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Phaidon. 1999. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages. Illustré de nombreuses photos en noir et blanc et en couleur, hors texte. Texte sur plusieurs colonnes. Tranche légèrement salie.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60108866
ISBN : 0714838489
One hundred years of human progress, regression, suffering and hope. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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5 book(s) with the same title
Jean, Giacinta (ed.), Alberto Felici (ed.), Letiziz Tedeschi (ed.),
Reference : 125653
(2025)
ISBN : 9788833672670
Lâarte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century
Jean, Giacinta (ed.), Alberto Felici (ed.), Letiziz Tedeschi (ed.), : L'arte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century. 2025. 416 pages, illustrated. Paperback. 25 x 20cms. A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian.
A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian
Making Waves: Crosscurrents in the Study of Nineteenth-Century Art
, Brepols, 2020 Hardback, iv + 277 pages, Size:216 x 280 mm, Illustrations:45 b/w, 61 col., 3 tables b/w., Language: English. ISBN 9782503584409.
Summary Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu's example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety. TABLE OF CONTENTS Laurinda S. Dixon and Gabriel P. Weisberg, Art of the Long and Enduring Nineteenth Century: Order from Chaos Forward into the Past Laurinda S. Dixon, Suffering for Art: A Nineteenth-Century Revival of a Seventeenth-Century Motif Agnieszka Rosales-Rodriguez, The Dutch Dimension of Polish Painting in the Nineteenth Century Gary Schwartz, 'The Dreyfus Rembrandts: Smoke with No Gun' Style and Meaning Sally Webster, The Old-Master Tradition in the United States: Essential and Rejected Isabel L. Taube, William Merritt Chase's Unexpected Homage to Henri Regnault Gabriel P. Weisberg, A Conservative Becomes Progressive: P. A. J. Dagnan-Bouveret's Horses at the Watering Trough Reconsidered Art, Artifice, and the Natural World Anne Helmreich, The Crisis of Modern British Landscape Painting: The Case of Cecil Gordon Lawson Elizabeth Mansfield, Courbet and the Art of Making Waves Jenny Reynaerts, Pioneer: The Dutch-American Painter Alexander W st (1837-76) Packaging and Marketing the Female Figure Jennifer Milam, Greuze Girls and the Painterly Embodiment of Sexual Pleasure Leanne Zalewski, The 'Hysterical' Goddess: Jean-L on G r me's Bellona Ruth E. Iskin, The Material Culture and Gender of Print Connoisseurship in 1890s Paris Marjan Sterckx, The Heijermans Case: Censorship of the Female (Artist's) Gaze in Fin-de-Si cle Brussels The Politics of Display and Accessibility Rachel Esner, Jean-L on G r me: The Artist in Word and Image Francesco Freddolini, A Failed Commission for the Washington Mall: Aristodemo Costoli and the Columbus Group Madeleine Fidell-Beaufort, The Interaction of Artists, Dealers, and Collectors at Two Atypical Studio Buildings in Nineteenth-Century Paris Gail Feigenbaum, A Considerable Advantage: Joint Account and the Transatlantic Art Market ca. 1900 Crossing Boundaries Patricia Mainardi, Crisscrossing the Channel, Depicted by Themselves Roberto C. Ferrari, Dressed la Perse: An Orientalist Portrait of James Justinian Morier Alia Nour, Egyptian-French Cultural Encounters at the Opening of the Suez Canal in 1869 Laura Coyle, Windows and Touchstones: A Photograph Album from Connecticut, 1890-1910 Public Taste and Popular Culture Kasia Murawska-Muthesius, Chopin and Caricature Therese Dolan, Sonic Strategies: Manet's Street Singers Laurie Dahlberg, 'Strange Abominations': French Tableau Photography and its Critics Forward into the Present Charlotte Nichols, Inside Out: The Fortuny 'Delphos' and the Renaissance Camicia Liu Jing, From Realism to Socialist Realism: The Revolutionary Interpretation of Nineteenth-Century European Realist Art in Red China of the Mid-Twentieth Century Sharon Flescher, World War II Lingers in Restitution Claims for Nineteenth- and Early Twentieth-Century Art Emily Pugh, Pop Cultures, Now and Then: Mass Media and Modern Design in the Postwar U.S. Petra Ten-Doesschate Chu Publications Contributors
Popular Song in the 19th Century
, Brepols, 2022 Hardback, 384 pages, Size:210 x 270 mm, Illustrations:31 b/w, 26 tables b/w., Language: English. ISBN 9782503600789.
