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Reference : RO50012755
820. Op : 33. Partitions pour piano. Classification Dewey : 780.26-Partitions
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5 book(s) with the same title
Computer Vision Virtual Reality and Robotics in Medicine: First International Conference CVRMed '95 Nice France April 3 - 6 1995. Proceedings ... Notes in Computer Science 905 Band 905)
Springer 1995 588 pages 15 24x2 29x23 37cm. 1995. Broché. 588 pages.
Bon état
MacAdam (David), ed. - Plato - Aristotle - Isaac Newton- George Palmer - Thomas Young - Hermann Günter Grassmann - James Clerk Maxwell - Herman von Helmholtz - Johannes von Kries - Frederic Eugene Ives - Erwin Schrödinger - John Guild - Lewis Fry Richardson - Stephen Polyak - Sir Wilfried E. Le Gros Clark
Reference : 101511
(1970)
Sources of Color Science , (Timaeus - On the soul ii - Sense and the sensible 2 - Meteorologica iii - New theory about light and colors - Opticks - Theory of colors and vision - Theory of light - On the theory of light and colors - Theory of compound colors - Theory of the perception of colors - The diagram of colors - Theory of compound colors, and the relations of the colors of the spectrum - On color vision - Physiological optics - Contribution to the physiology of visual sensations - Chromatic adaptation - Influence of adaptation on the effects produced by luminous stimuli - The optics of trichromatic photography - Outline of a theory of color measurement of daylight vision - Thresholds of color differences - Some problems of visual perception - Interpretation of quantitative data in visual problems - Measurability of sensations of hue, brightness, or saturation - Retinal structure and color vision - Laminar pattern of the lateral geniculate nucleus considered in relation to color vision)
The MIT Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1970 Book condition, Etat : Bon hardcover, editor's binding, under editor's pink printed dust-jacket grand In-8 1 vol. - 292 pages
a few black and white text-figures 1st edition, 1970 Contents, Chapitres : Contents, Preface, x, Text, 282 pages - Plato : Timaeus - Aristotle : On the soul ii - Sense and the sensible 2 - Meteorologica iii - Isaac Newton : New theory about light and colors - Opticks - George Palmer : Theory of colors and vision - Theory of light - Thomas Young : On the theory of light and colors - Hermann Günter Grassmann : Theory of compound colors - James Clerk Maxwell : Theory of the perception of colors - The diagram of colors - Theory of compound colors, and the relations of the colors of the spectrum - On color vision - Herman von Helmholtz : Physiological optics - Johannes von Kries : Contribution to the physiology of visual sensations - Chromatic adaptation - Influence of adaptation on the effects produced by luminous stimuli - Frederic Eugene Ives : The optics of trichromatic photography - Erwin Schrödinger : Outline of a theory of color measurement of daylight vision - Thresholds of color differences - John Guild : Some problems of visual perception - Interpretation of quantitative data in visual problems - Lewis Fry Richardson : Measurability of sensations of hue, brightness, or saturation - Stephen Polyak : Retinal structure and color vision - Sir Wilfried E. Le Gros Clark : Laminar pattern of the lateral geniculate nucleus considered in relation to color vision near fine copy, minor wear on the top of the dust-jacket, with very small missing of paper on the top of the spine, the D-J remains nearly complete and fine, inside is fine, no markings
Luc Tuymans The Reality of the Lowest Rank : a vision of Central Europe
Tielt, Lannoo, 2010 Hardcover, 286 pages, 26 x 28 cm, English text ISBN 9789020989977.
Luc Tuymans : The Reality of the Lowest Rank : a vision of Central Europe This book is the official catalogue for the exhibition 'A Vision of Central Europe' that will be held at the concert hall in Bruges from the end of 2010 until January 23rd 2011. Luc Tuymans has selected the works of artists from East and Central Europe, dating from World War II until the present day. His fascination with Central Europe's eventful history has been translated into a highly personal exhibition. Some thirty refreshingly innovative artists from that region show work that displays a clear vision of society. Like Tuymans, they don't shy away from themes such as war, violence and trauma. The main text of the book is written by Alison Gas, curator of the San Francisco Museum of Modern Art (SFMOMA), with a contribution by Takashi Murakami, one of the most important contemporary artists working today. With works by Pawel Althamer, Miroslaw Balka, Wojciech Bakowski, Hans Bellmer, Guillaume Bijl, Walerian Borowczyk, Piotr Bosacki, Pavel Buchler, Nemanja Cvijanovic, Armen Eloyan, Igor Eskinja, Katharina Fritsch, Isa Genzken, Tadeusz Kantor, Alex Katz, Martin Kippenberger, Zlatko Kopljar, Igor Kovalyov, Klara Kristalova, Zbigniew Libera, David Maljkovic, Takashi Murakami, Deimantas Narkevicius, Priit Parn, Sigmar Polke, Quay Brothers (Stephen and Timothy), Neo Rauch, Gerhard Richter, Zbigniew Rybczyn'ski, Anri Sala, Bruno Schulz, Andreas Slominski, Jan Svankmajer, Alina Szapocznikow, Paul Thek, Luc Tuymans, Meyer Vaisman, Andy Warhol, Weegee, Andrzej Wroblewski.
Medieval Art at the Intersection of Visuality and Material Culture. Studies in the 'Semantics of Vision'
, Brepols, 2021 Hardback, 247 pages, Size:156 x 234 mm, Illustrations:25 b/w, 7 col., 1 tables b/w., Language: English. ISBN 9782503581538.
Summary Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages. TABLE OF CONTENTS Acknowledgements, List of Illustrations Colour Plates Introduction: A Return to Medieval Visuality after the Material Turn ? RAPHA LE PREISINGER 'Visual Piety' and Visual Theory: Was There a Paradigm Shift? ? BERTHOLD HUB Fortress of Form, Robber of Consciousness: Theorizing Visuality in Islam ? WENDY M. K. SHAW De spiritu et anima: The Cistercians, the Image, and Imagination ? JENS R FFER The Liveliness of the Methexic Image ? BISSERA V. PENTCHEVA Radiance and Image on the Breast: Seeing Medieval Jewellery ? SILKE TAMMEN Reliquaries and the Boundaries of Vision: Relics, Crystals, Mirrors and the 'Vision Effect' ? CYNTHIA HAHN Channelling the Gaze: Squints in Late Medieval Screens ? TINA BAWDEN Index
[: Photographe : Romain Meffre et Yves Marchand] - GREMILLET, Muriel;
Reference : 25881
Science et architecture Institut de la Vision. Paris Agence Brunet Saunier Architecture,
Bruxelles, AAM, 2009 Couverture souple, 160 x 240mm.,144pp., illustre. ISBN 9782871432210.
L'Institut de la Vision, ouvert en mars 2008 a cote de l'hopital des Quinze-Vingts, a ete realise par l'agence Brunet Saunier, il est l'un des plus grands centres de recherche en Europe consacre aux maladies oculaires. L'origine de sa creation fut le constat qu'aucune structure en France ne permettait de repondre efficacement aux besoins des patients, medecins et scientifiques : les differents specialistes de la vision etaient jusqu'alors disperses sur le territoire, empechant l'interaction indispensable a un partage rapide des connaissances. L'ouvrage presentera ce nouveau complexe scientifique constitue d'un centre de recherche, d'un centre d'investigation clinique, d'un centre de reference pour les maladies rares ainsi que le rapport qui unit architecture - science. Trilingue anglais/francais/italien. Nouveau livre.
