Secker & Warburg. 1978. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 368 pages.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60008392
Classification Dewey : 420-Langue anglaise. Anglo-saxon
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Reference : albdfd9b3f0dfa3b638
A set of 7 books in the series: The Life and Creativity of Writers. Exhibition at School. In Russian /Komplekt iz 7 knig serii: Zhizn i tvorchestvo pisateley. Vystavka v shkole. M. Childrens Literature. 1981-88. 1. The Life and Creativity of A.Block: 2. The Life and Creativity of I.S. Turgenev: 3. The Life and Creativity of N.A. Nekrasov: 4. The Life and Creativity of V.Mayakovsky: 5. The Life and Creativity of L.N. Tolstoy: 6. The Life and Creativity of A.P. Gaidar: 7. The Life and Creativity of A.P. Pushkin. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbdfd9b3f0dfa3b638.
, Brepols - Harvey Miller, 2024 Hardcovers with dusjackets; 2 vols, Pages:660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col. Language(s):English. FINE.
The book deals with the Virgin's pre-Annunciation life, as those episodes involving her son the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronationWhereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son ? the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation ? have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinit . The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.
London: Printed by W. Clowes & Sons., 1851, in-folio, 3 leaves (first white with hw. dedication - title - contents) + frontisp. hand-coloured map: ‘The cost of Northumberland’ (1851) + 77 p. (+ 1 Imprint: London printed by W. Clowes & Sons) + 13 folded plates + 1 map ‘Wreck Chart of the British Isles for 1850’ (small corner torn off no loss of image or text), With the printed dedication ‘Presented by the Duke of Northumberland’ then handwritten ‘to Oliver Lang Esq / Master Shipwright / Her Maj’s. Dock Yard / Woolwich 20 th August 1851’, original blue cloth, upper cover lettered gilt and with coat-of-arms with devise ‘espérance en Dieu’, a very good copy
First Edition, spine partly remounted with original material. 'Presented by the Duke of Northumberland.' The report is signed by John Washington, Captain R.N., and others. (24). The report was in response to the loss of life caused by shipwrecks. The report concludes near the end : 'The path then is clear and distinct. The first step is to ensure a safe and powerful life-boat, and this the Committee feel confident has been accomplished; the next is to build a sufficient number of such boats, place them where required, organize and train the crews, and provide for their supervision and maintenance; - in fact, to do for the rest of the United Kingdom what your Grace has liberally undertaken to do for the coast of Northumberland, namely, to place a well-built life-boat at each of the most exposed points of the coast, and rockets or mortars at all the intermediate stations. There need be no misgiving for want of funds; no work of real benevolence in this country, when undertaken in the right spirit, was ever allowed to languish for lack of means.' Image disp.
Phone number : 41 (0)26 3223808
London: printed for Longman, Hurst, Rees, and Orme, by T. Bensley, 1810, 2 vol. in-8°, xxviii-348 et 384 pp, 3e édition, portraits gravés du colonel Hutchinson et de Mrs Lucy Hutchinson en frontispices, un tableau généalogique dépliant, un fac-similé et un plan repliés, une gravure hors texte, reliures plein veau glacé fauve, dos à 5 nerfs soulignés à froid, fleurons dorés et à froid, roulettes dorées, pièces de titre et de tomaison basane noire, triples filets dorés et large filet à froid encadrant les plats (rel. de l'époque), bon état. Exemplaire bien relié. Texte en anglais
"The Life of John Hutchinson of Owthorpe in the Country of Nottinghamshire", composée par Lucy Hutchinson entre 1664 et 1667, rapporte le destin tragique du Colonel Hutchinson qui mourut en captivité le 11 septembre 1664. Signataire de l’arrêt de mort du roi Charles Ier et soupçonné d’avoir participé à un complot contre Charles II, celui-ci fut arrêté en octobre 1663 sans avoir jamais été jugé. S’il s’écoula presque cent quarante ans entre l’écriture et la publication de « The Life », c’est qu’il était impensable pour la famille Hutchinson d’autoriser la publication de la Vie d’un régicide au temps de la monarchie restaurée. À la fin du XVIIIe siècle, alors que des récits du même genre avaient été publiés, la famille Hutchinson refusa à l’antiquaire Mark Noble, qui écrivait The Lives of the English Regicides (1798), le droit de consulter le manuscrit. Une demande similaire de l’historienne Catharine Macaulay (1731-1791) fut rejetée. Ainsi, même si l’existence de cette Vie de John Hutchinson était connue, il semble qu’elle ait peu circulé avant sa publication en 1806 par Julius Hutchinson, qui avait hérité des écrits de son aïeule. Ce volume, publié sous le titre “Memoirs of the Life of Colonel Hutchinson”, rassemble en fait plusieurs pièces : un fragment autobiographique (« The Life of Mrs. Hutchinson Written by Herself. A Fragment »), la dédicace aux enfants (« To My Children »), la Vie du Colonel (« The Life of John Hutchinson »), l’inscription qui figure sur le Monument du Colonel Hutchinson à Owthorpe, et quelques vers tirés du volume aujourd’hui perdu où Lucy Hutchinson avait consigné sa Vie. Dans sa préface, Julius Hutchinson présente les “Memoirs” comme « l’histoire de l’une des époques les plus remarquables des annales britanniques. »
[Sir Peter Paul Rubens] - Bulckens, Koen
Reference : 116014
(2017)
ISBN : 9781909400863
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.