‎HUGHES WILLIAM‎
‎PERFORMANCE‎

‎Cahiers Danae n°1 printemps 1987 - Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie ...‎

‎Diffusion attitudes nouvelles art espace. 1987. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 97 pages - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire : Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie - Camus Pilippe, mise en page, conception - Chopin Henri, poésie sonore, rédaction - Coridon Annie, chorégraphie - Corner Philip, musique/performance - Costopoulos Daphné, direction, traduction, rédaction - Delille Annie, secrétariat - Delille Gérard, interprétation - Diaz-Pietri Roberto, photographies - Dimitrijevic Braco, installation - Dreyfus Charles, installation, performance, conception, rédaction - Dumont Michel, entretien - Ferrer Esther, performance, rédaction - Flammier jean françois, photographies - Freitag Carol, chorégraphie - Giroud Michel, rédaction - Heidsieck Bernard, poésie sonore - Hermitte Anette, assistante de rédaction - Herre Henri, cinéma - Knowles Alison, performance/installation - Lecerlcq Jacques, installation - Lefèvre Jean Claude intervention etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Body in Musical Performance Knowledge, Gesture, and Identity.‎

‎, Brepols - Harvey Miller, 2026 Hardback,Pages: xx + 276 p.,Size:210 x 270 mm, Illustrations:19 b/w, 5 tables b/w., 22 musical examples Language(s):English. ISBN 9782503621920.‎

‎ Summary This volume offers a groundbreaking exploration of musical embodiment across time, geography, and genre, bringing together thirteen essays that reframe the performing body as a site of knowledge, creation, and critical reception. From early modern opera to nineteenth-century improvisation, from experimental multimedia theatre to contemporary performance analysis, the contributors reveal how gesture, physical technique, proprioception, and symbolic constructions of the body shape, and are shaped by, musical meaning. Uniting historically grounded inquiry with performance theory and cognitive approaches, the essays cluster around four main axes: the embodiment of musical meaning in the interaction between performer and listener; the body as cultural and ideological construct in gendered, stigmatised, and national identities; the transmission and reactivation of embodied knowledge in historical performance; and the creative body as agent in composition, pedagogy, and ritual. Drawing on sources as diverse as early wax-cylinder recordings, liturgical chant, zarzuela reviews, and postwar ballet-opera hybrids, the volume foregrounds embodiment as both material and epistemic. Rather than treating the body as an expressive vehicle alone, these essays demonstrate that musical works themselves ? whether composed, improvised, or remembered ? are shaped through the performer?s somatic intelligence and the listener?s imaginative co-presence. With contributions from leading scholars and practitioner-researchers, this collection sets a new standard for interdisciplinary studies of musical performance. It will be essential reading for musicologists, performers, theorists, and historians of the body seeking to understand how music happens in and through the body, across eras and expressive systems. TABLE OF CONTENTS Bodies, Meanings, and Musical Knowledge: An Introduction Marcello Mazzetti I. Embodiment and Musical Meaning: From Performer to Listener The Role of Embodiment in Forming Aesthetic Judgements of Musical Recordings Hamish Robb Embodying Puccini?s Manon Lescaut, Based on Lived-Experience Interviews with International Interpreters Sandra Oman Farren «[?] any unnecessary movement was discouraged»: Bodily Gesture and the Ideology of Artistic Autonomy in Early Twentieth-Century Pianists Luís Bastos Machado Richard Strauss?s Lieder in ?Song-Ballets? Choreographed by Eliot Feld Wayne Heisler Jr. II. Embodied Identities: Gender, Stigma, Nationality The Stigma of Castration: Medicine, Sex and Women in the Life of the Singer Carlo Broschi Farinelli Daniel Martín Sáez Body, Music and the Stage: The Role of Corporality in the Shows at the Teatro Apolo in Madrid (1890?1913) Jonathan Mallada Álvarez Boccherini and the ?Spanish Body?: Reflections on Popular Dance and National Identity Aurèlia Pessarrodona III. Historical Embodiment: Transmission, Performance, Recording (Re)constructing Julius Block: Embodied Responses to Early Recordings Inja Stanovi? Embodiment and Disembodiment in Musical Sources of the 17th and 18th Centuries Berthold Over IV. Creating through the Body: Pedagogy, Improvisation, Dramaturgy The Art of Preluding: Body and Technique in Nineteenth-Century Piano Improvisation Roberto Cornacchioni Alegre Roman Vlad, Carla Fracci, and the Dancing Body Antonella Manca From the Body and to the Body: Performativity and Sensory Experience from Liturgical Rites to the Cantigas de Santa Maria Maria Incoronata Colantuono Abstracts and Biographies Index of Names‎

‎Of Signs and Sounds Musical Interpretation and Performance from the 19th to the 21st Century‎

‎, Brepols - Harvey Miller, 2025 hardback, Pages: xii + 395 p. Size:210 x 270 mm Illustrations:59 b/w, 5 tables b/w., 50 musical examples Language(s):English, French. ISBN 9782503621791.‎

