‎HILLERMAN TONY‎
‎MOON‎

‎The Moon or Selenology in its Various Aspects.‎

‎Geneva, Nagel Publishers, 1970. 12 mo, 176 pages, full red percaline, gilt title, orange headband, dust jacket printed in red. ‎

‎96 black-and-white illustrations, 7 colour illustrations and 4 folded maps. "Handbooks for more than 40 earthbound locations have so far been published in the popular range ofNAGEL'S ENCYCLOPEDIA-GUIDES. Now we have this illustrated special edition dedicated for the first time to an extra-terrestrial area.After the epoch-making success of space flight and especially following man's first landing on the MOON, people on our planet have become interested in tourist space travel. For a long time they have been talking about plans for hotels on the moon, and Pan American World Airways have a waiting list of about 80,000 who want to fly there.To match the flow of swiftly moving ideas, the thought of a travel guide for the moon does not seem so far fetched. However, the realisation of such an idea might only increase the flood of recent ephemeral publications on man's advance into the universe.Instead we have endeavoured to make this book a more lasting contribution to the illustrated history of lunar science, thus adding a new volume- in this case, of purely encyclopedic character - to the above mentioned range.The task of editing the explanatory text and compiling the illustrations has been entrusted to Dr. Peter Baumgarten. Our special acknowledgement goes to the various learned bodies mentioned in the legends to the illustrations, who have generously made available material from their records." NAGEL PUBLISHERS. HORAIRE ESTIVAL : DU LUNDI 27 JUILLET AU SAMEDI 21 AOUT NOUS SERONS OUVERTS UNIQUEMENT SUR RENDEZ-VOUS.‎

‎LIFE, VOL. 47, N° 2, JULY 21, 1969 (Contents: SEPCIAL ISSUE: OFF TO TE MOON. Space Fashion. Tailors and technicians do a precision job of fitting astronauts for a trip to the moon in a $100,000 suit. The Moon Ground...)‎

‎Time-Life International. 1969. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages. Illustré de nombreuses photos en noir et blanc et en couleur.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎"Contents: Report. New guerrilla warfare threatens Malaysia. By Peter Simms. Space Fashion. Tailors and technicians do a precision job of fitting astronauts for a trip to the moon in a $100,000 suit. The Moon Ground. A poem by James Dickey. Three Men Bound for the Moon. Neil Armstrong refuses to ""waste any heartbeats."" By Dora Jane Hamblin. Buzz Aldrin has ""the best scientific mind we have. sent into space."" By Gene Farmer. Mike Collins has cool to cope with space and the Easter bunny. By David Nevin. Mission Profile. In a painting, the flight of Apollo 11 from launch to lunar touchdown. Grip on the Tides. The beauty of seascapes tossed and sculpted by the pull of the moon. Photographed by George Silk. Tidal Creatures. Their very lives depend on the moon. The Lunar Laboratory. When they come back, the astronauts and their moon samples will be sealed off in a new $8.5 million complex in Houston. A close watch on the men and their prizes. By Dora Jane Hamblin. Goodby, Old Moon. A wry and affectionate remembrance of what it used to be. By Paul O'Neil. Classification Dewey : 420-Langue anglaise. Anglo-saxon"‎

‎Conway D. Mystery and the magic of the Moon. Pagan rituals Moon amulets. Moon e‎

‎Conway D. Mystery and the magic of the Moon. Pagan rituals Moon amulets. Moon energy. In Russian /Konvey D. Misterii i magiya Luny. Yazycheskie ritualy Lunnye amulety. Energetika Luny. Translation from English by M. Vackler. 1998.You are welcome to reach out to us for a detailed description of the copies currently available. SKUalbd33308173ac8a205.‎

‎Moonfire: The Epic Journey of Apollo 11 (+) Color photograph of the famous ""visor"" photo of Buzz Aldrin on the moon. - [LANDMARK WORK ON THE APOLLO 11 MISSION - SIGNED BY BUZZ ALDRIN]‎

‎Taschen, 2009. Folio (465 x 395 mm). Unopened in original plastic protection, in the original pictoral cloth binding housed in the original plastic box with a convex plexiglas window, symbolising the window on the Apollo 11 Command Module. The present copy is number 1646 out of 1969.The accompanying photograph (323 x 400 mm), part of the work and also numbered 1646 out of 1969, in plexiglass frame (368 x 445 mm) of the famous ""visor"" photo of Buzz Aldrin on the moon. Signed by Aldrin on verso. Housed in the original numbered cardboard-case.Very light wear to the cardbard-case, otherwise essentially in untouched, mint condition. ‎

‎A magnificent copy in very fine condition, limited to just 1,969 copies - symbolizing the year of the moon landing - issued for the 40th anniversary of the Apollo 11 Moon Landing. The edition unites Norman Mailer’s monumental reportage, first published as “A Fire on the Moon” in Life magazine in 1969, with one of Taschen’s most ambitious photographic restoration projects. Moonfire is richly illustrated with images from the archives of NASA, Life magazine and numerous other sources. Published as part of the publication is the iconic photograph showing lunar module pilot Buzz Aldrin standing on the surface of the Moon. Apollo 11 commander Neil Armstrong, who took the photograph and the lunar module, is reflected in Aldrin’s visor. Widely regarded as the definitive image of the mission - and of space travel in general - it remains one of the most celebrated and well known photographs of the 20th century.‎

‎Notices of some Parts of the Surface of the Moon. Received January 9, - Read January 16, 1868.‎

‎(London, Taylor & Francis, 1869) Large 4to. Without wrappers. Extracted from ""Philosophical Transactions of the Royal Society of London."". 1868. Vol. 158. Pp. 333-345 a. 3 fine lithographed plates.‎

‎First appearance of this paper in which Phillips summarizes his importen work on the moons surface.""In 1852 John Phillips brought maturee geological experience to his own personal observations of the physiocal features ofthe surface of the moon, using first the great telescope belonging to the Earl of Rosse...The drawings (of surfaces of the moon) were to be made under a set of standard conditions of representation and on a uniform scale...By 1853 he was recording his observations photographically on collodion palets and employing his great artuistic skill in accurate and detailled drawings...In a summary of his findings published in 1868 (the paper offered), Phillips drew vivid analogies between many of the features seen on the surfaceof the moon and those known to him intimately by observation and measurement on the earth.""(DSB X, p. 584.).‎