Summary Many new and exciting kinds of popular song emerged in the 19th century, and the contributors to this volume place the development and reception of these songs in their social and cultural context. The chapters are grouped into four parts. Part I investigates border crossings: an internationally known gondola song, popular songs in the Southern United States, the impact of American music in Germany, and Brazilian music in Europe. Part II concentrates on public and private spaces: the cabarets of Montmartre, salons in Berlin and Prague, popular songs and the church organ, and theatre songs in Portugal and Spain. Part III takes up the subject of social struggle: German protest songs, Hussitism and Czech songs, and Antebellum American popular songs. Part IV is concerned with matters of cultural identity: songs of Flanders, songs of the Russian 'Slavic spirit', urban songs in Greece after the War of Independence (1821), and rural and urban Serbian songs. Taken as a whole, the chapters reveal the importance of understanding different historical and cultural environments when investigating the subject matter, structure and meaning of 19th-century popular song. TABLE OF CONTENTS Derek B. Scott Introduction: The New Popular Songs of the Nineteenth Century Part I: Cultural Transfer Henrike Rost 'La Biondina in Gondoletta': The Transnational Success Story of a Popular Gondola Song Chloe Valenti Between Opera and Popular Song: The Transformation of 'Va pensiero' in Victorian Britain Candace Bailey Opera, Lieder, or Stephen Foster? Popular Song in the Antebellum US South Tobias Fasshauer Wenn das Banjo zittert : Americanism in Popular Songs of the Wilhelmine Era Fl via Camargo Toni The Twenty modinhas for Voice and Piano by Sigismund Neukomm and Joaquim Manoel Gago da C mara: A 'Transatlantic' Partnership Part II: Private and Public Spaces Michela Niccolai Montmartre in Its Songs: Between Caf -concert and Cabaret (c. 1860-1914) Anja Bunzel Popular Song in the (Semi-)Private Domain? Considering the Nineteenth-Century Salon within the Context of Popular Culture Eva-Maria de Oliveira Pinto Popular Songs in the Ecclesiastical Context: Discoveries in European and North American Organ Music of the 19th Century Catarina Ribeiro Braga The Portuguese Chansonnette at the End of the Nineteenth Century: The New Popular Song or a Mini-comic Scene? Mar a Encina Cortizo - Ram n Sobrino Popular Dance Songs in the 19th Century beyond the Spanish Borders: La cachucha and Las habas verdes Part III: Social Struggle David Robb Popular Protest Songs of the German Vorm rz and 1848 Revolution Viktor Velek Master Jan Hus and Hussitism as the Subject of Czech Social Songs in the First Half of the 19th Century Wojciech Bernatowicz He's Gone to Be a Soldier in the Army of the Lord : Politics in the Antebellum American Popular Song Part IV: Cultural Identity Jan Dewilde I Know a Song : Two Popular Flemish Songs about Singing a Song ine Mulvey Dialect Verse and Songwriting during the Irish Cultural Revival (1891-1922) Mirella Di Vita Pesnja e Romans: The Forms of the Russian Art Song at the Beginning of the 19th Century Avra Xepapadakou Popular Song in 19th-Century Greece Marijana Kokanovi? Markovi? Serbian Popular Song in the 19th-Century: Their Cultural and Social Role Abstracts and Biographies Index of Names
A Critical and Historical Corpus of Florentine Painting. Mediaeval Panel Painting in Tuscany. 12th to 13th century. A Supplement
Boskovits, Miklos: A Critical and Historical Corpus of Florentine Painting. Mediaeval Panel Painting in Tuscany. 12th to 13th century. A Supplement. Giunti, 2021. 799 pages, fully illustrated in colour. Hardback. 31 x 24cms. The Mediaeval Panel Painting in Tuscany is the catalogue raisonnà of twelfth and thirteenth century Tuscan paintings. The project's goal was to draw up a complete index of Italian panel paintings from the origins to the end of the thirteenth century. The book consists of five parts. The first, dedicated to twelfth-century panel paintings, examines the earliest works from Tuscany as a whole since it is not possible to pinpoint variations among local schools in those years. It is only starting from the thirteenth century that Boskovits could begin to trace the developments of figurative language in Tuscany's main cities, from Lucca to Pisa. The book then focuses on thirteenth-century Sienese painting, reconstructing the career of the Master of Tressa, through to the works of Duccio di Buoninsegna up to year 1300, omitting those paintings that by then were in dialogue with Giotto's innovations. The last part is dedicated to paintings from the Arezzo area, focusing largely on the career of Margarito d'Arezzo.
The Mediaeval Panel Painting in Tuscany is the catalogue raisonnà of twelfth and thirteenth century Tuscan paintings. The projectâs goal was to draw up a complete index of Italian panel paintings from the origins to the end of the thirteenth century. The book consists of five parts. The first, dedicated to twelfth-century panel paintings, examines the earliest works from Tuscany as a whole since it is not possible to pinpoint variations among local schools in those years. It is only starting from the thirteenth century that Boskovits could begin to trace the developments of figurative language in Tuscanyâs main cities, from Lucca to Pisa. The book then focuses on thirteenth-century Sienese painting, reconstructing the career of the Master of Tressa, through to the works of Duccio di Buoninsegna up to year 1300, omitting those paintings that by then were in dialogue with Giottoâs innovations. The last part is dedicated to paintings from the Arezzo area, focusing largely on the career of Margarito dâArezzo. Text in English
Roots of Revolution: A History of the Populist and Socialist Movements in 19th Century Russia: A History of the Populist and Socialist Movements in the Nineteenth-century Russia
Weidenfeld & Nicolson History 2025 850 pages in8. 2025. Broché. 850 pages.
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