E. Gallet. début XXème. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 4 pages. Gravure noire et blanche en couverture. Petites déchirures.. . . . Classification Dewey : 780.26-Partitions
Reference : RO50008770
E.G. 6571. (1). Op : 31. Partitions pour piano. Classification Dewey : 780.26-Partitions
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, La Haye [The Hagers]: Henri Scheurleer,, 1720 Reliure de l' poque en plein veau. Second Edition.298 pages + table des matieres. 16.5x10cm bon etat. .
**VOLUME 3 SEUL tome troisieme seul***
, Posture Editions Nr 24, 2017 PB, 297 x 210 mm, 72 pages, Illustrated.ENG-FR-NL edition. ISBN 9789491262241.
The best introduction to the work of Carole Vanderlinden (b. 1973) is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they?ve generally come into contact with when growing up, often in books or magazines, sometimes in museums and galleries. Carole Vanderlinden loves to read and to leaf through books, but her main interest is visiting museums of ancient or ethnographic art. In general, she looks for any event, drawing, object, pattern, colour and rhythm that speaks to her. Joining her on two of these trips of discovery, once in Brussels and once in Paris, she can be fascinated by the most diverse objects, such as a zigzag Navajo carpet, Egyptian alabaster Canopic jars dating back to 1500 BC, 18th-century glazed biscuit from Tournai or a herbarium. These objects and their colours and rhythms are copied in notebooks, often with an accompanying text. Later she might re-paint them on paper creating new combinations or compositions. These works on paper usually remain quite light, with a lot of cut-outs, like minimalist collages. In parallel Vanderlinden works on her paintings without any preconceived idea. Layer after layer the paintings try to avoid being controlled or supervised in any way. Sometimes we see patterns emerge that are familiar from her works on paper. These patterns are used as ways of countering a painting, destabilising it, recreating a balance or finishing it. During this practice, the patterns become more compact and dense. Slowly they merge with the stubborn texture of the painting. The book Mon seul d sir is a follow-up to Nocturne (2013). It contains reproductions of works on paper by Carole Vanderlinden and an oniric essay of Hans Theys, inspired by Carole?s works on paper and the medieval tapestry La dame la licorne.? Hans Theys Launched at Galerie Zwart Huis Brussels, 08.09.2017
, Paris, J. Hetzel, s.d., Relie, demi - chagrin brune, plats marbre, dos orne de piece de titre dore, dos endommage, trace de l' usage, 12x18cm, 241 pages, illustre, planches depliantes n/b., Tome 1 seul- exemplare de bibliotheque.
Avec la collaboration de MM. Bonnefoy, Cochez, Dinee, Gibert, Guipont et Juhel. Bibliotheque des Professions commerciales, industrielles et agricoles. 5e editions revue et notablement augmentee. Serie Arts et metiers, n? 24. Tome 1: Mecanique elementaire, precedee de l' arithmetique et de la geometrie pratiques. Avec 11 planches.
Amsterdam, Chez, Zacharie Ch telain, , 1727 Relie l'epoque, XVI-629 pages, Texte en Francais. avec Illustrations Picard.
*Tome 1 seul /only troisieme edition, traduit de l'anglois, illustration; + Mappe monde, frontispice, 6 planches grav es.
, Paris, Dufour, 1826, Relie, demi - chagrin, dos a quatre nerfs dores, frontispice, 100 x 170mm., 347pp.
Bibliotheque chretienne, morale et historique. Bon etat.