‎Kendall Alan‎
‎Elizabeth I‎

‎Elizabeth Craig raconte Céline. Entretien avec la dédicataire de "Voyage au bout de la nuit"‎

‎ 1988 Paris, Bibliothèque L.F. Céline, 1988, in 8 br., couvert. impr. en rouge et noir à rabats, nom du propriétaire sur la page de garde, bon ex.‎

‎Éd. orig. pour laquelle il n'a pas été tiré de grands papiers. ‎

‎The "Coronation Luncheon Menu", 2 June 1953, with Queen Elizabeth coat of arms. Manuscript calligraphied text, with first mention of "Poulet Reine Elizabeth", famous "Coronation Chicken" - Menu original du Couronnement de la Reine Elisabeth, aux armes royales, avec la première mention du "Poulet Reine Elizabeth"‎

‎Menu original format 16 x 10,5 cm, aux armes de la Reine Elizabeth, texte calligraphié du menu, rédigé en français : "Potage de Tomate à l'Estragon", "Truite de Rivière", "Poulet Reine Elizabeth ou Cornets de Jambon Lucullus", "Salades", "Galettes aux Fraises", "Roulade", "Mousse au citron", "Café. Friandises", "Moselle Brauneberger '43", 'Champagne Krug '45" / Original Coronation Luncheon Menu", 1953, with Queen Elizabeth coat of arms, size : 16 x 10,5 cm, Manuscript calligraphied text, with first mention of "Poulet Reine Elizabeth" and full text in french‎

‎Scarce copy of this original "Coronation Menu". The text is handwritten, and some slight differences can be found in the calligraphy between each of the original menus. The Coronation Day banquet was served by Le Cordon Bleu London to 350 people. At this occasion was created the "Coronation Chicken" recipe ("Poulet Reine Elizabeth"). Remarkable document, both from a historical and gastronomic point of view ! Good copy (small discoloration on the top and very small superficial lack on the side) ‎

‎BLACKWELL Elizabeth Elizabeth Elizabeth Blackwell. Herbarium Blackwellianum eme‎

‎BLACKWELL Elizabeth Elizabeth Elizabeth Blackwell. Herbarium Blackwellianum emendatum et auctum id est Elisabethae Blackwell Collectio Stirpium quae in Pharmocopoliis ad Medicum ususum asservantur. Cent. VI. Elizabeth Blackwell Botanical Atlas: 100 sheets of coloured engravings In Russian (ask us if in doubt)/BLACKWELL Elizabeth Elizabet Blekuell.Herbarium Blackwellianum emendatum et auctum id est Elisabethae Blackwell Collectio Stirpium quae in Pharmocopoliis ad Medicum usum asservantur. Cent. VI. Botanicheskiy Atlas Elizabet Blekuell:100 listov tsvetnykh gravyur Short description: In Russian (ask us if in doubt).Nuremberg: Joanna Fleischman 1773. 2 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb885a946d92d47282‎

‎BLACKWELL Elizabeth Elizabeth Elizabeth Blackwell. Herbarium Blackwellianum eme‎

‎BLACKWELL Elizabeth Elizabeth Elizabeth Blackwell. Herbarium Blackwellianum emendatum et auctum id est Elisabethae Blackwell Collectio Stirpium quae in Pharmocopoliis ad Medicum ususum asservantur.Cent. IV Elizabeth Blackwell Botanical Atlas: 100 sheets of coloured engravings In Russian (ask us if in doubt)/BLACKWELL Elizabeth Elizabet Blekuell.Herbarium Blackwellianum emendatum et auctum id est Elisabethae Blackwell Collectio Stirpium quae in Pharmocopoliis ad Medicum usum asservantur.Cent. IV Botanicheskiy Atlas Elizabet Blekuell:100 listov tsvetnykh gravyur Short description: In Russian (ask us if in doubt).Nuremberg: Typis Christiani de Lavnoy 1760. 2 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe6f160c538be89a2‎

‎Tributes to Elizabeth Sears. Activating the Eye and Mind‎

‎, Brepols - Harvey Miller, 2026 Hardback, Pages: 192, Size:210 x 275 mm, Illustrations:8 b/w, 64 col., Language: English. ISBN 9781915487056.‎

‎Summary For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. TABLE OF CONTENTS Heidi C. Gearhart, Preface: Honoring Elizabeth Sears Achim Timmermann, Publications by Elizabeth Sears I. Thinking: Categories and Definitions in Medieval Art History Paul Binksi, The Name of the Rose Paroma Chatterjee, The Trouble with Antithesis Robert A. Maxwell, Negotiating 'Fausses oeuvres' Kirk Ambrose, A Divergent Centaur on the Font at Bro Helmut Puff, Speaking (of) Furniture: The 'Wrangelschrank' (1566) Achim Timmermann, 'You Will Offer a Ship of Silver': A Brief History of Medieval Votive Ships II. Seeing: Reading Medieval Manuscripts Lucy Freeman Sandler, A Flying Book in the Bedford Hours Elina Gertsman, Abstractive Image in Medieval Jewish Art Elizabeth C. Teviotdale, Time in the Stammheim Missal Beatrice Kitzinger, Crafting (and) Godesscalc's Colophon Ulrich Rehm, Seeing/Reading: Illuminators in Connection and Conflict with an Initial Letter in the Dover Bible Kathryn A. Smith, Vanities and Verities: Reading Nebuchadnezzar's Dream in the Welles-Ros Bible Jacqueline Jung, The Pleasures and Perils of Women's Agency in the 'Büchlein von der geistlichen Gemahelschaft' Megan McNamee, Writing Weaving in Nuremberg, c. 1500 III. Writing: Historiographical Studies William Diebold, Bernward's Hildesheim through the Ages: The Ottonians and Their Art in Gardner's 'Art through the Ages, 1926-2020' Kathryn Brush, Between Manhattan and Ann Arbor: Arthur Kingsley Porter and Fiske Kimball on Colonial America David Ganz, The Grand Master of our Order: Ludwig Traube, Mommsen and Warburg Kevin Korsyn, Musical-Poetic Images in Schubert: David Lewin and Anthony Newcomb on Musical Meaning in 'Auf dem Flusse'‎