‎Wilson Michael‎
‎La National Gallery‎

‎Chefs-d'oeuvre immortels de la peinture ( 8 tomes, complet ) : 1. Musée du Louvre, Musée du Jeu de Paume, Musée de Bâle, Musée de Vienne ; 2. Musée d'Art de Catalogne, Musée du Prado, Musée du Vatican, Musée de Sao Paulo ; 3. Musée des Offices de Florence, Pinacothèque Brera de Milan, Musée de Venise, Galerie Borghèse de Rome, Musée Capodimonte de Naples ; 4. Musée de Bruxelles, Musée d'Anvers, Rijlsmuseum d'Amsterdam, Musée Byzantin d'Athènes, Musée de Tokyo ; 5. Ancienne Pinacothèque de Munich, Galerie Dahlem de Berlin, Galerie de peintures de Dresde, Galerie nationale de Prague, Musée national des Beaux-arts de Budapest ; 6. National Gallery de Londres, Tate Gallery de Londres, Musée National de Stockholm, Metropolitan Museum de New York ; 7. Art Institute de Chicago, Galerie Nationale de Washington, Musée d'Art moderne de New York, Whitney Museum of American Art ; 8. Musée de l'Ermitage, Musée Pouchkine, Musée Russe, Galerie Trétiakov.‎

‎8 vol. gr. in-4 cartonnage éditeur sous jaq. ill. couleur et emboîtages cartonnés gris, nombreuses photos couleurs, Fernand Nathan, Paris, 1978, env. 320 pp. par vol.Rappel du titre complet : Chefs-d'oeuvre immortels de la peinture ( 8 tomes, complet ) : 1. Musée du Louvre, Musée du Jeu de Paume, Musée de Bâle, Musée de Vienne ; 2. Musée d'Art de Catalogne, Musée du Prado, Musée du Vatican, Musée de Sao Paulo ; 3. Musée des Offices de Florence, Pinacothèque Brera de Milan, Musée de Venise, Galerie Borghèse de Rome, Musée Capodimonte de Naples ; 4. Musée de Bruxelles, Musée d'Anvers, Rijlsmuseum d'Amsterdam, Musée Byzantin d'Athènes, Musée de Tokyo ; 5. Ancienne Pinacothèque de Munich, Galerie Dahlem de Berlin, Galerie de peintures de Dresde, Galerie nationale de Prague, Musée national des Beaux-arts de Budapest ; 6. National Gallery de Londres, Tate Gallery de Londres, Musée National de Stockholm, Metropolitan Museum de New York ; 7. Art Institute de Chicago, Galerie Nationale de Washington, Musée d'Art moderne de New York, Whitney Museum of American Art ; 8. Musée de l'Ermitage, Musée Pouchkine, Musée Russe, Galerie Trétiakov.‎

‎Très bon état. Prix pour l'ensemble. Linéaire de 32 cm. Poids de 19 Kg.‎

‎National Gallery - Investigating Jan Van Eyck‎

‎Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.‎

‎I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Sch lzel, Gem ldegalerie, Dresden: The Dresden TriptychRachel Billinge, H l ne Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Mus e du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIH l ne Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNo l Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universit t Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.‎

‎National Gallery 100 Years. Four Centuries of Greek Painting‎

‎ National Gallery and Alexandros Sotzos Museum, 1999.Un volume relié (25,5 x 33,5 cm) de 693 pages. Reliure pleine toile d'éditeur sous jaquette rempliée illustrée. Exemplaire en parfait état.Très nombreuses illustrations. Ouvrage en anglais. ‎

‎Illustrations to the catalogue of the National Gallery.‎

‎<p>Volume I. Italian school. National Gallery, Trafalgar square, London.</p> Londres, 1930 260 p., 500 photographies N/B env., broché. 15 x 24‎

‎Occasion‎

‎GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,‎

‎London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.‎

‎This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.‎