‎LODGE David‎
‎AUTHOR, AUTHOR‎

‎N. A. Krenke, Author-Author Archaeology of Romanovs Court-Background and Histo‎

‎N. A. Krenke, Author-Author Archaeology of Romanovs Court-Background and History of the Center of Moscow in the 12th-19th Centuries. In Russian /Krenke N. A., avt.-sost. Arkheologiya Romanova dvora-predystoriya i istoriya tsentra Moskvy v XII-XIX vekakh. Materials of Conservation Archaeological Research. Volume 12, Moscow, IA RAS. 2009, 524 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbd6245d06acaed6cb.‎

‎The Common-Wealths-Man unmasqu'd: Or a just Rebuke to the Author Author of the Account of Denmark. In two Parts.‎

‎London, Randal Taylor, 1694. Small 8vo. Contemp. full calf. Spine partly gone and covers detached. (16),162,(2) pp. Some leaves a bit browned, otherwise clean.‎

‎First edition of Rogers' attack on Molesworth's political thoughts as laid down in his ""An Account of Denmark as it was in the Year of 1692"". Rogers stated that Molesworth was not interested in Denmark at all. ""The author did not intend to give a first account of Denmark"", but his goal was ""to represent tyranny in its worst shape to the English nation"", and he accused Molesworth of carrying on an ""antimonarchial project"".‎

‎Author, Author- a novel‎

‎Secker & Warburg. 2004. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Papier jauni. 389 pages. Quelques rousseurs. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎ Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lektüre antiker Literatur‎

‎, Brepols, 2022 Paperback, 378 pages, Size:156 x 234 mm, Illustrations:16 b/w, 5 col., 2 tables b/w., Language(s):English, German. ISBN 9782503598666.‎

‎Summary The leitmotif of this volume is the concept of ?author images?, which is used in modern literary studies to describe processes of production and reading of literary works and is here applied for the first time to the study of ancient works. As a means of analysing ancient literature, it captures the aspect of personification, which is characteristic of ancient author concepts, and at the same time points to the fact that there is a difference between ?image? and ?author? and that it is only an image and not the author himself that can be seen and grasped by readers. This makes the ?author image? particularly suitable for examining the intersections of material, rhetorical and mental representations of literary authorship that form the subject of this volume. Using selected examples from Latin and Greek literature, the contributors explore the fields of cultural experience that nourish authorial images. They discuss the manifold possibilities of visualising and representing a person's quality of being an author in general or being an author of specific works, be it physically through artworks or pictures, metaphorically through evoked authorial figures, through thematised representations of authors in a text, or through the combination of authorial images and texts. These issues are addressed in four overlapping sections, each focusing on different areas of the metaphor's application, namely material images in the form of artworks, knowledge about persons, textual images as authorial strategies and images in reception. TABLE OF CONTENTS ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lektüre antiker Literatur (Ute Tischer, Ursula Gärtner & Alexandra Forst) The Cultural Imagination of Authorship (Wolfgang Hallett) I. Images of Authors and Author Images as Material Representations Pliny the Elder and the Portraits of Ancient Authors (Eva Falaschi) Menander daheim. Die pompejanische Casa del Menandro als Autorbild (Katharina Lorenz) sequens philosophos fecit. Abbildungen griechischer Philosophen und Dichter und deren Rezeption in der antiken Literatur (Margit Linder) II. Authorial Images between Text and Biography Symmachus als pagane Galionsfigur. Die dritte relatio und ihre Bedeutung für ein wirkmächtiges Autorbild (Alexandra Forst) Servius velut latenti similis. Das Autorbild des Vergilkommentators Servius (Ute Tischer) III. Authorial Images as Created by Authors Medial Representation of the Author ?Naso?. Rhetorical Strategies of Self-dramatization in Ovid?s Epistulae ex Ponto (Therese Fuhrer) Aesopi ingenio statuam posuere Attici. The Author Image in Phaedrus's Fables (Ursula Gärtner) Autorbild und Autorfiktion bei Babrios und Minoides Mynas (Lukas Spielhofer) Nobody's Home. Surrogacy, Substitution, and the Failed Search for ?Calpurnius Siculus? (Tom Geue) IV. Authorial Images from a Historical Perspective Author as Audience. Staging Virgil in Tacitus's Dialogus de oratoribus (Talitha Kearey) Virgil the Wise. Genesis of a Myth (Fabio Stok) Fathers and Sons - and Daughters. Genealogical Co-authorship, Offspring Metaphors and the Language of Legitimacy (Markus Hafner) Index locorum‎

‎Money (Inscribed by the author to Léon Say)‎

‎ In-8, cartonnage éditeur de percaline brique, dos lisse, titre, auteur et éditeur dorés, filets aux coiffes, quadruple filets d'encadrement à froid sur les plats, xv, (3), 550 pages. London : Macmillan and Co., 1878.‎

‎First edition, inscribed by the author to Léon Say.American economist and statistician, professor at MIT and later at Yale, Francis Amasa Walker (18401897) was one of the leading figures in nineteenth-century American economic thought.His treatise Money (New York, Henry Holt, 1878) ranks among the earliest major American works devoted entirely to monetary theory. It reflects the debates of the period over the gold standard, bimetallism (the free silver movement), and the monetary reform of 1873. Walker examines the mechanisms of money, internal monetary dynamics (bank notes, coinage, etc.), and issues specific to the contemporary U.S. economy.Unquestionably the most prominent and best known of American [economic] writers (F.W. Tausig, quoted in the Dictionary of American Biography, X:343-44).(The New Palgrave Dictionary of Economics, 1987, vol. 4, p. 850).Copy bearing the authors presentation inscription: With the homage of the Author, very likely addressed to Léon Say, whose engraved bookplate appears on the verso of the front free endpaper. An economist and statesman, former Minister of Finance under the French Third Republic and President of the Senate, Léon Say (18261896) belonged to the eminent liberal and financial dynasty of the Say family, whose most celebrated member was his grandfather Jean-Baptiste Say.Head- and tailcaps and corners slightly rubbed.An exceptional copy inscribed by the author.--------------------------------------------------------Edition originale avec envoi de l'auteur à Léon Say.Économiste et statisticien américain, professeur au MIT puis à Yale, Francis Amasa Walker (1840-1897) compte parmi les figures majeures de la pensée économique aux États-Unis dans la seconde moitié du XIXe siècle.Son traité Money (New York, Henry Holt, 1878) est lun des premiers grands ouvrages américains entièrement consacrés à la théorie monétaire. Il sinscrit dans le contexte des débats sur létalon-or, le bimétallisme ("free silver movement") et la réforme monétaire de 1873. Walker y analyse les mécanismes de la monnaie, les dynamiques internes (billets, pièces, etc.) et les enjeux propres à léconomie américaine de son temps."Unquestionably the most prominent and best known of American [economic] writers" (F.W. Tausig, cité dans le Dictionary of American Biography, X:343-44).(The New Palgrave Dictionary of Economics, 1987, vol. 4, p. 850).Exemplaire enrichi dun envoi autographe : "With the homage of the Author", sans doute adressé à Léon Say, dont lex-libris gravé figure au verso de la première garde. Économiste et homme dÉtat, ancien ministre des Finances sous la Troisième République et président du Sénat, Léon Say (1826-1896) appartenait à la grande dynastie libérale et financière des Say, dont le plus illustre représentant demeure son grand-père Jean-Baptiste Say.Coiffes et coins légèrement frottés.Exceptionnel exemplaire avec envoi autographe. ‎