‎COLLECTIF‎
‎PERUGIA‎

‎Le Maioliche Rinascimentali nelle Collezione della Fondazione Cassa di Risparmio di Perugia. 2 volumes‎

‎Wilson, Timothy & Elisa Paola Sani: Le Maioliche Rinascimentali nelle Collezione della Fondazione Cassa di Risparmio di Perugia. 2 volumes. Perugia: Petruzzi Editore, 2006. vol I: 438 pages, vol II: 475 pages illustrated throughout in colour. Cloth. 29 x 25cms. The nucleus of this collection are 76 works acquired by the museum from the collection of the late Paolo Sprovieri in 2006. The catalogue incorporates these items with the museums previous purchases placing them by period and place of production. Each is illustrated in colour with an extensive catalogue entry and bibliography where applicable. A seconed volume is planned. Text in Italian and English.‎

‎The nucleus of this collection are 76 works acquired by the museum from the collection of the late Paolo Sprovieri in 2006. The catalogue incorporates these items with the museums previous purchases placing them by period and place of production. Each is illustrated in colour with an extensive catalogue entry and bibliography where applicable. A seconed volume is planned. Text in Italian and English‎

‎Francescanesimo e società cittadina. L'esempio di Perugia. Pubblicazioni del “Centro per il collegamento degli studi medievali e umanistici nell’Università di Perugia”, 1. Studi storici per il VII centenario del convento francescano di Monteripido in Perugia (1276 - 1976) a cure di Ugolino Nicolini.‎

‎ Perugia, Cassa di Risparmio di Perugia 1979, 250x175mm, LXXI - 398pagine, in brossura. Pagine non tagliate. Ottime condizioni. ‎

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‎Istorica critica del Sagro Anello col quale fu da San Gioseffo sposata Maria Vergine, e che religiosamente fi conserva nel Duomo di Perugia‎

‎Perugia, Mario Riginaldi 1783 xii + 163pp., frontispiece is missing, original first 1783-edition, 19cm., most pages still uncut, text in Italian, contemporary blind cart. cover, 2 stamps at title page, some occasional browning and foxing, [Very rare historical account on the Holy Ring, the relic of the wedding ring of the Holy Virgin Mary, which was stolen from Chiusa in 1473 and is since then being preserved in a chapel of the cathedral of Perugia], R90383‎

‎Art Moves. The Material Culture of Processions in Renaissance Perugia‎

‎, Brepols - Harvey Miller, 2019 Hardback, iv + 323 pages, Size:220 x 280 mm, Illustrations:69 col., Language: English. ISBN 9781909400832.‎

‎Summary "Art Moves" reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - 'moving' [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600. With a preface by Jean-Claude Schmitt.‎

‎Madame de Pompadour Marie-Magdeleine del Perugia‎

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