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[BECKMANN].
Max Beckmann.
P., Éd. du Centre Pompidou, 2002, in-4 carré, br., couv. ill., non paginé, nombreuses illustrations en noir et en couleurs, biographie, bibliographie. (DF26)
Reference : 1363426
Catalogue d'exposition au Centre Pompidou du 10 septembre 2002 au 6 janvier 2003.
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5 book(s) with the same title
Max Beckmann
, Museum Of Modern Art 2004, 2004 Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426.
Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art captials of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on The Beckmann Effect; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasionof the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.
Max Beckmann. Die Druckgraphik Radierungen, Lithographien, Holzschnitte
Gallwitz, Klaus: Max Beckmann. Die Druckgraphik Radierungen, Lithographien, Holzschnitte. Karlsruhe: Badischer Kunstverein, 1962. Catalogue of 305 works each with a description and illustration. With an essay on the artist by his son Peter Beckmann. Hardback. 22x17cms. Text in German.
Text in German
Max Beckmann. Departure
Max Beckmann. Departure. Exhibition: Munich, Pinakothek der Moderne, 2023. 356 pages, fully illustrated in colour. Hardback. 28 x 23cms. A consideration of Max Beckman's work focusing on his travels. Eight chapters explore recurring motifs in Beckman's oeuvre including his various moves to America and across Europe, views through windows, depictions of the sea, the urban experience, depictions of and involvement with filmmaking, his own studios and collection of non-Western art, and his final triptych, 'Argonauts'. Art historical essays are interspersed with texts by Ulrike Daesner, Devad Karahasan, Uljana Wolf and Patrice Nganag, as well as commentary on specific works by Josefine Berkholz and Maria Cecilia Barbetta. Copiously illustrated with Beckman's personal photographs and archival documents.
A consideration of Max Beckman's work focusing on his travels. Eight chapters explore recurring motifs in Beckman's oeuvre including his various moves to America and across Europe, views through windows, depictions of the sea, the urban experience, depictions of and involvement with filmmaking, his own studios and collection of non-Western art, and his final triptych, 'Argonauts'. Art historical essays are interspersed with texts by Ulrike Daesner, Devad Karahasan, Uljana Wolf and Patrice Nganag, as well as commentary on specific works by Josefine Berkholz and Maria Cecilia Barbetta. Copiously illustrated with Beckman's personal photographs and archival documents. Text in English
Max Beckmann. Catalogue raisonné of his prints. I: 1900 - 1920. II: 1921 - 1948. 2 vols
Hofmaier, James: Max Beckmann. Catalogue raisonné of his prints. I: 1900 - 1920. II: 1921 - 1948. 2 vols. Bern: Kornfeld, 1990. I: 1900 - 1920. 475pp with 229 monochrome illustrations; II: 1921 - 1948. 419pp with 206 monochrome illustrations. Hardback. 31.5x25cms. New catalogue, including some previously unpublished works. With examples of signatures, biography, list of collections, bibliography, concordances and indices. Text in German.
New catalogue, including some previously unpublished works. With examples of signatures, biography, list of collections, bibliography, concordances and indices. Text in German
Max Beckmann Small loan Retrospective
London Marlborough Fine Art 74: Max Beckmann Small loan Retrospective. 1974. Wrappers.
