Thames and Hudson. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 216 pages. 345 illustrations monochromes et 75 illustrations en couleurs dans et hors texte. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO80256754
ISBN : 0500201617
Préface de Michael Levey. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.
I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Schölzel, Gemäldegalerie, Dresden: The Dresden TriptychRachel Billinge, Hélène Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Musée du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIHélène Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNoël Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universität Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.
London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.
This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.
, Thames & Hudson , 2016 Hardback, 29x24.5mm, 360p, 206 colour illustrations, English edition . ISBN 9780500239520.
Nearly 200 American prints, representing more than 100 artists, and dating from the colonial era to the present day, are brought together in this unprecedented volume from the National Gallery of Art to commemorate its collection and recent acquisitions. The artists featured range from Paul Revere through James McNeil Whistler, Mary Cassatt, Winslow Homer, Louise Nevelson, Romare Bearden, Andy Warhol, Robert Rauschenberg, Chuck Close, and Kara Walker. The works date from essentially every period in American history, so major art and historical themes running through the collection are readily visible. Lending context, twelve contributing authors discuss the varied themes in American art. Biographies of the artists and a glossary of printmaking terms are also featured. Since its founding in 1941, the National Gallery of Art has assiduously collected American prints with the help of many generous donors. The Gallery?s American print collection has grown from nearly 1,900 prints in 1950 to more than 22,500 prints today. The collection was recently transformed by the acquisition of an extraordinary group of 5,200 American prints brought together by Reba and Dave Williams.
" Londres, chez Jones et Comp., Finsbury Square, s.d. (ca. 1835 ?), 2 vols in-4°, 28 x 22 cm, Vol. I; 58 steel engraved plates + ca. 120 nn pp ; Vol.II; steel engraved plates 59-114 (complete) + ca. 120 nn pp, uniform contemporary red half leather, smooth back gilt title and ornements, marbled boards and endpapers, binding signed at lower end of spine ''Schultes Rel. du Roi''. Apart from some light wear at the corners and ends of spine of the binding still a good copy with no foxing. This is the rare French edition of a work on the National Gallery in London which was first published in English. It is one of the highlights of ''interpretation engraving in steel''. This is a very rare copy ot the French translation. It contains at the beginning of vol.I , after the French typographical title the original English engraved title. The rest of the book is entirely in French..Very fine copy, without any foxing or staining, not even on the serpents."
National Gallery National Gallery 1987, In-8 carré broché, couverture illustrée, 255 pages. Trés bon état.
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