‎WESTON J. M.‎
‎J. M. WESTON‎

‎Edward Weston Nudes‎

‎ UK, Gordon Fraser. 1977, First Edition. (ISBN: 086092002X) Remembrance by Charis Wilson. Weston's photographs are accompanied by excerpts from his day books and letters. 'To Weston's eye..the landscape of the human body was an unending revelation of forms both voluptuous and abstract. His genius lay in his ability to respond to both with equal passion'. The things of every day experience have been transformed by Weston into organic sculptures. One of the best collections of nude photographs. Endpapers have been replaced some time past with clean, soft, cream paper. Some foxing to prelims. Contents Fine . Very Good/Very Good.‎

‎photos sur demande , pictures if you ask me ..... ‎

‎Weston's Westons : California and the West‎

‎, Bullfinch, 1994 Hardcover, 146 pages, ENG., 290 x 280 x 18 mm, in Fine Condition, dustjacket, Full page photographs b/w. ISBN 9780821221433.‎

‎ "Seventy-one full-size (full-page) plates and sixty-eight smaller illustrations. All the prints are drawn from the collection of William H. Lane, who acquired them from the heirs of Edward Weston." The so-called Guggenheim photographs which Weston created between 1937 and 1939 as he travelled on a Guggenheim grant. The plates are gorgeous. Clean throughout; tight binding.‎

‎Le Bon Vin De M. Weston‎

‎Gallimard / L'imaginaire 1986 336 pages in8. 1986. broché. 336 pages. L'ancêtre maternel de Th. Fr. Powys William Cowper aurait pu fournir l'idée de base du Bon vin de M. Weston lorsqu'il commença un hymne par : Les voies de Dieu sont impénétrables dans l'accomplissement de ses miracles et le termina ainsi : Dieu est son propre interprète et il parlera avec clarté. La Divinité sous la forme d'un voyageur de commerce choisit un village anglais ordinaire pour s'informer de l'état actuel du monde. A-t-il parlé avec clarté ? - voilà la question qui revient sans cesse. La vie la mort le bien et le mal le temps et l'intemporalité ? Le lecteur est invité à porter un jugement. Dieu alias M. Weston créa autrefois un univers dont il a besoin maintenant de faire l'inventaire. Ne voulant pas trop attirer l'attention dans une paroisse campagnarde il s'y rend dans une camionnette Ford portant l'inscription Le Bon Vin de M. Weston mais comme nous sommes en 1923 son arrivée ne passe pas inaperçue. D'autant que l'assistant de M. Weston est un jeune homme d'une surprenante beauté correspondant à coup sûr au personnage peint sur l'enseigne de l'Auberge de l'Ange‎

‎Bon Etat dos aspect jauni‎

‎MES J.M. WESTON ET MOI. MY J.M. WESTON AND ME.‎

‎J.M. Weston, 2013, 1 volume in-8 broché carré, 44 pp illustrées, édition bilingue. TRES BON ETAT‎

‎Anton Josef Trcka, Edward Weston, Helmut Newton : The Artificial of the Real‎

‎, Scalo Publishers, 1998 Hardcover, 208 pages, ENG, 280 x 230 x 25 mm, dustjacket, in fine condition, photographs in colour / b/w . ISBN 9783931141882.‎

‎This book presents 3 important photographers--Anton Josef Trcka, Edward Weston, and Helmut Newton, and explores the relationships between reality and representation. ? ====================== ? In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.‎