‎ Summary Over the last few decades, scholarly literature dedicated to historically informed performance has proliferated. Numerous publications, the creation of specialised collections and dedicated research teams have all contributed to the development of an ever-expanding scientific library. This vast repository of knowledge comprises not just written publications, but also countless recordings and performances, as well flourishing. Paradoxically, as new research methods developed, the terra incognita simultaneously seemed to expand. This volume does not attempt an exhaustive synthesis but instead aims to outline a number of significant trends within the field of historically informed performance studies, as practised in conservatoires and universities. The fifteen texts gathered in this volume can be read both as contributions to specific areas of performance studies as well as methodological proposals inviting cross-disciplinary reflection. The first part of the book, which examines among other topics music engraving, the theory and hermeneutics of the sign, and performers' annotations, puts forward new proposals for the analysis of the musical sign. The second part deals with the growing field of recordings analysis and reenactment, looking at leading artists (e. g. Georges Enesco, Vlado Perlemuter, Sarah Bernhardt or Charles Ives). TABLE OF CONTENTS Rémy Campos ? Arthur Macé Foreword Rémy Campos Historically Informed Performance: An Unsolvable Problem? Renewed Analysis of Signs David Rowland Composers, Engravers and Piano Music Texts in the Long Nineteenth Century Nir Cohen-Shalit Annotations in Performance Material of 19th-Century German Orchestras Inès Taillandier-Guittard L?expression pianistique au défi de la notation: écrire et enseigner l?expression dans le long XIXe siècle Du Chao Au bout des doigts: les partitions annotées d?Yvonne Loriod à la Bibliothèque nationale de France Hector Cornilleau Décrire et exemplifier les principes d?exécution: vers une théorie du signe musical de l?Empire à la monarchie de Juillet? Reenacting Sounds and Gestures Massimo Zicari Reconstructing a Living Tradition: The Early Recordings of Donizetti?s Lucia di Lammermoor Manuel Bärtsch In Search of Cortot?s Beethoven Julien Szulman Georges Enesco interprète du Poème d?Ernest Chausson John Kamfonas The Piano Recordings of Charles Ives: Understanding Instrumental Practice as an Extension of Work Creation Guillaume Tardif Directionality & Intentionality: Perspectives on Phrasing in String Playing in the 19th & 20th Centuries Martin Knust Re-Enacting Wagner in the 21st Century Anne Pellois ? Tomas Gonzalez Cinq fois Phèdre: protocoles de réactivations de performances passées à partir d?une partition vocale Pierre Goy Apprendre par la copie: une voie d?accès au style ravélien Inja Stanovi? Historically Informed Recording: Early Recordings Association?s Violin Case-Study Abstracts and Biographies Index of Names‎

‎Les gellules de la performance.‎

‎ Ellipses - Collection Vivre et Comprendre - , 1997. In-12°, br. 128pp. dont table, index et notes (111-127), très bon état. ‎

‎Cet ouvrage aborde un sujet d'actualité : les différents produits "dopants" utilisés dans la vie quotidienne. Son objectif est de décrire et de comprendre l'usage de ces substances depuis les pilules anti-stress, du bonheur, d'obéissance, anti-vieillissement, de la mémoire... jusqu'à la mélatonine, les tranquillisants, les fluoxétines, etc. L'ouvrage s'intéresse aux modalités des usages : comment les individus se procurent ces produits, et quels sont les facteurs qui favorisent leur usage. Il aborde également les modes d'appropriation des dopants de la vie quotidienne : l'absence de résistance, l'encouragement de la société. Les gélules de la performance fait le point sur cette question d'actualité."Une réflexion approfondie sur le sujet" (Le quotidien du médecin) - "Ce livre décortique les mécanismes du dopage des foules" (Moniteur des Pharmacies et des laboratoires) - "Un bon document de base sur le sujet" (L'impatient) - "Excellent ouvrage" (Sciences et santé) - "Patrick Laure apporte des réponses claires et précises" (Pharmacies contemporaines) Franco de port France jusqu'à 29 euros iclus. PAYPAL immédiat. MONDIAL RELAY pour : FRANCE, Portugal, Pologne, Espagne, Allemagne, Autriche, Pays Bas, Luxembourg, Italie, Belgique. Toutes les étapes sont accompagnées. Achat, estimations et listages (Papiers, Archives, monographies, arts et métiers, sciences humaines et bibliophilie) France / Suisse (sur rdv). ‎

‎Armstrong, Baron. Performance Management. Performance Measurement System in Act‎

‎Armstrong, Baron. Performance Management. Performance Measurement System in Action. In Russian /Armstrong, Beron. Upravlenie rezultativnostyu. Sistema otsenki rezultatov v deystvii. Alpina Publisher. 2014.You are welcome to reach out to us for a detailed description of the copies currently available. SKUalb8ece8d33cb9d8e90.‎