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Garfield Léon
Smith
le livre de poche. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 287 pages.Nombreuses illustrations en noir et blanc dans et hors texte.Exemplaire de bibliothèque recouvert d'un film transparent. Etiquette sur le premier plat et au dos. Tampon sur certaines pages. Range fichette sur la dernière page.. . . . Classification Dewey : 843.0692-Livres d'enfants
Reference : RO80233556
ISBN : 2253033502
Illustrations de Mette Ivers Classification Dewey : 843.0692-Livres d'enfants
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5 book(s) with the same title
Steadman, Ralph (Foreword by) (Introd. by Carlo McCormick) (Winston Smith)
Reference : 40134
(2004)
ISBN : 9780867196160
All Riot on the Western Front. The Montage Art of Winston Smith. Volume Three (3)
Last Gasp Press Softcover San Francisco 2004
Fine Quarto. 104 pages. Volume 3 only. Fantasy. Nice copy.
Recherches sur la Nature et les Causes de la Richesse des Nations. Traduit de l'Anglois de M. Smith [by Blavet]. 2 Tomes.
Londres, Pierre J. Duplain, 1788. 8vo, Two nice uniform contemporary full calf bindings with gilt spines. Some loss of leather to back hinge and lower capital of volume one and minor loos of leather to spine of volume two, all due to worming. Worming is not bad and does not affect anything but outer layer of small parts of the bindings. Apart from the worming a very nice, fresh and clean copy indeed. (8), IV, 503" (4), 496 pp. With both half-titles, the advertisment, both prefaces and the table of contents.
Rare early French translation of Adam Smith's political and economic classic, the ""Wealth of Nations"". Translated by Blavet. The present edition constitutes the third reprint of the second French translation. The second French translation was done by Blavet and is the first translation into French of which the translator and publisher are known. ""The reprint of Blavet's version appeared at Yverdon in 1781 in 6 volumes 12mo, and at Paris in the same year in 3 volumes 12mo, and again at London and Paris in 1788 in 2 volumes 8vo [the present edition], and revised and corrected, with Blavet's name as translator, at Paris An, ix (1800-01) in 4 volumes 8vo.He [Blavet] had no intention of publishing it until his friend M. Ameilhon happened to complain of scarcity of interesting articles for his Journal de l'Agriculture, du Commerce, des Arts et des Finances, which had just come under the control of the Mercantilist. It struck him that he might offer it to him which he did, with the explanation that it was far from perfect. It was accepted, and appeared in the issues of the Journal between January, 1779, and December 1780. He did not anticipate that it would go further. The edition of 1788 likewise appeared without his knowledge or consent, and was still more marred by errors than that of Yverdon"". (Lai, Cheng-chung. Adam Smith Across Nations: Translations and Receptions of The Wealth of Nations, Clarendon Press, UK, 2000). Hailed as the ""first and greatest classic of modern thought"" (PMM 221), Adam Smith's tremendously influential main work has had a profound impact on thought and politics, and is considered the main foundation of the era of liberal free trade that dominated the nineteenth century. Adam Smith (1723-1790) is considered the founder of Political Economy in Britain, mainly due to his groundbreaking work, the ""Wealth of Nations"" from 1776. The work took him 12 years to write and was probably in contemplation 12 years before that. It was originally published in two volumes in 4to, and was published later the same year in Dublin in three volumes in 8vo. The book sold well, and the first edition, the number of which is unknown, sold out within six months, which came as a surprise to the publisher, and probably also to Smith himself, partly because the work ""requires much thought and reflection (qualities that do not abound among modern readers) to peruse to any purpose."" (Letter from David Hume, In: Rae, Life of Adam Smith, 1895, p. 286), partly because it was hardly reviewed or noticed by magazines or annuals. In spite of this, it did evoke immense interest in the learned and the political world, and Buckle's words that the work is ""in its ultimate results probably the most important book that has ever been written"", and that it has ""done more towards the happiness of man than has been effected by the united abilities of all the statesmen and legislators of whom history has preserved an authentic account"" (History of Civilisation, 1869, I:214) well describes the opinion of a great part of important thinkers then as well as now. Considering the groundbreaking views presented in ""Wealth of Nations"", it comes as no surprise that the work was considered part of the revolutionary cultural development in France. As Adam Smith's friend, the Marquis of Lansdowne, said after quoting Smith's work: ""With respect to French principles, as they had been denominated, those principles had been exported from us to France, and could not be said to have originated among the population of the latter country."" (Quoted in: Rae, p. 291). The ideas of Adam Smith were often considered so dangerously closely connected with French ideas at the time that the term ""political economy"" almost became synonymous with questions concerning the constitution of governments. ""The French Revolution seems to have checked for a time the growing vogue of Smith's book and the advance of his principles in this country, just as it checked the progress of parliamentary and social reform, because it filled men's mind with a fear of change, with a suspicion of all novelty, with an unreasoning dislike of anything in the nature of general principle."" (Rae, p. 293). There can be no question that this seminal work greatly influenced French opinion at the time.
