DE L'OLIVIER. 1998. In-12. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 236 pages.. . . . Classification Dewey : 810-Littérature américaine
Reference : RO80085820
ISBN : 2879291054
Traduit de l'anglais par Elisabeth Peellaert. Classification Dewey : 810-Littérature américaine
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Leuven, Universitaire Pers, 2011 Paperback,, Aantal pagina's: 212 p.Illustrations: 33, Breedte: 170 cm,Hoogte: 230 cm, Taal: Engels, Serie: Lieven Gevaert Series 11 ISBN 9789058678409.
Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history. Its use is widespread and, especially in recent years, more and more artists rediscover the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms ?speed', ?rhythm', and ?pace' are of more value than terms so often associated with photography such as ?freeze', ?split second', or ?capture'. Within the book one can find more than thirty artists using the strip technique for their artistic practice. A lot of the artwork produced goes beyond traditional photography and the standards set by the photo industry. The research also reveals the extent to which artists use the technique to rediscover the time-based possibilities of the photographic image.
AU BUREAU DU JOURNAL. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 28 pages. Nombreuses illustations et photos en noir et blanc et couleurs, dans le texte et hors texte. Couverture en couleurs.. . . . Classification Dewey : 704.948-Erotisme
Parait le 1er et le 15 le chaque mois. Affichage libre. Classification Dewey : 704.948-Erotisme
N° 56 - 1957-1958 ? - revue mensuelle paraissant le 1er de chaque mois - Direction de la publication-gérant : Géo Bosch-Stein - Imprimerie Sapho - Couverture : Mamie Van Dooren - grand in-8 broché - revue illustrée - 30 pages
assez bon état (couv. légèrement piquée)
, Taschen, 2015 Hardcover, large, folio, oblong; 47.2 x 7.3 x 33.4 cm 560 pages ****Includes 12 Frame Strip - This book are numberd ;NO 4904. ****. fine. ISBN 9783836538435.
***** The first print run of 10,000 copies includes a precious 12 frame strip from City Lights (1931), cut from a 35 mm print in Chaplin?s archives. ******* Within a year of arriving in Hollywood in 1914, British-born Charlie Chaplin had become the slapstick king of America. By the end of his second year on the silver screen, Chaplin?s fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains, an instantly recognizable silhouette.With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).The book includes:The Chaplin life history in words and pictures900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade filmsAn oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.Supplementary interviews with some of his closest collaborators.Material from over 150 books of press clippings in Chaplin?s archives, which range from his early days in music halls to his deathChaplin?s short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)The first print run of 10,000 copies includes a precious 12 frame strip from City Lights (1931), cut from a 35 mm print in Chaplin?s archives.Documents from the Chaplin Archives Property and Copyright of Roy Export Company Establishment, scanned by Cineteca di Bologna
La Musardine 2006 In-4 cartonné, sous jaquette illustrée,190 pp;
L'histoire du strip-tease, de ses origines à nos jours, détaillée en quatre grandes parties. Des fiches biographiques sur les grandes figures du strip-tease. Un glossaire des termes spécifiques au genre. Un index des personnages et des lieux cités. Environ 200 photographies en couleurs et noir et blanc, dont de nombreux documents inédits. Très bon état d’occasion