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ORO-PRODUCTIONS. 1994. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 98 pages. Bandes dessinées en couleurs, noir et blanc, et bicolores.. . . . Classification Dewey : 843.064-BD périodiques
Reference : RO80005916
Andréas / Bezian. Cossu-Jamsin. Henriet. Baloo-Ranza. Cornette... Classification Dewey : 843.064-BD périodiques
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5 book(s) with the same title
Anselm of Canterbury (1033-1109). Philosophical Theology and Ethics, Proceedings of the Third International Conference of Medieval Philosophy, held at the Pontifical Catholic University of Rio Grande do Sul (PUCRS), Porto Alegre / Brazil (02-04 September 2009)
, Brepols - Harvey Miller, 2011 Hardcover. XV 243 p., 165 x 240 mm, Languages: English, French, German, Including an index. Fine copy. ISBN 9782503542652.
This volume collects several studies on Anselm of Canterbury?s philosophical theology and ethics originally presented at the Third International Conference of Medieval Philosophy at the Pontifical Catholic University of Rio Grande do Sul (PUCRS), Porto Alegre / Brazil, 02-04 September 2009. In commemoration of the 900th anniversary of Anselm?s death, the conference facilitated a unique exchange of ideas among Latin American, North American and European scholars on current issues in Anselmian scholarship. The papers included in the volume concern diverse areas of interest: Anselm?s method in different phases of his career and his attitude towards philosophy; Anselm?s contribution to logic and semantics in De grammatico; the continuing challenge of interpreting his ?proof? in Proslogion (revisited with an eye into contemporary accounts of his unum argumentum); the topic of guilt and punishment in Anselm?s works, as well as the understanding of his moral-theological project, in dialogue with contemporary discussions of deontology; the fundamental aspects of his view on human being; the reception of Anselm?s theory of perfections in Duns Scotus?s metaphysics; and the place of Anselm?s thought in Karl Barth?s understanding of theology. These contributions, through their engagement with Anselm?s works, seek to shed light on philosophical and theological issues of perennial interest.
Historia da America portugueza, desde o anno de mil e quinhentos do seu descobrimento, atá o de mil e setecentos e vinte e quatro. - [THE FIRST GENERAL HISTORY OF BRAZIL]
Lisboa Occidental, na Officina de Joseph Antonio da Sylva, 1730. Folio (29 x 195 mm). In recent green half calf with five raised bands and gilt lettering and ornamentation to spine. Title-page mounted and with repair to outer margin, no loss of text. Last leaf with repair to lower outer corner, also with no loss of text. First and least few leaves with brownspotting. Very light browning in margins throughout. Title printed in red and black, woodcut initials and head-pieces. A fine and clean copy. (14), 716 pp. (Here with the often missing half title, but wanting the final blank).
Rare first edition, here with the often missing half title, of the first general history of Brazil – “This work is extremely copious in the details of its foundation as a colony, its successive governors, its churches, its monasteries and convents” (Sabin). ""This first edition is becoming rare, and is much sought after by Brazilians [...] since it is the first history of Brazil to have been printed, and since it was written by a Brazilian"" (Borba de Moraes). The author's purpose was to narrate the events that had taken place in Brazil with the help of ""truthful reports"", these largely from Jesuit sources, and ""modern information"" given by those who had traveled in the vast Brazilian territory. This was the only history of Brazil available to Pitta’s contemporaries, since most of the others composed in the first two centuries of colonization remained in manuscript form until the nineteenth century. Rocha Pitta was born in Bahia in 1660 and died in the year 1738. At the age of 22 he left the University of Coimbra, where he took his degree, to return to Bahia, where he got married. He made up his mind to write a history of Brazil, and he spent years in collecting documents in the Monasteries of Brazil and Portugal, where he went in order to study French, Dutch and Italian for the purposes of his history. “In 1728, after 40 years of study, he began to print his history, which appeared in 1730. It was universally well received, and King John V. appointed him a member of the household in consequence, yet in a few years the Portuguese government publicly prohibited its being read under the severest penalties.” (Sabin).Sabin 72300 Borba de Moraes (1983), p. 748
[Sir W. Gore Ouseley, KCB, et Sir Charles Hotham, KCB] - William Hadfield
Reference : 0078
(1854)
Brazil, The River Plate and The Falkland Islands with the Cape Horn route to Australia Including notices of Lisbon, Madeira, the Canaries, and Cape Verds