RICHARD SMITH : Artworks 1956-2016
, Thames and Hudson , 2022 Hardcover, 320 pages, ENG, 290 x 270 mm, NEW, dustjacket, illustrated in colour and b/w. ISBN 9780500978580.
The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith's major Tate Gallery retrospective in 1975, he was 'at once in and out of touch with the currents of the mainstream . au courant and aloof at the same time.' That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith's entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the 'Kite' works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith's art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith's art, while Alex Massouras's two themed essays, 'Young and British' and 'From Motion Pictures to Flight', explore Smith's originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.
Blues et féminisme noir (Gertrude " Ma " Rainey, Bessie Smith et Billie Holiday) (Blues Legacies and Black Feminism)
Libertalia (2017) - Un volume grand in-8 broché de 410 pages - Couverture rempliée illustrée - En annexe, 13 photos en noir et blanc dans le texte - Bibliographie et filmographie - Index - Avec un CD inclus de 18 titres - Exemplaire à l'état neuf
" Blues et féminisme noir " explore luvre de deux blueswomen quelque peu oubliées : Gertrude « Ma » Rainey (1886-1939) et Bessie Smith (1894-1937). La première incarne le blues traditionnel, la seconde, le blues classique. Dévalorisée par les spécialistes du blues et du jazz qui sont en général des hommes blancs , luvre de ces chanteuses porte un message spécifique : elle affirme la place et les revendications dautonomie des femmes noires américaines. En analysant et en contextualisant les paroles de leurs chansons, Davis met en évidence les prémices du féminisme noir et les signes avant-coureurs des grandes luttes émancipatrices à venir. Elle montre que Ma Rainey et Bessie Smith furent les premières rock stars de lhistoire de la musique : or elles étaient noires, bisexuelles, fêtardes, indépendantes et bagarreuses.Elles posèrent les bases dune culture musicale qui prône une sexualité féminine libre et assumée, qui appelle à lindépendance et à lautonomie des femmes aux lendemains de la période esclavagiste, en revendiquant avec détermination légalité de « race » et de genre. Cette réflexion sétire aux années 1940 en évoquant luvre de Billie Holiday (1915-1959). Angela Davis réhabilite la conscience sociale de cette chanteuse denvergure, trop souvent présentée sous le simple prisme des turpitudes de sa biographie.1. Ma Rainey Explaining The Blues - 2. Ma Rainey Prove it On Me Blues - 3. Ma Rainey Shave Em Dry Blues - 4. Ma Rainey Traveling Blues - 5. Ma Rainey See See Rider Blues - 6. Ma Rainey Black Eye Blues - 7. Ma Rainey Sleep Talking Blues - 8. Ma Rainey Ma Rainey s Black Bottom - 9. Ma Rainey Booze And Blues - 10. Bessie Smith I m Wild About That Thing - 11. Bessie Smith Preachin The Blues - 12. Bessie Smith Gimme A Pigfoot - 13. Bessie Smith Safety Mama - 14 Bessie Smith Soft Pedal Blues - 15. Bessie Smith Empty Bed Blues 1 - 16. Bessie Smith Empty Bed Blues 2 - 17. Bessie Smith Back Water Blues - 18. Bessie Smith SpiderMan Blues
""Om Beskatning"" (+) ""Om Jordbrukets förfall i Europa, efter Romerska Väldets undergäng"" (+) ""Om Handelsbalancen"" (+) ""Om Jordbruks-systemet I en Rikshushållning, samt om Economisterne I Frankrike"" (+) ""Om Pappers-myntet I Norr-Amerika Kolonierne, före... - [""THE EARLIEST APPEARANCE IN SWEDISH OF A NUMBER OF TRANSLATIONS FROM ADAM SMITH""]
