‎COLLECTIF.‎
‎ALGERIA.‎

‎ALGERIA - TRIPOLI - TUNISI.‎

‎ Antonelli, Venezia, 1853. In-8 p. (mm. 220x142), 3 opere in 1 volume, mz. pelle coeva (piatti con mancanze), fregi e tit. oro al dorso. L'opera, con testo su due colonne, molto ben illustrata da complessive 27 (su 35) tavole inc. in rame (poste alla fine del volume), cos composta:- "Algeria" di Carette E., pp. (6),355 (incluso l'Indice), con 1 cartina geografica, ripieg., relativa all'Algeria del 1849 e 6 tavv. di vedute. Mancano le prime 32 pagg. dedicate ad Algeri di Rozet P. con le relative 8 tavole.- "Reggenza di Tripoli" di Hoefer F., pp. 144 (incluso l'Indice), con 1 cartina geografica, ripieg., che rffigura Algeria. Impero di Marocco, Reggenze di Tunisi e Tripoli, 1845, e 1 bella tavola con la veduta dell'arco di Marco Aurelio a Tripoli.- "Reggenza di Tunisi" di Frank L, riveduta e corredata di un compendio cronologico e di illustrazioni desunte dagli scrittori orientali da Marcel G.G., pp. 252 (inclusa l'Appendice dedicata alla descriz. delle monete di Tunisi, e l'Indice), con 18 tavv. che raffigurano usi e costumi, vedute e monumenti di: Tunisi, Marocco, Barberia, monete di Tunisi.Volume della Collana L'Universo o Storia e descrizione di tutti i popoli, loro religioni, costumi ed usanze, ecc..Esemplare ben conservato.‎

‎[TUNISIA AND ALGERIA/TUNISIE ET ALGÉRIE].‎

‎Circa 1910. 1910 1 vol. in-4° oblong (255 x 350 mm.) de: 61 photographies titrées; 1 feuille détachée (180 x 120 mm.) avec inscriptions manuscrites à lencre noire et une photographie détachée (180 x 130 mm.). Demi-chagrin rouge, filets à froid, pièce de maroquin bleu et vert mosaïqué au centre, fleurs de lis dorées aux angles, dos orné de même fleurs, tranches dorées.‎

