Casterman Les aventures de Lefranc Album cartonné 1987 In-4 (23x30.5 cm), album cartonné, plats illustrés, 48 pages, EDITION ORIGINALE ; tous petits chocs sur les coiffes, étiquette sur le 4e plat, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Reference : fm202
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Seghers, Lode and Joaquin Juste Cestino; Max. J. Friedlander; Marta Crick-Kuntzinger;
Reference : 38930
, Antwerpen. Ars Europeae-Drukkerij De Beurs. 1956, Original publisher"s white cloth spine, paper covered boards, title spine, pictorial frontcover, folio; frontispiece, 100pp. 20 page-large coloured plates, 8 bl.and wh. illustrations, biography Bernard of Orley.
description of tapestries, list of illustrations, table of contents. Small stain frontcover. fine copy. Texts in Dutch - French - Spanish - English - German - Italian.
ORLEY - Seghers, Lode and Joaquin Juste Cestino; Max. J. Friedlander; Marta Crick-Kuntzinger;
Reference : 46889
, Antwerpen. Ars Europeae-Drukkerij De Beurs. 1956, LUXE BINDING leather + goldletters pictorial frontcover, folio; frontispiece, 100pp. 20 page-large coloured plates, 8 bl.and wh. illustrations, biography Bernard of Orley.
description of tapestries, list of illustrations, table of contents. Small stain frontcover. fine copy. Texts in Dutch - French - Spanish - English - German - Italian. this is an luxe edition in an very special bound.
, Brepols, 2020 Paperback, 167 pages, Size:156 x 234 mm, Illustrations:1 col., Language: English. ISBN 9782503582405.
Summary The Glossa in Apocalypsin (Cambridge Gloss on the Apocalypse) is a recently-discovered anonymous Hiberno-Latin (that is, authored by an Irish cleric writing in Latin) commentary on the Apocalypse of John found in a tenth-century manuscript at Cambridge University Library. This gloss is written in a similar style to other Irish-authored exegetical texts of the same period. That is, the author proceeds verse by verse through the entire Apocalypse, citing short phrases or even single words of the biblical text, followed by brief explanations that serve to clarify meaning and are often moral or allegorical in nature, as well as offering alternative interpretations of a given passage. The text has a marked dependence on the hermeneutical method of the fourth-century Donatist Tyconius as laid out in his Liber Regularum (Book of Rules), and applied in his Exposition on the Apocalypse. The Cambridge Gloss promotes an ecclesiological and spiritual interpretation of the Apocalypse, muting speculation about an imminent endtime scenario. The gloss contains numerous references to heretics, emphasises the hierarchy and the privileged role of teachers within the church, and likely dates from the eighth century, the 'Northumbrian Golden Age', exemplified by the works of Bede the Venerable and Alcuin of York. This English translation (accompanied by numerous notes) is intended to give readers an insight into understanding the viewpoint that medieval exegetes held in explaining the Apocalypse of John. The source text of this volume appeared in Corpus Christianorum, Series Latina as Glossa in Apocalypsin e codice Bibliothecae Vniuersitatis Cantabrigiensis Dd.X.16 (CC SL, 108G). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation.
Em lio Rui Vilar / Nigel Morgan / Suzanne Lewis / Aires Nascimento / Michelle P. Brown
Reference : 67920
Barcelona, M. Moleiro Editor, 2001 Bound in parchment, housed in a leather slipcase. Size: 29 23 cm. 152 pages, full-colour manuscript on parchment with 153 illuminations. ****NUMBERED COPY NO. 239 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.**** Includes a full-colour commentary volume by Em lio Rui Vilar, hardcover with dust jacket, 371 pages, richly illustrated with 299 coloured illustrations. Size: 33.5 22.5 cm.Languages: Spanish and English. ISBN 9788488526793.
More than 150 breathtakingly beautiful, shining gold miniatures for the Holy Father: one of the most beautiful English Apocalypse manuscripts of the early Gothic period, created for Pope Clement IV. The Gulbenkian Apocalypse originated in London between 1265 and 1270. The Gothic Apocalypse manuscript is adorned with high-quality miniatures in golden frames. It is one of the most beautiful manuscripts in the English Apocalypse tradition and is found today in the Gulbenkian Museum in Portugal, after which the codex is named.
Barcelona,, M. Moleiro, Green leather binding, interior boards in red leather with gold motifs; housed in a slipcase with gold decoration. Full-colour, Size: 36 27 cm. 108 pages, 83 miniatures illuminated with gold. Latin- French text. ****NUMBERED COPY NO. 419 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.**** Includes full-colour commentary volume, hardcover with dust jacket, 426 pages, written by Daron Burrows.
Apocalyptic images by the hand of a virtuoso master of Northern French book illumination on every page: the horror and rapture of the Apocalypse in 83 magnificent half-page miniatures. The Apocalypse of Val-Dieu was probably written between 1320 and 1330 and belongs to a group of four manuscripts, which were produced at about the same time in northern France and were stylistically modeled on a now lost English manuscript of the 13th century. This outstanding manuscript is the most artistically valuable of the group. The 83 half-page miniatures adorning it are particularly elegant and realistic. Provenance: Northwest of France (Normandy)