Stockholm, Henrik A. Nordström, 1797-1801. 8vo. Uncut, partly unopened in the original wrappers. In 22 volumes as issued. Last volume name written on title-page, otherwise an exceptionally fine, clean and untouched set rarely seen in this condition. (4),102 pp." (2),182 pp. (2),107 pp. (2),157,(1) pp. (2),176,(4) pp. (4),138,(2) pp. (2),205,(1) pp. + 1 folded table (2),188 pp (2),190 pp. (2),89,(4) pp. (4),135,(1) pp. (2),116,(1) pp. (2),157 pp. (2),120 pp. (2),151,(1 blank,10) pp. + 1 folded map (2),215 pp. + 1 folded table (2),131,(5) pp. (4),207 pp. (2),183,(1) pp. + 1 folded table (2),218 pp. (2),144,(4) pp." (6),449,(1) pp. + 5 folded plates.""Om Beskatning"", Part: 36, 37, 38:Pp. 145-177""Om Jordbrukets förfall i Europa, efter Romerska Väldets undergäng"", Part: 27, 28. Pp. 93-120""Om Handelsbalancen"", Part: 25,26. Pp. 92-114""Om Jordbruks-systemet I en Rikshushållning, samt om Economisterne I Frankrike"", Part: 25-26. Pp. 43-92""Om Pappers-myntet I Norr-Amerika Kolonierne, före Revolutionen"". Part: 27-28. Pp.57-62""Om Krono-jord"". Part: 29,30,31. Pp 139-146.""Theorien för statsskulder"". Part: 44, 45, 46, 47, 48, 49 & 50. Pp. 151-161.
First, however partial, translation of Adam Smith's Wealth of Nations in Swedish rarely seen in this condition, thus making it the very first opportunity for Swedish speakers to study Adam Smith. A more lengthy translation was made in 1909 - 1911 but to this day a full Swedish translation has not been made.""Von Schulzenheim [nobleman, physician, country squire and politician] also published shorter articles in the review 'Läsning I blandade ämnen', an organ of the opposition to the absolutist and obscurantist regime of Gustavus IV Adolphus. The editor of the review was count Georg Adlersparre, an army officer and a political writer who in 1809 was to become one of the prime-movers behind the dethronement of the king. Adlersparre to was an admirer of Adam Smith. In 1799-1800 he published in the 'Läsning' his own Swedish translation of several selections from Wealth of Nations. In some cases Adlersparre added footnotes, making it easier for the readers to apply Smith's ideas to Swedish conditions. Those translations, to the best of my knowledge, were the first ones of Wealth of Nations in Sweden. They were followed by translations of other parts of Wealth of Nations, published in 1800 amd 1808. This time the translator was Erik Erland Bodell, an official of the Swedish Customs and thus, if you like, a colleague of Adam Smith."" ( Cheng-chung, Adam Smith Across Nations). Despite the comparatively late translation into Swedish, it still had a profound influence, not on economists since they were well aware of the original work in English, but upon politics and public opinion in general: ""There are few things more striking to the modem student of the history of ideas in Sweden than the negative phenomenon that Sweden was almost entirely uninfluenced by this fact and thus remained almost unaffected by English economic thought during a period when its superiority was most evident. As far as I am acquainted with the Swedish economic discussion and our popular economic literature of the 1860's and 1870's, there is almost no trace of any influence from English writers. [...]Of Adam Smith we have still only one abbreviated translation of his famous work and that was published as late as during this century"" and, as far as I know, nothing of Ricardo's or Malthus' exists in Swedish, nor do any of the major economic works of J.S. Mill."" (Heckscher, A survey of economic thought in Sweden, 1875-1950).The journal was preceded by Adlersparre's ""Läsning för landtmän"" 1795-96. The content is a mixture of literature, agriculture, law, philosophy and politics. Apart from the many contributions by Swedish authors, ""Läsning i blandade ämnen"" also contains texts by Kant, Gibbon and De Lolme OCLC lists copies at Yale, Minnesota, and Texas.
