‎ARISTOTLE, By T. A. SINCLAIR, T. J. SAUNDERS‎
‎THE POLITICS‎

‎Kitzinger, Uwe W. The Politics and Economics of European Integration: Britain, ‎

‎Kitzinger, Uwe W. The Politics and Economics of European Integration: Britain, Europe, and the United States In English /Kitzinger, Uwe W. The Politics and Economics of European Integration: Britain, Europe, and the United States Kitzinger, Uwe W. The Politics and Economics of European Integration: Britain, Europe, and the United States 1961. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb447e97e113d1c399.‎

‎The Politics of the Prussian Nobility: The Development of a Conservative Ideology 1770-1848 (Princeton Legacy Library)‎

‎Princeton University Press 1989 400 pages 3x25x17cm. 1989. Cartonné jaquette. 400 pages.‎

‎Très Bon Etat de conservation intérieur propre bonne tenue jaquette un peu défraîchie‎

‎Shanghai on Strike: The Politics of Chinese Labor‎

‎Stanford, Stanford University Press, 1993. 1 volume in-8, 327 pp., purple paper hardback, a Chinese stamp and library stamps on the title page, library documents on the end pages, enriched with several photos and 3 maps hors texte, 11 tables in texte, quite good condition. ‎

‎Contents: Introduction - Part I: The Politics of Place, 1839-1919 - Part II: The Politics of Partisanship, 1919-49 - Part III: The Politics of Production - Appendixes - Character List - Notes - Index.‎

‎Music and the Politics of Censorship From the Fascist Era to the Digital Age‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: xvi + 464 pages, Size:210 x 270 mm, Illustrations:15 b/w, 1 tables b/w., Language:English, *new. ISBN 9782503618463.‎

‎In relation to music, the word censorship immediately calls to mind the totalitarian regimes of the twentieth century, in particular those of Nazi Germany and the USSR. But music censorship is arguably even more prominent and pervasive in our own age, not only in authoritarian states but also in Western liberal democracies. This book aims to enhance our understanding of censorship practices, the social and political values they serve, and the governmental and legal frameworks that have enabled them to flourish. Its twenty chapters ? written by a team of international scholars ? explore both historical case studies and the new forms of censorship that have emerged in the digital age. It evaluates different theories and models for understanding censorship, applying the concept not only to top-down government controls but also to the measures that cultural institutions, the media, and global corporations have put in place to police music and musicians. Crucial too is the exploration of how music censorship relates to other forms of political action, including cancelling, critique, and performative activism. The book also reveals the diverse strategies that musicians and listeners have employed to circumvent censorial control and to march to a different beat. TABLE OF CONTENTS James Garratt, Music and the Politics of Censorship: An Introduction Theories and Models Beate Kutschke, Five Strictures on Music Censorship James Garratt, Rethinking Music Censorship under Neoliberalism Naomi Waltham-Smith, Silenced Music, Civil Liberties, and Human Rights Law Classical Music under Censorship in the Fascist Era and Cold War Alison Minkus, Censorship at the New York Philharmonic during World War Two Thomas Radecke, Subversive Institutional Censorship: The Reluctant Dispersal of the Allgemeine Deutsche Musikverein by the National Socialist Regime, 1933-1937 Isabella Abbonizio, Theatre Censorship in Italo-Turkish Diplomatic Relations: Lodovico Rocca?s Monte Ivn r (1938-1939) R?ta Stanevi?i?t?, (Self-)Censorship in Soviet Lithuanian Music during the Stalinist Period Michal ??ep n, Censorship Practices in Music during the Totalitarian Regime in Slovakia Bel n P rez Castillo, The Said and the Unsaid: Luis de Pablo, Xenakis, and Hispanic-French Relations Arising from Two Uncomfortable Concerts at the Beginning of the 1970s Policing Subversive and Transgressive Music and Musicians Iv n Iglesias, Rethinking Popular Music Censorship: Jazz in European Dictatorships (1925-1948) Robert Gyorgyi, Whose Cziffra? Cultural Diplomacy in the Cold War and the Political Value of a Dissident Artist Marie Josephine Bennett, Frankly, the Hypocrisy over the Censorship of This Single Horrifies Me : Scott Walker?s ?Jackie? (1967) Mara Favoretto, Censorship in Rock Music in Argentina, 1976?1983: The Case of Luis Alberto Spinetta Raffaella Bianchi, Is Morality the New Nationalism? Shifting Paradigms for Music Censorship in T rkiye Music Censorship in Contemporary Neoliberal and Authoritarian Regimes Andrew Holden, Censorship of Opera in the Twenty-First Century: The Discontents of a Transnational Art Form Edwin K. C. Li, Hermeneutic Mischief and the Affect of Sonic Remainders Thiago Cazarim, Brazilian Rap Music, Censorship, and the Economy of Performativity: The Fiction/Reality Relation on Trial Audrey Amsellem, Listening as Silencing: Sonic Data, Extraction, and Surveillance Rachel Griffin, The Politics of Algorithmic Censorship: Automated Moderation and its Regulation Abstracts and Biographies Index of Names‎

‎KVZhD i politika imperialistov v Kitae. In Russian /CFR and the Politics of t...‎

‎Short description: In Russian. Voitinsky, Grigory Naumovich. CFR and the Politics of the Imperialists in China. Moscow: Publishing House of Commun. acad., 1930: type of publication Peasant newspaper. KVZhD i politika imperialistov v Kitae. In Russian /CFR and the Politics of the Imperialists in China. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU9017118‎