‎HERMANT ABEL‎
‎LE BOURGEOIS‎

‎"12 publicités pour ""Soir de Paris"", de Bourgeois"‎

‎Plaisir de France, Bourgeois Feuille 1956 "In-4 (24x32 cm), feuilles, 12 publicités pour ""Soir de Paris"", de Bourgeois, en couleurs, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."‎

‎Le cuisinier roial et bourgeois, Qui apprend à ordonner toute forte de Repas, & la meilleure maniere des Ragoûts les plus à la mode & les plus exquis. Ouvrage tres-utile dans les Familles, & singulierement necessaire à tous Maîtres d'Hôtels, & Ecuîer... - [THE FIRST ALPHEBETIZED COOKBOOK - CONTAINING THE FIRST PRINTED RECIPE FOR CREME BRULÉE]‎

‎Paris, Charles de Sercy, 1691. Small 8vo. Contemporary full mottled calf with five raised bands to richly gilt spine. All edges of boards gilt. Spine worn, especially at top and bottom, which lack pieces of leather (conserved). Outer hinges worn and weak, so capital bands are showing, but inner hinges are fine and tight. First ab. 10 leaves with a mostly light damp stain. Last 17¤ of leaves with small worm-holes, almost solely marginal, not affecting text, and mostly single holes. All in all internally very nice and clean. [20], 505, [46] pp. ‎

‎Exceedingly scarce first edition of one of the most important cookbooks ever printed, being the first to contain alphabetized recipes. In this masterpiece in the history of cookery, we find the first printed recipe for crème brulee, the first printed recipe for meringue and the first known food recipes to contain chocolate. Furthermore, Massialot’s magnum opus includes the “Macreuse en ragout au chocolate”, which is possibly the first known Aztec recipe in a European cookbook. “Massialot, who lived from 1660 to 1733, served as chef de cuisine for various high-ranking Frenchmen, including Philippe I, Duke of Orléans. He’s best known for his “Nouveau cuisinier royal et bourgeois”... In the book he not only laid out recipes for the meals he prepared for royals, but he was also the first to alphabetize recipes, and both meringues and crème brûlée made their first appearances in the book.” (Dan Meyers in The Daily Meal: 10 Chefs Who Changed the Way We Eat). “Le cuisinier royal et bourgeois” consists of two parts, the first consisting in descriptions of menus for a whole year. Many of these had been prepared at court and both dates and hosts are mentioned in the book. The second part consists in the actual cookbook and constitututes the first cookbook in which the recipes are alphabetically ordered. They are ordered to the chief ingredient and there are often variations for flesh- and fishdays. The book is now worldwide-famous for the invention of crème brulée, for the first recipe of meringue and for the novel recipes containing chocolate: one in a sauce for wigeon or scoter, the other in a sweet custard. Up until then, chocolate had been consumed solely as a drink. Another of Massialot’s innovations presented in the present work is that of adding a glass of white wine to fish stock. The “Macreuse en ragoût au chocolate” (duck stewed in chocolate)-recipe, which also appears here for the first time and is thought to be the first known Aztec recipe in a European cookbook, was reproduced by Alexandre Dumas in his dictionary of cookery in 1872, where he calls it a “masterpiece.” Massialot was extremely influential, both in France and abroad. The recipes in the present work were initially intended for nobility, but they eventually made their way to public restaurants founded by former cooks of the court after the French Revolution. The book is one of the key foundation stones for restaurants as we know them today. The work was extremely popular and kept appearing throughout several centuries. A second edition appeared in 1693, a third in 1698, and then it appeared again in 1705 and 1709. In 1712 it was expanded to two volumes and in 1733-34 it was revised and expanded to three. The work was translated into English as early as 1702 as “The Court and the Country Cook” and had an enormous influence on English cooking as well. François Massialot (1660, in Limoges– 1733, in Paris) served as chef de cuisine (officier de bouche) to various illustrious personages, including Phillipe I, Duke of Orléans, the brother of Louis XIV, and his son Philippe II, Duke of Orléans. In his preface, Massialot describes himself as ""a cook who dares to qualify himself royal, and it is not without cause, for the meals which he describes...have all been served at court or in the houses of princes, and of people of the first rank."" Serving banquets at places like the Versailles, this can hardly be said to be an overstatement. The first edition of this milestone of cookery is of the utmost scarcity. According to OCLC, merely five copies are located worldwide (two in the US and three in Europe) and not a single copy is traceable at actions. Vicaire: 573 (“Première edition, très rare”). ‎

‎Pièces de théâtre, volume 8 : Les deux veuves - Le devoir et la nature - La diligence de Lyon - Le dîner de Madelon ou le Bourgeois du Marais - La double méprise - Le dragon de Thionville - Le duel - Le duel et le déjeuner - Le duel impossible - La dupe d‎

‎Collectif Relié In-8 (12x20 cm), relié demi-basane, titre et tomaison dorés au dos lisse, tranches mouchetés, contient : 'Les deux veuves', de Ségur le Jeune (1797) - 'Le devoir et la nature' de Pelletier-Volméranges - 'La diligence de Lyon' de Palmezeaux (1802) - 'Le dîner de Madelon ou le Bourgeois du Marais' de Désaugiers (1813) - 'La double méprise' de R. de Chazet (1810) - 'Le dragon de Thionville' de Dumaniant (1789) - 'Le duel' - 'Le duel et le déjeuner' - 'Le duel impossible' de Martainville (1803) - 'La dupe de soi-même' de F. Roger (An VII) - 'L'école des parvenus' de Pujoulx (1797) ; liste des pièces à l'encre en page de garde, coiffes et coins frottés, rousseurs à l'intérieur, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Louise Bourgeois - To Unravel a Torment‎

‎, Voorlinden / Glenstone Foundation 2018, 2018 Hardcover, 212 pages, English / Nederlands , 305 x 245 mm, book in new state, with coloured illustrations / photo's. ISBN 9780999802915.‎

‎Celebrated for her singular contributions to 20th-century sculpture, drawing, painting, printmaking, installation and writing, French-born American artist Louise Bourgeois' (1911-2010) explorations of the human condition originated from her own lived experience. My goal is to relive a past emotion, Bourgeois explained. My art is an exorcism. Psychologically, emotionally and often sexually charged, Bourgeois' works intermingle the abstract and corporeal, the voluptuous and the distressing, to striking effect. Louise Bourgeois: To Unravel a Torment accompanies the first exhibition of the artist's work at Glenstone Museum, and features more than 30 major works drawn from the museum's collection. From her early wooden Personages to her large hanging sculptures, from suites of drawings and prints to textile works and her immersive Cells, To Unravel a Torment surveys Bourgeois' career through selected examples from her enormous body of work. Bourgeois was also a prolific writer, matching her sculptural language with reams of psychoanalytic musings on repression, symbolism and material. To Unravel a Torment also brings together never-before-published diary entries by the artist, annotated by Bourgeois scholar Philip Larratt-Smith, a contribution by art historian Briony Fer and an introduction by Emily Wei Rales, founder and director of Glenstone Museum.‎

‎Louise Bourgeois - Freud's Daughter‎

‎, Yale University Press, 2021 Hardcover in decorative slipcase with dust jacket , 156 pages, ENG. edition, 290 x 230 mm, NEW !. ISBN 9780300247244.‎

‎An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911?2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition?and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois?s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois?s literary archivist, provides an overview of the artist?s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst?s viewpoint on the artist?s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud?s own relationship to art and artists. Featuring excerpts from Bourgeois?s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois ? Freud?s Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.‎