London, Longman, Brown, Green and Longmans, 1854. First edition. Octavo, 228 x 150 mm, (vi) 384 pp. Publisher's binding, work on the covers, flat spine, author's name and title printed in slightly faded gilt. Portrait of Dom Pedro II as frontispiece. Illustrated by Sir W. Gore Ouseley, KCB, and Sir Charles Hotham, KCB, for Paraguay. Contents, Explanatory Preface, Introduction, 15 chapters plus an additional chapter on the Falkland Islands, two fold-out maps (one of the Falkland Islands and one of colored South America) at the end of the book. "The author wishes here to present an overview of the position and condition of Brazil in general, to accustom those who follow him in these pages to recognize the points he will expound as a result of his experience, particularly concerning the machinery of commercial matters in Brazil... Men competent to speak of Brazil have either assumed that the public knew almost as much as they did, and neglected very interesting subjects, thinking they meant little, and talking too much about the trivialities of their personal journey, or, on the contrary, have applied an exhaustive process to discuss history and topography in an almost intolerable level of detail. The author of these lines... has endeavored to navigate between these two extremes as much as he could." (Chapter V, translated) A lavishly illustrated, almost complete work (descriptions generally indicate three fold-out maps; this one includes two), which allows us to follow the evolution of imperial Brazil after works such as those of Henry Koster or Saint-Hilaire. ****** Londres, Longman, Brown, Green and Longmans, 1854. Édition originale. In-8, 228 x 150 mm, (vi) 384 pp. Reliure éditeur, travail sur les plats, dos lisse, nom d'auteur et titre imprimés en doré quelque peu effacé. Portrait de Dom Pedro II en frontispice. Illustré par Sir W. Gore Ouseley, KCB, et Sir Charles Hotham, KCB, pour le Paraguay. Sommaire, Préface explicative, Introduction, XV chapitres plus un chapitre supplémentaire sur les îles Falkland, deux cartes dépliantes (une des Falkland et une de l'Amérique du Sud colorée) en fin d'ouvrage. "L'auteur souhaite ici présenter un aperçu de la position et de la condition du Brésil en général, pour habituer ceux qui le suivront dans ces pages à reconnaître les points qu'il va exposer à la suite de son expérience, en particulier concernant la machinerie des sujets commerciaux au Brésil... les hommes compétents pour parler du Brésil ont soit présumé que le public en savait presque autant qu'eux, et négligé des sujets très intéressants, en pensant qu'ils ne signifiaient pas grand-chose, et en parlant trop des trivialités de leur voyage personnel, ou au contraire ont appliqué un processus exhaustif pour parler de l'histoire et de la topographie avec un niveau de détail presque intolérable. L'auteur de ces lignes... s'est efforcé de naviguer entre ces deux extrêmes autant qu'il l'a pu." (chap. V, traduit) Ouvrage abondamment illustré, quasi complet (les descriptions indiquent généralement 3 cartes dépliantes, celui-ci en comprend 2), qui permet de suivre l'évolution du Brésil impérial après des œuvres comme celle d'Henry Koster ou de Saint-Hilaire.
Good condition in view of the age. ************ Bel état pour l'âge.
Brazil's Contribution to Tropical Medicine and Malaria: Personalities and Institutions
Rio de Janeiro, Gráfica Olímpia Editora, 1963. First and only English edition. Translated from the Portuguese by Anita Farquhar. Softcover. Octavo, 238 x 168 mm, 379 pp. Off-white cover and spine with author's name and book title. Profusely illustrated with black-and-white illustrations. Bibliography and index at the end. As the title shows, this book endeavors to show what Brazil did in matters of "tropical medicine". Here are a few chapter titles amongst the XV chapters: - Adolfo Lutz and the Bacteriological Institute of São Paulo - Vital Brazil and the Butantan Institute - Short History of Yellow Fever in Brazil - The tropical Medical Department at the Medical School of the University of Brazil - The National Institute of Rural Endemic Diseases
A few wear and tear on the covers, clean interior. The book has been printed on a nice couché paper. Not ex-library, no markings. Rare and relevant to health professionals with an interest to tropical diseases and malaria.
Keith Haring in Brazil: Booklet from a 2003 exposition of Keith Haring's works in Brazil
São Paulo / Brasília, Centro Cultural Banco do Brasil, 2003. Created for the first Keith Haring exhibition in Brazil where 55 of his artworks were shown. A colorful 180 x 140 mm booklet with a detail from one of Haring's Untitled painting and his name in white on the front cover and a youthful picture of Haring on the back. Softcover with jacket flaps. Bilingual, starts with texts in Portuguese and ends with the same texts in English. Features many black and white pictures of Keith Haring, many of his artworks and two texts: "Urban Radiance: reflections on the life and work of Keith Haring" by art historian Joshua Decter and "Keith Haring in Brazil" by his lifelong friend Kenny Scharf. "In the early 1980s, New York streets and subways were the first to showcase the work of Keith Haring, vigorous graffiti-like pictures indicative of his engagement with mass culture. Today, for the first time ever in Brazil, Centro Cultural Banco do Brasil showcases fifty-five works by this artist, including drawings and paintings. The exaltation of U.S. society never benumbed Haring's critical view regarding his environment or historical moment in time. Humor and wit pulsate in the spontaneously fluid linework if this artist whose freedom in handling themes and forms conquered space and contributed to the creation of a direct, and at times almost plain language rooted in the vocabulary of mass culture and means of consumption." (Back flap)
Imperceptible traces of scruffing on the front cover, joints and on the first/last pages. Aside from that, it is toned and in good shape.
