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ADAM THORPE
STILL
SECKER AND WARBURG. 1995. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 582 pages. Jaquette illustrée en couleurs.. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Reference : RO60063571
ISBN : 0436520680
Classification Dewey : 820-Littératures anglaise et anglo-saxonne
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5 book(s) with the same title
Dutch and Flemish Still-Life Paintings: bequeathed by Daisy Linda Ward
Waanders BV Uitgeverij 2005 336 pages 23 62x3 3x28 45cm. 2005. Cartonné jaquette. 336 pages.
Bon état quelques rousseurs en tête intérieur propre avec sa jaquette
JAMES ENSOR AND STILL LIFE IN BELGIUM (1830-1930) : Rose, Rose, Rose Mes yeux
, Mercatorfonds, 2023 PB, 260 x 210 mm, ENG.,176 p, NEW, 160 illustraties. ISBN 9789462303638.
This book offers a unique journey through the history of still life in Belgium in the 19th and early 20th centuries, with Ensor as guide. Still life played an important role within the oeuvre of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguing, complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The still life, which in the early 19th century had degenerated into a decorative genre, devoid of content and artistic importance, was artistically revalued in various ways throughout the nineteenth century: by monumentalising it, by animating the image with dolls and masks, through exoticism, or by making it part of an interior. In this, Ensor's work is the most inventive. Moreover, his long career added to Ensor's artistic impact on many artists who from 1880 onwards lapped towards modernism. His late still lifes - often transformations of early works - are little known and intriguing. Besides an overlook of this important part of Ensor's oeuvre, the book offers an overview of the 19th-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans and Henri De Braekeleer, and forgotten female artists such as Berthe Art and Alice Ronner. In the early 20th century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, L on Spilliaert, Marthe Donas, Walter Vaes and Gustave Van de Woestyne created highly personal interpretations. This tradition of the still life painting ends with artists such as Jean Brusselmans and Ren Magritte, who deconstructed the pictorial space of the 'theatre of things'. This book is published on the occasion of the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend).
Still alive - du couvent des Jacobins au centre des congrès Rennes 1369-2017
Cloître imprimeurs 2017 99 pages in4. 2017. Cartonné. 99 pages.
Très Bon Etat de conservation
Gibeon where the sun stood still the discovery of biblical city
Princeton University Press 1962 in8. 1962. Cartonné. iconographie en noir et blanc
livre en bon état bonne tenue intérieur propre cependant jaquette défraîchie tachée de rousseurs
