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VIANELLI Athos
Bologna.
Tamari. 1968. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 200 pages environ, illustrations en noir & blanc.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Reference : RO60015009
Album di Bologna. Classification Dewey : 450-Italien, roumain, rhéto-romain
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5 book(s) with the same title
Bologna Cope: Patronage, Iconography, History, and Conservation
, Brepols - Harvey Miller, 2022 Hardback, 228 pages, Size:225 x 300 mm, Illustrations:160 col., Language: English. ISBN 9781912554874.
Summary This second volume in the series Studies in English Medieval Embroidery is dedicated to the Opus Anglicanum Cope of St Domenico, Bologna now housed in the Museo Civico Medievale. Essays are by the Director, curators and conservation staff of the Museo Civico in collaboration with new archival research by leading scholars in the field of textiles and the production of medieval liturgical vestments. It is edited by Dr. M.A. Michael, head of the Opus Anglicanum Project at the University of Glasgow. This volume presents the first detailed investigation of the iconographical cycle depicted on the cope and provides new evidence for dating which places the Bologna Cope within the short-lived patronage of Pope Benedict XI before 1304. A comprehensive investigation of the archival materials relating to the Cope and its rediscovery in the 19th century is also accompanied by a detailed historiography of the literature and exhibition history of the cope and an account of the challenges faced during its recent conservation. TABLE OF CONTENTS Massimo Medica ? A King's Gift to a Pope: Benedict XI and the Bologna Cope M.A. Michael ? The Cultural Context of the Bologna Cope: The Design and Production of Opus Anglicanum Liturgical Vestments in England Franco Faranda and M. A. Michael ? The Iconography of the Cope of San Domenico in Bologna Giancarlo Benevolo ? The San Domenico Cope in the Inventories of the Sacristy and Convent of the Friars Preachers, Bologna: 14th -19th centuries Silvia Battistini ? An Historiography of the Bologna Cope Marta Cuoghi-Costantini ? Textiles and Embroidery in Italy between 1200 and 1300 Manuela Farinelli ? The Conservation of the Bologna Cope Silvia Battistini ? The Bologna Cope (Catalogue description) Bibliography Glossary Index
Neptune Fountain in Bologna. Bronze, Marble, and Water in the Making of a Papal City
, Brepols - Harvey Miller, 2015 Hardback with dj., VI+248 p., 150 colour ill., 220 x 280 mm. Languages: English, Italian, Latin. ISBN 9781909400245.
As a gateway to the central Piazza Maggiore and a work of singular beauty and elegance, the Neptune Fountain is one of Bologna?s most prized artistic gems, recognized by all but understood by very few. Richard Tuttle?s monograph represents the first comprehensive study of this iconic monument, executed between 1563 and 1567 by the Flemish artist Giambologna and the Sicilian architect Tomaso Laureti, that considers all of the complex aspects of its commission, planning, execution, iconography, and urban impact. Working with an extraordinary body of documentary and visual materials, Richard Tuttle (1941-2009)?one of the world?s foremost authorities on Renaissance Bologna?reveals how the fountain was created collaboratively by papal administrators and artists, how it depended on contemporary hydraulic technology, communicated political messages, and became an instrument of urban renewal. The book?s broad appeal, scholarly rigor, and eloquent writing promise to make it an indispensable source on Italian sixteenth-century sculpture, architecture and urban planning, as well as a definitive text on this remarkable Renaissance fountain. Richard J. Tuttle (1941?2009) taught Renaissance architectural history at Tulane University for thirty years (1977?2007), before moving to the University of Bologna?s Department of Architecture and Urban Planning in 2007. He was the author of numerous groundbreaking and award-winning studies on Renaissance architecture, sculpture, and urbanism, and was the world authority on sixteenth-century Bologna and the architect and theorist Jacopo Barozzi da Vignola. Nadja Aksamija is Associate Professor of Art History at Wesleyan University. Her published and forthcoming books and articles have examined, among others, sixteenth-century villas and castles in Bologna and Dubrovnik, notions of sacred landscape in Counter- Reformation painting and emblematics, and the restoration of Renaissance architectural monuments in the nineteenth and twentieth centuries. She is the recipient of prestigious grants and fellowships from the Getty Foundation, the Kress Foundation, and the Villa I Tatti in Florence, among others. Francesco Ceccarelli is Associate Professor of Architectural History at the University of Bologna. The focus of his research is the early modern and modern Italian city, from the Renaissance through Neoclassicism. He is the recipient of the Accademia Nazionale dei Lincei?s prestigious prize in History and History of Geography (2000) for his innovative research on the strategies of urban development in the Po valley during the Renaissance.
