New
L'Art de la Renaissance quatorzieme titre de la collection L art et les grandes civilisations Hardcover, reliure toile , avec jacquette 325 x 255 mm, 606 pp, le poids du livre et plus de 4 kilo ( frais postaux supplémentaires ) etat comme neuve
Paris 1992 Citadelles & Mazenod Hardcover As New
Reliure rigide, jaquette: Comme neuf, Étui, 32 x 25 cm, 603 pp., français, illustrations, état du livre: Comme neuf.
Bruxelles 1897 Arthur Boitte Decorative Cloth Premier Édition
L'Art Flamand : La Renaissance ouvrage illustré de photogravures d'après les oeuvres originales des maître Reliure éditeur, 330 x 245 mm, 48 planches hors texte, 212 pp, bon état
Phone number : +32(0)496 80 81 92
, Brepols, 2023 Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638.
Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Sz pe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and G nther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une nigmatique illustration dans un incunable v nitien Fran ois Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attivit di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virt Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Mus e Jacquemart-Andr Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Sz pe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprim s Venise (1896): storia di un incunabolo moderno Ilaria Andreoli