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ADAM THORPE
STILL
SECKER AND WARBURG. 1995. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 582 pages. Jaquette illustrée en couleurs.. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Reference : RO60063571
ISBN : 0436520680
Classification Dewey : 820-Littératures anglaise et anglo-saxonne
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5 book(s) with the same title
[Clyfford Still] - Anfam, David, Neal Benezra, and Brooks Adams
Reference : 085445
(2001)
ISBN : 0300089694
Clyfford Still: Paintings 1944-1960
Anfam, David, Neal Benezra, and Brooks Adams: Clyfford Still: Paintings 1944-1960. Exhibition: Washington, Hirshhorn Museum, 2001. 175 pages, fully illustrated in colour. Slight staining on pages. Paperback. 25 x 30cms.
Clyfford Still
O'Neill, John P. (ed): Clyfford Still. Exhibition: New York, Metropolitan Museum, 1980. 222pp, illustrated in colour. Hardback. 28 x 30cms.
[James Ensor] - Taevernier, Sabine, Bart Verschaffel
Reference : 123617
(2023)
ISBN : 9780300273199
James Ensor and Still Life in Belgium: 1830-1930 Rose, Rose, Rose a mes yeux
Taevernier, Sabine, Bart Verschaffel: James Ensor and Still Life in Belgium: 1830-1930 Rose, Rose, Rose a mes yeux. Paris: 2023. 176 pages, 164 colour illustrations. Hardback. 22x26cms. A study of the place of still lives in James Ensor's oeuvre. Two chapters explore the 19th century Belgian academic tradition of decorative painting and its renewal by Ensor and his contemporaries. Followed by a catalogue of 48 paintings and drawings by Ensor and 61 works by artists like Louis Dubois, Frans Mortelmans and Rene Magritte. Each work is illustrated and accompanied by an artist biography.
A study of the place of still lives in James Ensorâs oeuvre. Two chapters explore the 19th century Belgian academic tradition of decorative painting and its renewal by Ensor and his contemporaries. Followed by a catalogue of 48 paintings and drawings by Ensor and 61 works by artists like Louis Dubois, Frans Mortelmans and Rene Magritte. Each work is illustrated and accompanied by an artist biography. Text in English
Lippard, Lucy, Cornelia H. Butler, Joao Ribas, and Allan Schwartzman
Reference : 120754
(2009)
ISBN : 9780942324488
Ree Morton. At the Still Point of the Turning World
Lippard, Lucy, Cornelia H. Butler, Joao Ribas, and Allan Schwartzman: Ree Morton. At the Still Point of the Turning World. The Drawing Center, 2009. 118 pages, fully illustrated in colour. Very good condition. Paperback. 23 x 15cms. Publication number 87 in the Drawing Papers series, features an illustrated list of 52 works, a conversation between Cornelia H. Butler, Joao Ribas, and Allan Schwartzman, as well as Lucy Lippard's new introduction to her 1973 essay 'At the Still Point of the Turning World'.
Publication number 87 in the Drawing Papers series, features an illustrated list of 52 works, a conversation between Cornelia H. Butler, Joao Ribas, and Allan Schwartzman, as well as Lucy Lippard's new introduction to her 1973 essay 'At the Still Point of the Turning World'. Text in English
JAMES ENSOR AND STILL LIFE IN BELGIUM (1830-1930) : Rose, Rose, Rose Mes yeux
, Mercatorfonds, 2023 PB, 260 x 210 mm, ENG.,176 p, NEW, 160 illustraties. ISBN 9789462303638.
This book offers a unique journey through the history of still life in Belgium in the 19th and early 20th centuries, with Ensor as guide. Still life played an important role within the oeuvre of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguing, complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The still life, which in the early 19th century had degenerated into a decorative genre, devoid of content and artistic importance, was artistically revalued in various ways throughout the nineteenth century: by monumentalising it, by animating the image with dolls and masks, through exoticism, or by making it part of an interior. In this, Ensor's work is the most inventive. Moreover, his long career added to Ensor's artistic impact on many artists who from 1880 onwards lapped towards modernism. His late still lifes - often transformations of early works - are little known and intriguing. Besides an overlook of this important part of Ensor's oeuvre, the book offers an overview of the 19th-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans and Henri De Braekeleer, and forgotten female artists such as Berthe Art and Alice Ronner. In the early 20th century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, L on Spilliaert, Marthe Donas, Walter Vaes and Gustave Van de Woestyne created highly personal interpretations. This tradition of the still life painting ends with artists such as Jean Brusselmans and Ren Magritte, who deconstructed the pictorial space of the 'theatre of things'. This book is published on the occasion of the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend).
