‎ROSSI Paola‎
‎Tintoretto.‎

‎Jacopo Tintoretto,‎

‎Turnhout, Brepols, 2009 Paperback, 220 pages., 20 x 25. ISBN 9788484801719.‎

‎Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic ? Augusto Gentili, Tintoretto in contesto tra politica e religione Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto?s Crucifixion for SS. Cosma e Damiano ? Tom Nichols, False Gods: Tintoretto?s Mythologies as Anti-poesie ? Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de? Pitati ? Roland Krischel, Jacopo Tintoretto and Giulio Romano ? Miguel Falomir, Tintoretto y Tiziano ? David Rosand, Tintoretto and Veronese: Style, Personality, Class ? Jose Alvarez Lopera, Sobre Tintoretto y el Greco ? Stefania Mason, Domenico Tintoretto e l?eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements ? Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado ? Robert Wald, Tintoretto?s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto?s Preposterous Modernity ? Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 ? Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento ? Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla. Languages : English.‎

‎David Bowie's : Tintoretto, the lost church of San Geminiano‎

‎, Hannibal, 2019 Hardcover, 176 pages, ENG. edition, 290 x 230 x 20 mm, NEW !!, illustrated dustjacket, illustrated in color / b/w. ISBN 9789463887014.‎

‎When the painter Jacopo Tintoretto (1518-1594) around 1560-1570 Saint Catherine painted, a 0monumental altarpiece for the Venetian church San Geminiano, his fame had reached a peak. 'Capriccioso, presto, e risoluto', that is how the Italian art historian Giorgio Vasari described him at the time. Fickle, fast and determined. Vasari found Tintoretto's style difficult places but still found it one of most fascinating painters of all time. The emotionally charged work of Tintoretto inspired many artists and also had a special one, among other things place in the private collections of baroque painters such as Rubens and Van Dyck. So it is not surprising that Tintoretto's Saint Catherine one of the first art purchases was from it British pop icon David Bowie and that's it a new owner after his death he received it on long-term loan gave to the Palazzo Ducale in Venice. Recently, researchers discovered the KIK (Royal Institute for... Art heritage) a drawing below the paint layer of Saint Catherine, which sheds new light on both process of creation as the iconography of the painting. The work is the culmination of Tintoretto's expressive imagery, are living colorful and explosive test, with which he knows strong emotions to trigger the viewer. In this book, essays by specialists such as Stijn Alsteens (Christie's and The Metropolitan Museum of Art, New York), Christina Currie (KIK, Brussels), Xavier F. Salomon (The Frick Collection, New York) and Ben Van Beneden (Rubenshuis, Antwerp) Tintoretto's Saint Catharina completely back to life ‎

‎TINTORETTO. THE GONZAGA CYCLE.‎

‎, Ostfildern - Ruit, Hatje Cantz, 2000., Pictorial softcover, frontispice, 220 x 275mm., 255pp., profoundly illustrated in color and b/w. ISBN 377570888X.‎

‎Jacopo Tintoretto is one of the most famous 16th century Venetian painters alongside Tizian and Veronese. His Gonzaga Cycle, now in the Alte Pinakothek in Munich, belongs among the most important 16th century history cycles even if it has not been properly appreciated yet. It was Duke Guglielmo Gonzaga who commissioned Tintoretto to paint a series of eight paintings for two - still existing - rooms in the Palazzo Ducale at Mantova. The first part, completed in 1579, is dedicated to the four markgraves of Mantovia, the second, completed in May 1580, to the dukes Federico II and Francesco III. This publication features an extensive analysis of the finished paintings as compared to radiographic images, thus providing new insights into Tintoretto?s method and allowing for new assessment of the complete cycle. With well-researched yet easily accessible articles about aspects of the cycle's history, style, iconography and technique, this monograph and its critical catalog will make a significant contribution to extending our present knowledge of Tintoretto and the Gonzaga Cycle. New book. ‎

‎Wipper B.R. Tintoretto. In Russian /Vipper B.R. Tintoretto.‎

‎Wipper B.R. Tintoretto. In Russian /Vipper B.R. Tintoretto. Moscow Publishing House of the Pushkin State Museum of Fine Arts, 1948, 189 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbab8a0e125c2802c7.‎

‎L'Opera Completa del Tintoretto. Classici dell'Arte‎

‎Bernari, Carlo: L'Opera Completa del Tintoretto. Milan: Rizzoli, 1970. Series: Classici dell'Arte. 14pp with 64 colour plates and c.400 monochrome illustrations. Cloth, 31.5x24cms.‎