I primi sei libri degl'Elementi d'Euclide ridotti alla prattica da Pietro Antonio Cataldi lettore delle scienze mathematiche nello studio di Bologna. Dove si mostrano le inventioni delle regole geometriche, & algebratiche necessarie, & di continuo uso.
Bologna 1620 Sebastiano Bonomi Full-Leather 1st Edition
I primi sei libri degl'Elementi d'Euclide ridotti alla prattica da Pietro Antonio Cataldi lettore delle scienze mathematiche nello studio di Bologna. Dove si mostrano le inventioni delle regole geometriche, & algebratiche necessarie, & di continuo uso. All'ill.mo et nobiliss. sig. il sig. Gregorio Malvezzi. Pietro Antonio Cataldi (15 April 1548, Bologna - 11 February 1626, Bologna) was an Italian Mathematician. A citizen of Bologna, he taught mathematics and astronomy and also worked on military problems. His work included the development of continued fraction and a method for their representation. He was one of many mathematicians who attempted to prove Euclid's fith postulate. Cataldi discovered the sixth and seventh primes later to acquire the designation Mersenne prime by 1588. [8]-271-[1] p. : fig. ; in-fol, Vellum binding. bookworm holes on mostly all pages, but the text is still readable, a lot of mathematic figures in the text
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Phone number : +32(0)496 80 81 92
Tyranny under the Mantle of St Peter Pope Paul II and Bologna,
Turnhout, Brepols, 2002 Hardback, XIV+344 p., 160 x 235 mm. ISBN 9782503513034.
This publication deals with Pope Paul II?s high concept of princely sovereignty, his vision of the papal temporal dominions as a genuinely co-ordinated territorial state, and his clash with the Commune of Bologna. Pope Paul II (1464-1471) stands out amongst the later fifteenth-century popes by virtue of his high concept of princely sovereignty, and his vision of the papal temporal dominions as a genuinely co-ordinated territorial state, an enduring public entity. Inevitably he clashed with the Commune of Bologna, second city of the Papal State, over which he naturally aspired to more jurisdiction. The political vision of the Bolognese regime had a narrowly local focus which precluded the sacrifice of Bolognese independence in favour of integration into a wider territorial entity, and sprang from a view of government as rightfully the private preserve of a restricted oligarchic group, from the 1440s consolidated in the magistracy of the 'Sixteen Reformers of the Regime of Liberty'. Paul II regarded the regime of the Sixteen as a 'tyranny', and declared that he did not want such tyrannies flourishing 'under the mantle of Saint Peter'. Paul II's intervention in Bolognese affairs failed to open up the restricted circle of the Bolognese oligarchy or to curb Bologna's independence in the Papal State. It did nonetheless constitute a watershed in the evolution of the Bolognese regime. Through political miscalculation, it seems, Paul was led to institute a constitutional modification which gave the long-developing predominance of the Bentivoglio family an institutional basis and opened the way for it to become more overtly 'signorial', replacing one 'tyranny' with another. However, this aggravated a long-standing tension in the regime between collegiality and despotism, and paved the way for the eventual destruction of the Bentivoglio predominance and the incorporation of Bologna into the more co-ordinated Papal State of the sixteenth-century - a result more consonant with Paul II's aims. The clash between Paul II and Bologna is ultimately one between two opposed concepts of government and 'the state'. The book's analysis of this clash wil. Languages : English.
Giulio II e Raffaello. Una nuova stagione del Rinascimento a Bologna
Benati, D, Pacelli M. L.: Giulio II e Raffaello. Una nuova stagione del Rinascimento a Bologna. Exhibition: Bologna, Pinacoteca Nazionale, 2022. 216 pages, over 100 colour illustrations. Paperback. 28x23cms. An exploration of the artistic production in Bologna from the 1470s to 1530. Discussions across twelve essays include Julius II's many commissions particularly Raphael's portrait; commissions for Perugino, Filippino Lippi and Giovanni Antonio Boltraffio; and the decoration for the oratorio of Santa Cecilia. Includes a catalogue of 60 paintings and drawings each illustrated and discussed in detail. Text in Italian.
An exploration of the artistic production in Bologna from the 1470s to 1530. Discussions across twelve essays include Julius IIâs many commissions particularly Raphaelâs portrait; commissions for Perugino, Filippino Lippi and Giovanni Antonio Boltraffio; and the decoration for the oratorio of Santa Cecilia. Includes a catalogue of 60 paintings and drawings each illustrated and discussed in detail. Text in Italian
