‎COLLECTIF‎
‎UMBRIA‎

‎L'altra Galleria. Studi nella Galleria Nazionale dell'Umbria‎

‎Marco, Pierini, and Marzia Sagini: L'altra Galleria. Studi nella Galleria Nazionale dell'Umbria. 2022. 668 pages with illustrations in colour throughout. Hardback. 30 x 23.5cms. A catalogue of 73 works from the deposits of the National Gallery of Umbria, including frescos, panel paintings and polychrome sculptures in the 2018-2019 exhibition, some of which are here presented for the first time. All the pieces date to the period between 1200-1600 and the entry on each work discusses the background of the artist, social and religious themes in the work, provenance and restoration dates and findings where applicable. The collection includes pieces by Perugino, Melozzo da Forli, Zanobi Machiavelli, and Giovanni Baronzio. Text in Italian.‎

‎A catalogue of 73 works from the deposits of the National Gallery of Umbria, including frescos, panel paintings and polychrome sculptures in the 2018-2019 exhibition, some of which are here presented for the first time. All the pieces date to the period between 1200-1600 and the entry on each work discusses the background of the artist, social and religious themes in the work, provenance and restoration dates and findings where applicable. The collection includes pieces by Perugino, Melozzo da Forli, Zanobi Machiavelli, and Giovanni Baronzio. Text in Italian‎

‎Lorenzo e Jacopo Salimbeni. Vicende e protagonisti della pittura tardogotica nelle Marche e in Umbria‎

‎Minardi, Mauro: Lorenzo e Jacopo Salimbeni. Vicende e protagonisti della pittura tardogotica nelle Marche e in Umbria. Leo S Olschki, 2008. Firenze, 2008; ril., pp. 280, 107 ill. b/n, 116 tavv. col., cm. Hardback. 21,5x32 cmcms. (Arte e archeologia. Studi e documenti. 31). This monograph re-examines the work of Europe's leading artists in the International Gothic style, who were active in the Marche and Umbria regions in the first two decades of the 15th century. The copiously illustrated volume examines the entire pictorial corpus, culminating in the sumptuous decoration of St. John's Oratory in Urbino. It also offers a new consideration of the Salimbeni brothers in the context of their relationships with major exponents of Late Gothic painting in Central Italy. Text in Italian.‎

‎(Arte e archeologia. Studi e documenti. 31). This monograph re-examines the work of Europe's leading artists in the International Gothic style, who were active in the Marche and Umbria regions in the first two decades of the 15th century. The copiously illustrated volume examines the entire pictorial corpus, culminating in the sumptuous decoration of St. John's Oratory in Urbino. It also offers a new consideration of the Salimbeni brothers in the context of their relationships with major exponents of Late Gothic painting in Central Italy. Text in Italian‎

‎L'ARTE NELL'UMBRIA E NELLA SABINA.‎

‎ Treves, Milano, 1936-1940. In-4 gr., primi 4 volumi (su 6), mz. pelle edit. con ang. (lievi abras.; picc. manc. ai dorsi di 3 volumi), tit. oro al dorso, con una ricchissima documentazione iconografica di tavole in b.n. f.t. L'opera è così composta:Vol. I - L'arte etrusco-romana, pp. (6),15, con 280 tavv.Vol. II - L'arte cristiano-romanica, pp. (6),8, con 232 tavv.Vol. III - L'arte medioevale. Architettura civile (dalla metà del sec. XIII al principio del sec. XV), pp. (4),6,(2), con 202 tavv.Vol. IV - L'arte medioevale. Architettura religiosa (dalla metà del sec. XIII al principio del sec. XV), pp. (6),11,(3), con 264 tavv. Esemplare ben conservato.‎

‎Speculum musicae, vol. 5: Musica e societ in Umbria tra Medioevo e Rinascimento ‎

‎Turnhout, Brepols, 1999 Cloth binding with dustjacket, 387 pages, 21 x 26 cm, Italian. *As new. ISBN 9782503508153.‎

‎This volume, which also draws on novel methodologies of interdisciplinary research and sociological analysis, is an important contribution to our knowledge of medieval and renaissance music in the main towns of Umbria (Assisi, Perugia, Foligno, Spoleto, Todi, Orvieto, Citt di Castello, Gubbio, Gualdo Tadino and Spello) - a broad and complex phenomenon that has only recently been reconstructed in any detail. Within this highly composite geographical area, loosely held together by the Church, the study outlines the historical development of musical patronage, examines the role played by individual personalities, institutions and musicians and establishes possible links between these various sources (including abundant iconographical material and contemporary chronicles), this valuable survey focuses specifically on the development of patronage among the more important families, the splendour of certain cathedral chapels, the foundation of academies, the promotion of musical composition and the musicians' labour market. As such it offers a wide-ranging vision that greatly enriches our knowledge of the history of Umbria.‎

‎TUTTITALIA, N° 178, LUGLIO 1964, UMBRIA, 10, ENCICLOPEDIA DELL'ITALIA ANTICA E MODERNA (Sommario: Umbria. Todi e la media Val Tiberina. G. Guaitini Abbozzo: Ex-voto e amuletti. A. Busignani: Martia Tuder. Orvieto. B. Tecchi: Gli orti e le chiese...)‎

‎Sansoni - Istituto Geografico de Agostini. 1964. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Mouillures. Paginé de 297 à 327. Illustré de nombreuses photos en couleur et en noir et blanc. Texte sur 3 colonnes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Sommario: Umbria. Todi e la media Val Tiberina. G. Guaitini Abbozzo: Ex-voto e amuletti. A. Busignani: Martia Tuder. Orvieto. B. Tecchi: Gli orti e le chiese. E. Carli: Il miracolo del Duomo... Classification Dewey : 450-Italien, roumain, rhéto-romain‎