‎ANONYME‎
‎GEISHA N°5‎

‎Original Water Colour of a Geisha holding a Shamisen ‎

‎Japan NP 1775 Une belle grande aquarelle représentant une femme en tenue traditionnelle de geisha, tenant un shamisen * Peinte sur un papier fin de couleur moutarde, celui-ci a été posé sur une feuille de support crème (également en papier fin), elle-même posée sur une feuille plus grande de papier fin. Les trois feuilles réunies donnent beaucoup plus de solidité qu'une seule feuille mince. La peinture elle-même a été réalisée par des experts, mais elle n'est pas signée. (Nous avons fixé le prix comme étant celui d'un artiste non attribuable). La peinture présente quelques petites fissures, des plis et une minuscule perte de peinture, mais il s'agit toujours d'une belle et authentique uvre d'art Edo, dont le style est très similaire à celui des portraits de Katsushika Hokusai (jusqu'à la couleur de fond de la feuille). Elle date d'une période très similaire (entre 1775 et 1800). Le style de la peinture, y compris la représentation détaillée des motifs des vêtements et la posture gracieuse du personnage, est caractéristique des bijin-ga (peintures de belles femmes), qui étaient populaires dans l'art japonais à cette époque. L'utilisation de couleurs vives, comme le bleu profond et le rouge, et de motifs complexes suggère que cette pièce a pu être créée par un artiste influencé par l'ukiyo-e, un genre d'estampes et de peintures sur bois qui a fleuri pendant la période Edo. Des artistes comme Kitagawa Utamaro ou Suzuki Harunobu étaient réputés pour leurs représentations similaires de femmes en tenue élégante. La feuille peinte mesure 70 cm x 24 cm. La plus grande feuille de support (et donc l'ensemble de l'uvre) mesure 81,5 cm x 39 cm. *Le shamisen (???), également connu sous le nom de sangen (??) ou samisen (tous signifiant "trois cordes"), est un instrument de musique traditionnel japonais à trois cordes dérivé de l'instrument chinois sanxian. Les geishas étaient souvent d'habiles joueuses de samisen, qu'elles utilisaient pour divertir leurs clients.‎

‎A lovely large water colour, showing a woman in traditional geisha clothing, holding a Shamisen.* Painted onto thin mustard coloured paper, this has been laid onto a cream backing sheet (also thin paper), which has in turn been laid onto a larger sheet of thin paper. The three sheets together giving much more strength than a single thin sheet. The painting itself has been expertly produced, but is unsigned. (We have priced this as an un-attributable artist). The painting has some small cracks with creasing and a tiny amount of paint loss to it, but still a lovely, authentic piece of Edo art, very similar in style to the portraiture of Katsushika Hokusai (even to the background colour of the sheet). It is of a very similar period (between 1775 and 1800). The style of the painting, including the detailed depiction of clothing patterns and the graceful posture of the figure, is characteristic of bijin-ga (paintings of beautiful women), which were popular in Japanese art during this time. The use of vibrant colors, such as deep blue and red, and intricate patterns suggests that this piece may have been created by an artist influenced by ukiyo-e, a genre of woodblock prints and paintings that flourished during the Edo period. Artists like Kitagawa Utamaro or Suzuki Harunobu were renowned for similar depictions of women in elegant attire.It was possibly intended as a scroll painting. The painted sheet measures 70cm x 24cm. The largest backing sheet (and hence work overall) measures 81.5cm x 39cm. *The shamisen (???), also known as sangen (??) or samisen (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. Geisha's were often skilled Shamisen players, and used them to entertain their customers. .‎

‎From travel notes to the world of geisha Kellerman, B. Sassa yo-yassa Japanese ‎

‎From travel notes to the world of geisha Kellerman, B. Sassa yo-yassa Japanese dances./Iz putevykh zametok v mir geysh Kellerman, B. Sassa-io-yassa Yaponskie tantsy. From travel notes to the world of geisha Kellerman, B. Sassa yo-yassa Japanese dances. Pg.: 143 p., il.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-e1eab4043b01db01.‎

‎LA GEISHA (L'ISTORIA DI UNA CASA DA THE) OPERETTA INGLESE IN 3 ATTI‎

‎TORINO SCOGNAMIGLIO ‎

‎ In 16. Dim. 18,5x12 cm. Pp. 22+(2). Bel libretto d'opera dei primi del '900 dell'opera in tre atti "La geisha" del compositore inglese Sidney Jones (1861-1946). La prima rappresentazione ebbe luogo al Daily's Theatre a Londra il 25 Aprile 1896. Presente nome della sartoria, scenario e attrezzi, maestro concertatore Raffaello Ristori. Note manoscritte in copertina tra cui una Carnevale 1912. In buone condizioni. Brossura editoriale mancante (vedere foto). Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Beautiful booklet of 1900's of the work in three acts "La geisha" by the english composer Sidney Jones (1861-1946). The first representation took place in Daily's Theatre in London the 25th of April 1896. Names of dresses, scenery and tools, orchestra master Raffaello Ristori. In good conditions. Editorial cover is missing. Binding in good conditions. Inside pages are in very good conditions with occasional foxings. <BR><BR>‎

‎LA GEISHA (L'ISTORIA DI UNA CASA DA THE) OPERETTA INGLESE IN TRE ATTI‎

‎TRIESTE TIP. COMMERCIALE ‎

‎Bel libretto d'opera dei primi del '900 dell'opera in tre atti La geisha del compositore inglese Sidney Jones (1861-1946). La prima rappresentazione ebbe luogo al Daily's Theatre a Londra il 25 Aprile 1896. Presente nome della sartoria, scenario e attrezzi. Decoro liberty in copertina. In buone condizioni. Brossura editoriale in buone condizioni con lievi usure marginali. Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. In 16. 17x11,5 cm. Pp. 28.Beautiful booklet of 1900's of the work in three acts La geisha by the english composer Sidney Jones (1861-1946). The first representation took place in Daily's Theatre in London the 25th of April 1896. Names of dresses, scenery and tools. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding in good conditions. Inside pages are in very good conditions with occasional foxings. In 16. 17x11,5 cm. Pp. 28.‎

‎Matsuo Base et al. Base and the poets of the golden age of haiku. Geisha Songs.‎

‎Matsuo Base et al. Base and the poets of the golden age of haiku. Geisha Songs. Japanese Love Lyrics. Japanese Silver Age Poetry. Chinese Classical Poetry. Chinese Love Lyrics. Chinese Erotic Poetry and Prose In Russian /Matsuo Base i dr. Base i poety zolotogo veka khayku. Pesni geysh. Yaponskaya lyubovnaya lirika. Yaponskaya poeziya Serebryanogo veka. Kitayskaya klassicheskaya poeziya. Kitayskaya lyubovnaya lirika. Kitayskaya eroticheskaya poeziya i proza. Kitayskaya lirika: Serebryanyy vek. Series: Peoples Poetry. M. Ekmo. 2002, 2003, 2004, 2005, 2010, 20 2800 and p. Series of Peoples Poetry: 1) Base and the Poets of the Golden Age of Haiku (2010) 2) Geisha Songs: Kouta (2011) 3) Japanese Love Lyrics 2002) 4) Japanese Poetry of the Silver Age (2005) 5) Chinese Classical Poetry (2004) 6) Chinese Love Lyrics (2004) 7) Chinese Erotic Poetry and Prose: The Charms of the East (2003) 8) Chinese Lyrics: The Silver Age (2005). We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe1a7b9f0e0844a13.‎