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Reference : RO30048705
ISBN : 2744004138
Classification Dewey : 4-Traitement des données. Informatique
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5 book(s) with the same title
Painter to the Queen, Michel Sittow, Courtier to Isabella of Castile and the Habsburg Dynasty
, Brepols - Harvey Miller, 2025 Hardback, Pages: 278 p. Size:178 x 254 mm, Illustrations:33 b/w, 96 col., 3 tables b/w. Language English. NEW. ISBN 9782503611785.
Summary Michel Sittow was born in Reval c. 1469, today the Estonian capital city of Tallinn. Possibly trained in the workshop of Hans Memling in Bruges, he subsequently moved to work in the Iberian Peninsula, where he first held the position of court painter. This monograph undertakes research on this phase of his career. In the Kingdom of Castille, Michel Sittow was appointed painter to Queen Isabella and became a member of her household with an impressive annual salary. Thanks to the analysis of archival documents and formal and iconographical studies on Sittow?s paintings, it is possible to explain the court painter?s life circumstances and describe the benefits he enjoyed and the difficulties he faced. The Castilian period was crucial for Michel Sittow?s career since over the course of his professional life, he also resided at the courts of Philip the Fair, Margaret of Austria, Christian II of Denmark and Charles V, all relatives of his first royal patron. While serving European monarchs, he transferred Memling?s techniques and visual language beyond the Low Countries and developed his artistic practice and style. The analysis of the various contexts Michel Sittow worked in sheds light on his oeuvre and his possible privileged status as a courtier, which provided opportunities to establish a flourishing and ambitious career in northern and southern Europe. TABLE OF CONTENTS List of Illustrations Foreword by Miguel ngel Zalama Acknowledgements List of Abbreviations Introduction Chapter 1. Historiographical perspectives on Sittow?s Iberian period Master Michiel + Miguel Alem n = Michel Sittow The Polyptych of Isabella the Catholic Primary Sources on Michel Sittow in Castile Conclusion Chapter 2. Michel Sittow?s training in the workshop of Hans Memling and his departure for the Castilian court The Iberian clients of Memling?s Workshop Hans Memling?s influence upon Michel Sittow The need for a court painter in the Iberian kingdoms Ambassador Francisco de Rojas and Memling?s workshop Conclusion Chapter 3. Tracing Michel Sittow in archival documents from the Castilian court Agreed court salaries as set out in n minas (ordinances) The Libro de asientos (Book of entries) The Libros de cuentas (Ledgers) kept by Gonzalo de Baeza and Fernand Ram rez de Madrid Account books for extraordinary expenses Abecedarios de las deudas (alphabetical registers of debts) Conclusion Chapter 4. The painter?s sojourn in Zaragoza (1498) Sittow, a ?lodger at an inn? and his social network Works possibly made for the Royal Monastery of Santa Engracia Sittow?s possible influence in the Kingdom of Aragon Conclusion Chapter 5. The painter?s oeuvre in Castile Documented and hypothetical portraits made in Castile Devotional panels for Isabella of Castile and Margaret of Austria The Santiago Altarpiece: Sittow and the workshop of Maestro de los Luna Michel Sittow as copyist Possible collaborations with Juan de Flandes Conclusion Chapter 6. Painter to the House of Habsburg Archduke Philip?s journeys to the Iberian Peninsula (1501-1503 and 1506) A portraitist in the service of the imperial family Return to Castile in 1515 and the Arg ello brothers Resident in Mechelen? Conclusion Postscript Appendices with transcriptions of sources Bibliography Index of Names
Eugene-Joseph Verboeckhoven en zijn medeschilders, Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters
, Brussel, Van de Ven, , 2006 Bound, with dusjacket, 24x29,5cm,, 448 pages and 400 illustration in color, ; 30 cm. - Jaquette conserv e part / Nieuwstaat / neuf / fine condition. ISBN 90810195.
