‎MINISTERE DE L'EQUIPEMENT‎
‎C&K‎

‎EUREKA. Par Edgar A. POE.‎

‎Editions D Art Edouard Pelletan - Helleu Et Sergent, Editeurs Paris 1923 In-8 ( 210 X 155 mm ) de 270 pages, broché sous couverture illustrée, rempliée. Ornements dessinés et gravés sur bois par Alfred LATOUR. Introduction de Paul VALERY. 1 des 750 exemplaires numérotés sur vergé ( N°438 ). Le 11me de la collection H.P., et le 5me de la série des "Oeuvres Complètes de Charles BAUDELAIRE". Bel exemplaire.‎

‎extravagances n cessaires. La gestion financi re des spectacles et de la musique en Europe aux XVIe et XVIIe si cles‎

‎, brepol, 2026 Paperback, Pages: 352 p.Size:178 x 254 mm, Illustrations:3 b/w, 26 col., 24 tables b/w. Language(s):French, English. ISBN 9782503622910.‎

‎Summary L'Europe de la Renaissance et du d but de l' re moderne a vu l' mergence d'un syst me de production et de consommation de plus en plus organis , des arts du spectacle, que ce soit pour la c l bration des f tes civiques et de cour, ou dans le cadre des acad mies et des confr ries, enfin avec l'av nement des impresarios et des compagnies th trales professionnelles. Si des professions de plus en plus sp cialis es sont apparues, leur impact conomique, dans une large mesure, reste tudier. En effet, bien que la culture des f tes de l'Europe de la Renaissance a t explor e sous de nombreux angles, les questions conomiques sont g n ralement laiss es l'arri re-plan. Pour tenter de combler cette lacune, ce livre explore la gestion conomique des arts du spectacle au d but de la p riode moderne la fois d'un point de vue pratique et d'un point de vue th orique, le premier en tudiant les sources, le traitement et la distribution des d penses li es ces v nements, et le second en interrogeant les aspects sociaux, culturels et conomiques de la gestion des arts du spectacle, ainsi que le capital social, culturel et conomique investi dans la consommation ph m re. L'ouvrage rassemble des contributions non seulement de musicologues et d'historiens du th tre, mais aussi d'historiens de l' conomie, de l'art, de l'architecture et de la litt rature, qui ont explor divers aspects de la production et de la consommation des arts ph m res, ainsi que les nombreuses questions politiques, morales, religieuses et sociales soulev es, ouvrant ainsi la voie une tude interdisciplinaire et europ enne de l' conomie des arts du spectacle pour cette p riode. TABLE OF CONTENTS Francesca Fantappi Introduction Les professionnels des arts ph m res Olivier Spina Honorable travailleurs ou dangereux mercenaires? Les m nesterls confront s la R forme dans le Londres Tudor (1500-1550) C line Candiard Egalit , hi rarchies et logiques de r mun ration dans les troupes fran aises du XVIIe si cle Emanuele De Luca Giovan Battista Andreini et les voyages des troupes italiennes en France (1613-1624) : munificences, gains, strat gies du m tier Sergio Monaldini Le m tier des comici dell?arte en Italie (XVIe-XVIIe si cles). Aspects organisationnels et financiers Philippe Canguilhem D penses musicales ordinaires et extraordinaires dans les cours de la Renaissance : l?exemple du Duch florentin (1532-1570) Adeline Lionetto Des Apollons gag s ? tude des retributions des po tes pour leur participation aux f tes de cour sous les derniers Valois Alexander Robinson L? conomie musicale dans les entr es solennelles Lyon la fin de la Renaissance (c. 1590-c. 1625) Jorge Morales Assurer le prestige par la musique: l? conomie de la magnificence du cardinal Maurice de Savoie travers les livres de comptes de sa maison L? conomie des f tes et les espaces civiques David Rivaud L? conomie des entr es solennelles dans les villes du Centre-Ouest du royaume de France (XVe- XVIe si cles) Marina Viallon Jouter aux frais du prince : les d penses de Fran ois d?Angoul me pour le tournoi de l?entr e de la reine Marie Tudor Paris (1514) Aur lie Massie L?entr e royale d?Henri II Paris en 1549 : comptabilit et repr sentation du pouvoir Ilario Mosca Le roi Tr s-Chr tien , la ville de Paris et le financement des entr es de 1571 Francesca Fantappi L? conomie de la maraviglia : d penses fictives et r elles la cour des Bourbons et des M dicis (1586-1628) Beth Glixon Who?s in Charge? Modalities of Opera Production in Mid-Seicento Venice Jonathan Glixon Patrician Pomp: Ceremony and Celebration for New Procuratori in Early Modern Venice Bibliography Index des lieux Index des noms propres et des oeuvres Biographies des auteurs‎