‎Magnifique Album du début du XXe siècle sur la Tunisie et lAlgérie, comportant 61 photographies de paysages urbains et ruraux, portraits et scènes de vie. Les 20 premières sont collées sur papier fort au recto uniquement tandis que les suivantes le sont au recto et au verso. Toutes sont titrées au crayon à papier ou directement en bas de la photographie et prises au format paysage ou portrait. Lensemble se consacre majoritairement à des villes tunisiennes et leurs environs telles que: Tunis (23 au total représentant notamment: mosquées, souks des parfums, bazars, coiffeur arabe, maison arabe, charmeur de serpents, fontaines avec laveuses, mendiant arabe, vue de la ville, gare italienne, campement, entrée du palais du Bey, place de la loterie, vue de la ville etc.), Kairouan (9 au total représentant notamment: vue générale de la ville, grande mosquée, son intérieur, son extérieur, sa chaire, sa cour, place de Kairouan, intérieur des souks, tombeau du barbier, etc.), mais aussi Bardo (4 au total représentant notamment: cour du Harem, vue de la ville, lit du Bey, escalier des lions etc.) et enfin Carthage (3 au total représentant notamment: Saint Louis de Carthage, citernes générales, entrées des citernes etc.). Lalbum contient également une partie sur lAlgérie avec la ville de Biskra (21 au total représentant notamment: Mosquées, rivière et gorges d'El Kantara, chameaux, marabout, bain maure, fauconnier etc.). Bel album témoin de la Tunisie et de lAlgérie du début du XXe siècle. Ci-dessous, la liste complète des titres des 61 photographies: 1. «Mosquée Sout il Crouk, Tunis»; 2. «Souks des parfums, Tunis»; 3. «bazar tunisien»; 4. «intérieur des bazars, Tunis»; 5. «Coiffeur arabe»; 6. «La Casba»; 7. «Maison arabe»; 8. «Souki et barbier, Tunis»; 9. «Charmeur de serpents»; 10. «Fontaine avec laveuses»; 11. «rue des Andalous, Tunis»; 12. «Quartier arabe, Tunis»; 13. «Coiffeur arabe, Tunis»; 14. «Mendiant arabe»; 15. «Tunis»; 16. «Gare italienne, Tunis»; 17. «Mosquée et rue Sidi Marès, Tunis»; 18. «Mosquée Sidi Abdérahman (Biskra)»; 19. «La rivière et gorges (El Kantara)»; 20. «Chameau (Biskra)»; 21. «St Louis Carthage»; 22. «Biskra pris de la rivière»; 23. «Citernes, Carthage»; 24. «Chameaux (Biskra)»; 25. «Entrée des citernes de Carthage»; 26. «Sidi Barkat au vieux Biskra»; 27. «Cour du Harem, Bardo»; 28. «Marabout Juliette à Biskra»; 29. «Vue générale de Kairouan»; 30. «Campement arabe (Biskra»; 31. «Le Bardo»; 32. «Propriété Landron (bain maure à Biskra)»; 33. «Extérieur de la grande mosquée, Kairouan»; 34. «Fauconier (Biskra)»; 35. «Chaire de la grande mosquée, Kairouan»; 36. «Grande mosquée au vieux Biskra»; 37. «Mosquée des arabes, Kairouan»; 38. «Petite mosquée au vieux Biskra»; 39. «Cour de la grande mosquée, Kairouan»; 40. «Rue du Palmier, Tunis»; 41. «Intérieur de la grande Mosquée, Kairouan»; 42. «Campement près la Casba, Tunis»; 43. «Place de Kairouan»; 44. «Entrée du palais du Bey, Tunis»; 45. «Intérieur des Souks, Kairouan»; 46. «Lit du Bey au Bardo»; 47. «Une rue au vieux Biskra»; 48. «Campement arabe (Biskra)»; 49. «Biskra (étude de chameaux)»; 50. «Chemin du vieux Biskra»; 51. «Chameaux, Biskra»; 52. «La rivière à El Kantara»; 53. «Escalier des lions, Bardo»; 54. «Une rue près la mosquée, Biskra»; 55. «Tombeau du barbier, Kairouan»; 56. «Une rue à Biskra»; 57. «La Résidence, Tunis»; 58. «Palmier du vieux Biskra»; 59. «Place de la Poterie, Tunis»; 60. «Mauresque»; 61. «Tunis». 1 vol. 4-to oblong (255 x 350 mm.) of : 61 titled photographs; 1 detached sheet (180 x 120 mm.) with handwritten inscriptions in black ink and one detached photograph (180 x 130 mm.). Red half-chagrin, cold filets, blue and green mosaic morocco in the center, gilt fleur-de-lis in the corners, spine decorated with the same flowers, gilt edges. Magnificent Album of the beginning of the XXth century on Tunisia and Algeria, comprising 61 photographs of urban and rural landscapes, portraits and scenes of life. The first 20 are glued on strong paper on the front only while the following are on the front and back. All are titled in pencil or directly at the bottom of the photograph and taken in landscape or portrait format. The set is mainly devoted to Tunisian cities and their surroundings such as: Tunis (23 in total representing in particular: mosques, perfume souks, bazaars, Arab hairdresser, Arab house, snake charmer, fountains with washerwomen, Arab beggar, view of the city, Italian railway station, camp, entrance to the Bey's palace, place of the lottery, view of the city etc. ), Kairouan (9 in total representing in particular: general view of the city, great mosque, its interior, its exterior, its pulpit, its court, place of Kairouan, interior of the souks, tomb of the barber, etc.), but also Bardo (4 in total representing in particular: court of the Harem, view of the city, bed of the Bey, staircase of the lions, etc.) and finally Carthage (3 in total representing in particular: Saint Louis of Carthage, general cisterns) The album also contains a part on Algeria with the city of Biskra (21 in total representing in particular: Mosques, river and gorges of El Kantara, camels, marabout, Moorish bath, falconer etc). Beautiful album witness of Tunisia and Algeria of the beginning of the XXth century. Below, the complete translated list of the titles of the 61 photographs: 1. "Sout il Crouk Mosque, Tunis"; 2. "Perfume Souks, Tunis"; 3. "Tunisian Bazaar"; 4. "Interior of Bazaars, Tunis"; 5. "Arab Hairdresser"; 6. La Casba"; 7. "Arab house"; 8. "Souki and barber, Tunis"; 9. "Snake charmer"; 10. "Fountain with washerwomen"; 11. "Andalusian street, Tunis"; 12. "Arab quarter, Tunis"; 13. "Arab hairdresser, Tunis"; 14. "Arab beggar"; 15. "Tunis"; 16. "Italian station, Tunis"; 17. "Mosque and Sidi Marès street, Tunis"; 18. "Sidi Abdérahman mosque (Biskra)"; 19. "The river and gorges (El Kantara)"; 20." Camel (Biskra)"; 21. "St. Louis Carthage"; 22. "Biskra taken from the river"; 23. "Tanks, Carthage"; 24. "Camels (Biskra)"; 25. "Entrance to the tanks of Carthage"; 26. "Sidi Barkat in old Biskra"; 27. "Court of the Harem, Bardo"; 28. "Marabout Juliette in Biskra"; 29. "General view of Kairouan"; 30. "Arab camp (Biskra)"; 31. "The Bardo"; 32. "Landron property (Moorish bath in Biskra)"; 33. "Exterior of the great mosque, Kairouan"; 34. "Falconer (Biskra)"; 35. "Pulpit of the great mosque, Kairouan"; 36. "Great mosque in old Biskra"; 37. "Mosque of the Arabs, Kairouan"; 38. "Small mosque in old Biskra"; 39. court of the great mosque, Kairouan; 40. palm tree street, Tunis; 41. interior of the great mosque, Kairouan; 42. camp near the Kasba, Tunis; 43. square of Kairouan; 44. entrance to the Bey's palace, Tunis; 45. interior of the souks, Kairouan; 46. Bed of the Bey in the Bardo"; 47. "A street in old Biskra"; 48. "Arab camp (Biskra)"; 49. "Biskra (study of camels)"; 50. "Path of old Biskra"; 51. "Camels, Biskra"; 52. "The river in El Kantara"; 53. "Staircase of lions, Bardo"; 54. "A street near the mosque, Biskra"; 55. "Tomb of the barber, Kairouan"; 56. a street in Biskra; 57. "The Residence, Tunis"; 58. "Palm tree of old Biskra"; 59. "Place de la Poterie, Tunis"; 60. "Moorish"; 61. "Tunis".‎

