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ARNIM Elizabeth von
Love.
"Virago. 1988. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 407 pages. Livre ""gondolé"".. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon"
Reference : RO60004474
ISBN : 0860689417
"With a new introduction by Terence de Vere White. ""Virago Modern Classic"" N°297. Classification Dewey : 420-Langue anglaise. Anglo-saxon"
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5 book(s) with the same title
Vermeer's Love Letters
Fucci, Robert: Vermeer's Love Letters. Exhibition: New York, Frick Collection, 2025. 112 pages, 60 colour illustrations. Hardback. A catalogue for the exhibition at The Frick Museum, uniting 3 Vermeer paintings: 'Mistress and Maid', 'The Love Letter', 'Woman Writing a Letter with Her Maid'. 4 essays consider the theme of love letters in 1650s and 1670s Dutch art, Vermeer's use of maid figures, and contemporary depictions of intrigue and discretion.
A catalogue for the exhibition at The Frick Museum, uniting 3 Vermeer paintings: 'Mistress and Maid', 'The Love Letter', 'Woman Writing a Letter with Her Maid'. 4 essays consider the theme of love letters in 1650s and 1670s Dutch art, Vermeer's use of maid figures, and contemporary depictions of intrigue and discretion
Spectrum of Desire. Love, Sex, and Gender in the Middle Ages
Holcomb, Melanie, and Nancy Thebaut: Spectrum of Desire. Love, Sex, and Gender in the Middle Ages. Exhibition: New York, Cloisters, 2025. 144 pages, 100 colour illustrations. Paperback. 24x27cms. Catalogue for the exhibition, examining medieval interpretations of the concepts of gender, sexuality, and love as portrayed in over 40 sculptures, paintings, manuscripts, and personal items in the Cloisters collection. A queer lens is applied to several objects in the collection, exploring the existence of a 'Queer Middle Ages'. Five essays focus on topics like the erotic undertones of a sculpture of Saint Sebastian, violence and domination on a fourteenth century ivory casket, and transgender expression in the 'Belle Heures' of Jean de France, duc de Berry.
Catalogue for the exhibition, examining medieval interpretations of the concepts of gender, sexuality, and love as portrayed in over 40 sculptures, paintings, manuscripts, and personal items in the Cloisters collection. A queer lens is applied to several objects in the collection, exploring the existence of a 'Queer Middle Ages'. Five essays focus on topics like the erotic undertones of a sculpture of Saint Sebastian, violence and domination on a fourteenth century ivory casket, and transgender expression in the 'Belle Heures' of Jean de France, duc de Berry. Text in English
[Alessandro Filipepi called Sandro Botticelli] - Dempsey, Charles
Reference : 046325
(1992)
ISBN : 0691032076
The Portrayal of Love. Botticelli's 'Primavera' and Humanist Culture at the Time of Lorenzo the Magnificent
Dempsey, Charles: The Portrayal of Love. Botticelli's 'Primavera' and Humanist Culture at the Time of Lorenzo the Magnificent. Princeton University Press, 1992. 173pp with 16 colour plates and 29 monochrome figures. Hardback. 26.2x20cms. Detailed study of Botticelli's 'Primavera', placing the work within its cultural and social context and using this to explore the relationship between poetry and painting. With index.
Detailed study of Botticelli's 'Primavera', placing the work within its cultural and social context and using this to explore the relationship between poetry and painting. With index
Christian Rosa: I am in Love with the Coco
Lobke, Matthia: Christian Rosa: I am in Love with the Coco. Exhibition: Heilbronn, Kunstverein, 2015. 64 pages, with 50 colour illustrations. Hardback. 32 x 23.5cms.
Werner Mannaers Love letters.
Antwerpen, MER Paper Kunsthalle, 2012 Gebonden, Hardcover, 296 pagina's met illustraties in kleur, 30x21 cm, *new ISBN 9789490693893.
Een liefdesbrief geeft vorm aan de liefde. Mannaers schrijft er geen, hij schildert ze in zijn smeuige bad painting-stijl. Gedurende een periode heeft hij elke dag een Love Letter gemaakt en bestemd. De bestemmeling is een vrouw. Mannaers is tevens verliefd op de liefde, dat maakt zijn reeks algemeen menselijk. Kunstenaars kunnen niet zwijgen over (hun) kunst, ook als ze de liefde bedrijven. Zo is het boek Love Letters een visueel commentarierend beeldverhaal over de geschiedenis van de moderne kunst geworden. Het werk van Mannaers is steeds 'intertekstueel', d.w.z. dat in of onder een tekst er een andere schuilt. In zijn Love Letters vinden we een dubbel niveau van twee soorten gelaagdheden. Zijn schilderijen zitten vol referenties aan andere kunstenaars. Voor zijn dagelijkse Love Letters, gouache op papier, plukt hij hier en daar uit zijn eigen schilderijen die in de maak zijn. Lieftalliger met minder weerhaken. // Love letters shape love. Werner Mannaers doesn?t write love letters, he paints them in his characteristic ?bad painting? style. During a certain time span, the painter created a Love Letter each day; the recipient of which was always a woman. Mannaers is in love with love; which makes his current series especially human: artists never shut up about (their) art, even when making love. The book Love Letters groups these paintings Mannaers made over time. Each Love Letter is effectuated using gouache on paper. They refer to some of Mannaers? paintings that are currently in the making. Each Love Letter equally makes reference to other artists. This makes this publication more than a collection of recent Love Letters: the publication discreetly evolves towards a visual commentary on the history of modern art.
