‎NON PRECISE‎
‎IMAGES‎

‎Le livre d'images‎

‎Paris, Mercure de France, 1897. 500 g In-8, demi basane bleue, couvertures conservées, tête dorée, [3] ff., 275 pp., [1] f.. Edition originale. Quelques feuillets non coupés. Petits frottements. . (Catégories : Littérature, Poésie, )‎

‎Polymnie. Odes et stances. Images de Adrien Mitton‎

‎Saint-Félicien-en-Vivarais, Au Pigeonnier, 1921. 83 g In-12 broché, 44 pp., [1] ff., frontispice et ornements gravés sur bois par Adrien Mitton.. Envoi de l'auteur à Henry Charpentier. Un des 380 exemplaires numérotés sur vergé d'Arches. . (Catégories : Poésie, )‎

‎Images de Normandie‎

‎Paris, Les Heures Claires, (Vers 1960). 580 g In-8, en feuilles sous chemise et étui, 54-[1] pp., [2] ff.. Illustré de 12 pointes sèches de Charles Samson, dont l'une en frontispice. Exemplaire dont les pointes sèches sont en noir et n'ont pas été mises en couleurs. Envoi de l'auteur. . (Catégories : Normandie, Livres illustrés, )‎

‎Physiologie du goût, ou méditations de gastronomie transcendante, ouvrage théorique, historique et à l'ordre du jour, dédié aux gastronomes parisiens, avec les images de Sylvain Sauvage‎

‎Paris, Aux Editions Littéraires et Artistiques, 1945. 1880 g 2 volumes in-8, en feuilles sous couvertures rempliées, chemises et étui, [2] ffb., [2] ff., 259-[3 b.] pp., [2] ffb., [2] ff., 225-[1] pp., [1] ff., [2] ffb.. Illustrations en couleurs de Sylvain Sauvage. Ouvrage tiré à 800 exemplaires, celui-ci non justifié. Petites salissures sur l'étui. . (Catégories : Livres illustrés, Gastronomie, )‎

‎Reading Images and Texts <br>Medieval Images and Texts as Forms of Communication. Papers from the Third Utrecht Symposium on Medieval Literacy, Utrecht, 7-9 December 2000‎

‎, Brepols - Harvey Miller, 2005 Hardcover. X 546 p., 141 b/w ill. 19 colour ill., 160 x 240 mm, Languages: English, Latin, Fine copy. Including an index. ISBN 9782503514376.‎

‎The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>In recent years the relations between images and texts have benefitted from an increase in scholarly attention. In medieval studies, art historians, historians, codicologists, philologists and others have applied their methods to the study of illuminated manuscripts and other works of art. These studies have shifted from a concern about the contents of the messages contained in the artefacts (e.g. in iconography) to an interest in the ways in which they were communicated to their intended audiences. The perception of texts and images, their reception by contemporaries and by later generations have become topics in their own right. The analysis of individual manuscripts and works of art remains the basis for any consideration of their transmission and uses. Yet the time has come for an evaluation of the results of recent work on medieval communication. The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>According to some, medieval images may be ?read?. According to others, the perception of images is fundamentally different from that of texts. Do images have a morphology (colours, lines, planes), a syntax and semantics of their own? In other words: do both texts and images have a ?grammar?? Is it useful to speak of ?visual literacy?? Can texts be considered as images? How are texts and images perceived? Do they communicate different kinds of messages? Can an image?s message be put into words? In which social contexts does medieval man prefer the visual to the textual? What about the interplay of texts and images (e.g. in rituals and ceremonies)? Do we observe an evolution in the perception of images due to the development of a literate mentality? These are some of the questions discussed in the contributions to this volume.‎