‎Building and Conflict in Southern Europe (1000-1300)‎

‎, Brepols - Harvey Miller, 2026 Hardback,Pages: 448 pag, Size:156 x 234 mm, Illustrations:44 b/w, 10 col., 2 maps b/w, 1 maps color Language(s):English, Italian, French *new. ISBN 9782503605449.‎

‎ Summary The four-volume sub-series ?Petrifying Wealth? explores the sudden ubiquity of masonry construction between 1050 and 1300 in Southern Europe and its profound effect on the European landscape. New questions about wealth, society, and medieval building are explored, which highlight the link between construction in durable materials and the shaping of individual, collective, and territorial identities: the birth of a new, long-lasting panorama, epitomising the way we see the space and territory of Europe today. In the central Middle Ages, when the roots of power and social identities were defined with new force and, first and foremost, at the local level, conflict became one of the most important factors that drove the building of durable constructions. Buildings and conflicts were linked more closely than before. This third volume in the ?Petrifying Wealth? series explores the material and symbolic importance that buildings played in the context of clashes of various kinds: between bishops and city communities; between people marked by different religious affiliations; between lords; between lords and subjects; between different visions of the ecclesiastical hierarchy; between sovereigns, city communities, and the nobility; and between families and members of the same kinship. TABLE OF CONTENTS Preface SANDRO CAROCCI and FEDERICO DEL TREDICI Part I. Churches and Conflicts Rhetoric of Destruction and Landscapes of Conflict: Reflections on Building in Le n-Castile (Eleventh and Twelfth Centuries) ANA RODRIGUEZ Fortifications et conflits ?gr goriens? en France m ridionale (XIe?XIIIe si cles): Enjeux monumentaux ou territoriaux ? FLORIAN MAZEL Il conflitto fra vescovo e comune a Genova: Costruzioni, demolizioni, spostamenti dei palazzi del potere AURORA CAGNANA Walled Choir Screens as a Side Effect of Church Reform (Eleventh?Thirteenth Centuries) FABIO SCIREA Patterns of Conquest: The Fate of the Friday Mosque in Medieval Narratives on the Conquest of al-Andalus (Eleventh?Thirteenth Centuries) MARISA BUENO S NCHEZ Part II. Authorities against Buildings Building and Destroying Castles: Imperial Action in Italy in the Twelfth Century LUIGI PROVERO The Practice of Deliberate Destruction in Medieval Italy: Materiality, Skills, and Participation in the Archaeological and Textual Sources GIULIA BELLATO ?Cum prius de lignamine castrum fecissent, modo fecerunt de muro?: The Destruction of Rural Fortresses and its Political Significance in Northern Italy During the Age of Communes (Twelfth?Thirteenth Centuries) MADDALENA MOGLIA Part III. The Rural World Conflictos rurales y edificios: la Meseta del Duero (siglos XI-XIII) I AKI MART N VISO La coseigneurie p trifi e dans le sud du royaume de France (XIIe?XIIIe si cle) HELENE DEBAX Qui levat castellum levat rovellum: Castles as Foci of Local Conflict in Central-Northern Italy (c. 1050?c. 1200) ALESSIO FIORE La destrucci n de edificios en torno a conflictos en el territorio leon s durante la primera mitad del siglo XII GEMA MANCEBO GONZ LEZ Nobles y espacios del condado de Barcelona en el siglo XI: Revisitando a Mir Geribert ROSA LLUCH BRAMON Castles and the Affirmation of Aristocratic Power in Twelfth Century Catalonia: The Case of the Cabrera Lineage ALEJANDRO MART NEZ GIRALT The Houses of Knights: Milites, Buildings and Conflicts in Rural Areas (Eleventh to Thirteenth Centuries) FEDERICO DEL TREDICI Part IV. The Cities Nobility, Conflicts, and Buildings in Italian Cities (c. 1050?1300) SANDRO CAROCCI La regolamentazione del conflitto attraverso la normativa statutaria sugli edifici FEDERICO LATTANZIO Comunit , edifici e conflitti nelle citt tra Provenza e Linguadoca SIMONE BALOSSINO *** Conclusions SANDRO CAROCCI and FEDERICO DEL TREDICI‎

‎Portraying the Individual in the Roman East Local Imperial Entanglements in Sculpture, Mosaics, and Paintings (1st?4th Centuries AD)‎