Monograph;; De dierenschilder en zijn medeschilders - Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters .text in French +English + Dutch, a very good book about this famous painter. Verboeckhoven en zijn voorlopers en zijn omgeving, zijn faam en levensloop, Eug ne-Joseph Verboeckhoven : 1798-1881 : de dierenschilder en zijn medeschilders = le peintre animalier et ses peintres collaborateurs = the animal painter and his fellow painters / Herman De Vilder, Kris Van de Ven. - Peutie : Kris Van De Ven , 2006. - - 125 EUR.
Eugene-Joseph Verboeckhoven en zijn medeschilders, Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters
, Brussel, Van de Ven, , 2006 Bound, with dusjacket, 24x29,5cm,, 448 pages and 400 illustration in color, ; 30 cm. - Jaquette conserv e part / Nieuwstaat / neuf / fine condition. ISBN 90810195.
Monograph;; De dierenschilder en zijn medeschilders - Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters .text in French +English + Dutch, a very good book about this famous painter. Verboeckhoven en zijn voorlopers en zijn omgeving, zijn faam en levensloop, Eug ne-Joseph Verboeckhoven : 1798-1881 : de dierenschilder en zijn medeschilders = le peintre animalier et ses peintres collaborateurs = the animal painter and his fellow painters / Herman De Vilder, Kris Van de Ven. - Peutie : Kris Van De Ven , 2006. - - 125 EUR.
ABELLO, juan; painter; la vie et oeuvre. ***** With inscrible of the painter and a drawing in color.
, Spain, Reunidas, 1974, Bound, with dusjacket, 327pp.
With inscrible of the painter and a drawing in color. and three original photo's of the painter also signed.
Jan de Beer, Gothic Renewal in Renaissance Antwerp. The first published monograph on the Antwerp painter Jan de Beer (c.1475-1527 /28), with an oeuvre catalogue
, BREPOLS, 2016 Hardcover with dusjacket VI+385 pages., 62 b/w ill. + 203 colour ill., 210 x 297 mm Illustrated.Languages: English, Middle Dutch. *new. ISBN 9782503555317.
The first published monograph on the Antwerp painter Jan de Beer (c.1475-1527 /28), with an oeuvre catalogue The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous forty years after his death, but then fell into oblivion until the early twentieth century. This monograph is the first published, comprehensive study of his art and career. Its biography is the result of a thorough search of the archives and includes a recently discovered teaching contract with Lieven van Male of Ghent. All documents are fully transcribed, including documents for the artist's painter-son, Aert de Beer (c.1508-1538/40). Results from technical studies of the artist's work, including underdrawings and dendrochronological dating, are incorporated throughout the book. The artist's surviving oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window in Antwerp Cathedral after a lost design. De Beer's stylish, elegant art exerted a powerful appeal upon the buying public, churches abroad, and copyists. His lost Adoration of the Magi was the best-selling painting design in Antwerp at the time. De Beer is further important as one of only two Antwerp artists of his generation for whom a significant body of drawings exists. The catalogue of paintings and drawings by the artist and his workshop, including the numerous copies and variants, comes to over 170 works. De Beer's art is typically associated with the work of the Antwerp Mannerists, a prominent group of painters active in the city during his lifetime. This study argues that De Beer's work, plus that of the Mannerists and the city's retable carvers, should be understood as a novel, modern expression of late Gothic art, a sixteenth-century renewal of the Gothic mode that was also manifested in contemporary architecture, calligraphy, music and poetry. Dan Ewing (1949) completed his dissertation on Jan de Beer at the University of Michigan in 1978. He is Professor of Art History at Barry University in Miami Shores, Florida, and has published on De Beer, Jan van Eyck, and Michelangelo. In 1990 his archival study of the Antwerp Cathedral account books for the Pand art market, 1460-1560, was published in The Art Bulletin. In 2005 he was a contributing author for the Antwerp exhibition, ExtravagAnt! A Forgotten Chapter of Antwerp Art, 1500-1530. He contributed to the 2007 Patinir exhibition in Madrid and the 2011 Joos van Cleve exhibition in Aachen. Among his many research grants are an award from the Samuel H. Kress Foundation and two awards from the National Endowment for the Humanities.