‎L'ALGERIA ANTICA E MODERNA.‎

‎Dai primi ordini de' Cartaginesi insino alla presa della Smala d'Abd-El-Kader. Tipogr. Floriana, Napoli, 1846. In-8 p. (mm. 226x150), mz. tela mod., pp. IX,787,(3), illustrato da 20 tavv. inc. su acciaio f.t. di cui 12 raffigurano costumi militari. Storia di questa regione, dalla dominazione cartaginese (860 a.C.) alla colonizzazione francese (a partire dal 1830); in fine una "Statistica storica de' reggimenti spediti in Africa dal 1830 in poi. Esempl. con barbe, con aloni e fioriture. ‎

‎A bibliography of algeria from the expedition of Charles V. in 1541 to 1887 & Supplement to the bibliography of algeria from the earliest times to 1895‎

‎Sans date ni nom d'éditeur concernant "A bibliography of algeria" (fin XIXème) & London John Murray (Royal geographical society 304 pages in-8. Sans date. relié. 304 pages.‎

‎ Renoir and Algeria‎

‎, Yale University Press, 2003 Hardcover, 164 pages, ENG, 315 x 240 mm, in very good condition, illustrations in colour and b/w. ISBN 9780300097856.‎

‎Pierre-Auguste Renoir (1841-1919) was the only Impressionist artist to paint Orientalist themes, yet little has been written about the two journeys he took to the French North African colony of Algeria in 1881 and 1882. There he created more than two dozen stunning works, depicting exotic scenes of ancient stone mosques, milling crowds at a festival in the Casbah, and spectacular palm fronds in the botanical garden. This text, published to accompany a travelling exhibition organized by the Sterling and Francine Clark Art Institute, assembles for all of Renoir's Algerian paintings as a coherent body of work. The volume situates Renoir's early studio Orientalism within the great tradition of French Orientalist painting. The landscapes and figure paintings Renoir completed in Algiers, several of which are previously unpublished, are discussed in the context of the topography of the city and of the ethnography of its people. Period photographs, engravings, maps and postcards, together with an essay exploring the Algeria beyond Renoir's canvases, provide historical and cultural background on the country and on the French presence there.‎