‎, Brepols - Harvey Miller, 2026 Hardback, Pages: xxii + 345 p. Size:216 x 280 mm, Illustrations:81 b/w, 282 col., 1 tables b/w. Language(s):English. new. ISBN 9782503622750.‎

‎Summary While the statues and busts of Rome have long captivated scholarly attention, the extraordinary diversity of portraits produced across the empire's so-called peripheries has remained underexplored. As new discoveries and research projects, such as the Palmyra Portrait Project, expand our understanding of provincial visual culture, fresh questions emerge about the nature, function, and interpretation of Roman period portraiture. This volume revisits portraiture by looking beyond the Roman empire?s core to its vibrant borderlands, revealing how traditions of representing the individual varied dramatically across cities, regions, and time. The contributions gathered here examine both adherence to, and departures from, mainstream portrait conventions, highlighting the creative negotiations between local identities and imperial visual norms, engaging with a wide range of media ? sculpture, mosaics, and paintings ? and addressing issues such as workshop practices and the circulation of resources. Case studies explore reworking and reuse, the reconstruction of display contexts, and the development of regional visual languages over time. In shifting the lens from centre to regional situations, this volume reveals portraits as powerful expressions of identities and cultural entanglement across the ancient Mediterranean and West Asia. TABLE OF CONTENTS List of Illustrations Portraying the Individual in the Roman East: Local?Imperial Entanglements in Sculpture, Mosaics, and Paintings (1st?4th Centuries AD) Rubina Raja 1. Roman ?Mummy Portraits? ? Panel Paintings, Painted Shrouds, and Stucco Masks: The Appropriation of the Graeco-Roman ?Individual Portrait? by the Death Industry of Roman Egypt Christopher H. Hallet 2. Portrait Mummies from Antino polis as Evidence for lite Interaction between Egypt and Syria Barbara E. Borg 3. Locally Crafted Empires: The Case of the Palmyrene Portrait Habit and the Legacy of Greek Art Rubina Raja 4. Putting Portraits in the Big Picture: Otacilia Severa and Faustina the Elder in Palmyra Olympia Bobou, Dario Calomino, Julia Lenghan, and Rubina Raja 5. Theoi Sebastoi Olympioi: Hellenising Imperial Images in the Greek East R. R. R. Smith 6. Portraying the Emperor ? Seeing the Emperor: Between Typology and Individuality in a Colossal Portrait in Sagalassos Jane Fejfer, Jeroen Poblome, anf Peter Talloen 7. The Portrait Statues from the Artemision at Messene ? Expressing Identity and Representing Power Olympia Bobou and Christopher Dickenson 8. Funerary Portraits from Hierapolis in Syria Michael Bl mer 9. The Other Half of the Empire: On Early Depictions of Individuals in Sepulchral Art in the West Dietrich Boschung 10. Funerary Portraits on the Rhine in the First Half of the First Century AD: Sartorial Expressions of Cultural Awareness and Ethnic Belonging Maureen Caroll 11. Citizens, Emperors, and Gods: Portraiture in the Roman Central Balkans Nade?da Gavrilovi? Vitas 12. From Periphery to Centre Stage: ?Zenobia in Chains? (1859) by Harriet Hosmer and ?The Death of Cleopatra? (1876) by Edmonia Lewis Amalie Skovm ller‎

‎Dirk Bikkembergs 25 Years of Athletes and Fashion. Antwerp six.‎

‎, Rizzoli, 2014 Hardcover Cloth, 448 pages very richly illustrated with coloured illustrations, 38x29cm *BRANDNEW. ISBN 9780847841622.‎

‎This volume marks the twenty-fifth anniversary of the groundbreaking fashion designer who bridged the exclusivity and sex appeal of fashion and the universality and masculinity of sports. One of the much-written-about Antwerp Six group of influential cutting-edge Belgian fashion designers, Dirk Bikkembergs audaciously chose to focus his designs on the intersection between fashion and sport, particularly pieces designed for or inspired by soccer. Seeing sports as a universal language, Bikkembergs designed haute couture for athletes who are themselves already aesthetic icons of masculinity. The first designer to hold a fashion show in a sports stadium, Bikkembergs uses his local soccer team as a laboratory for styling with the latest fabric technology, creating designs that are sexy yet comfortably flexible, from exclusive jackets to high-performance underwear and sporty street shoes. In this handsome book, all of his one-of-a-kind designs are showcased in photographs taken in various locations around the world.‎