Write to the booksellers
Grisham John
The Whistler.
Hodder. 2017. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 407 pages - ouvrage en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : R320147696
ISBN : 1444791095
Ouvrage en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Payment mode
Sale conditions
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
DISQUE VINYLE 33T TUXEDO JUNCTION, SINGING THE BLUES, SCHERZO FROM SYMPHONY, MACK THE KNIFE, THE WHISTLER AND HIS DOG, STARS AND STRIPES FOR EVER, ON THE ROAD TO MANDALAY, ROCKET, STRIKE UP THE BAND, SATIN DOLL, THE TROLLEY SONG, BOLERO.
DECCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. POchette en couleurs, biographie de RAY HORRICKS et de BOB SHARPLES dérrière la pochette. Disque en anglais.. . . . Classification : 410-33 Tours
Disque n° SKL 4110 Classification : 410-33 Tours
THE WHISTLER
Pocket Book. 1954. In-16. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur acceptable. 147 pages. Tranche rouge.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Pocket Book, 987. The strangest lawman ever to ride the Western plains. Classification Dewey : 420-Langue anglaise. Anglo-saxon
[James Abbott McNeill Whistler] - Lochnan, Katharine A.
Reference : 046752
(1984)
ISBN : 0300032838
The Etchings of James McNeill Whistler
Lochnan, Katharine A.: The Etchings of James McNeill Whistler. Exhibition: New York, Metropolitan Museum and Toronto, Art Gallery of Ontario, 1984. 308pp with 296 monochrome illustrations. Paperback. 26.5x19.5cms. Divided into chapters on: the Early Years, London, Washington and Paris; Whistler and Realism, 1859-67; Whistler and Aestheticism, 1867-81; the Late Etchings, 1881-1903. With chronological order of the etchings of 1857-9; chronological order of etched work; list of abbreviations; notes; selected bibliography; index.
Divided into chapters on: the Early Years, London, Washington and Paris; Whistler and Realism, 1859-67; Whistler and Aestheticism, 1867-81; the Late Etchings, 1881-1903. With chronological order of the etchings of 1857-9; chronological order of etched work; list of abbreviations; notes; selected bibliography; index. Text in English
The Studio, London,1896,april to winter 1896/7,9 numeros relies en un volume,Contains Whistler’s original lithograph "Savoy Pigeons."
London: The Studio,May. Vol.7 No.38 with original etching by E.W. Charlton,May. Vol.7 No.38 June 15, 1896. Good in original wraps, which are detached. Contains Whistler’s original lithograph "Savoy Pigeons." Way 188; Levy 164. Also contains a design in four colours by R. Anning Bell entitled "Herodias." Over 100 illustrations. The Whistler lithograph has very good,London: The Studio, June 15, 1896 Grasset E : studio winter 1896/7 The Studio, London,1896;Bound without advertisements. Many illustrations. All Complete. Includes supplements (plates) by - E Aman-Jean, R Anning Bell, E Borough Johnson, Mortimer Menpes, J Pennell, F Skarbina, P Sturdee, and J McNeil Whistler. Articles include - Charles Dana Gibson - with 1 full-page and 4 small b+w illustrations, Works of J J Shannon, Posters of Louis Rhead, English Domestic Architecture - featuring "Redroofs" Streatham; Buchan Hill, Sussex; Shiplake Court, Henley; North Mimms, Hertfordshire; and Rawdon House, Hoddesdon; and lots more. A Mountain Town in France: Some Lead-Pencil Drawings Made in the Neighbourhood of Monastier, France, by Robt. Louis Stevenson The Studio, 1896. published in THE STUDIO (Special Winter Number 1896-97), pp. 1-24; other contributions include Some French Artists at Home by Gabriel Mourey; Bushey Models by R. Morton Nance; Art at the Champs Elysees,
texte complet,dos reliure manquant,rare,qques rousseurs- Eugène Grasset (Lausanne, 1845-Sceaux 1917) Remise de 20% pour toutes commandes égales ou supérieures à 200 €
Like Breath on Glass : Whistler, Inness, and the Art of Painting Softly
, Mass. Sterling and Francine Clark Art Institute, 2008 Hardcover, grey cloth with silver imprint, 268 pages, dustjacket, 275 x 250 x 35 mm, book itself is in New condition, illustrated in soft colours / b/w, " easily a Collectors Item", *****The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass."*****. ISBN 9780300134063.
Released in conjunction with a 2008 exhibition. The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass." Catalog is accompanied by these articles: Painting Softly, An Introduction / Marc Simpson -- Whistler, Modernism, and the Creative Afflatus / Marc Simpson -- George Inness, Softness, and the Vapor Barrier / Leo G. Mazow -- True Illusions in Soft Paintings / Cody Hartley -- Materials for Immateriality / Joyce Hill Stoner -- The "Inaction Painters" and Their Moment / Michael J. Lewis -- Reflections on "The Color of Mood" / Wanda M. Corn. Simply stated, an exquisite book, and one that is worthy of any coffee table or personal library. Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic, this catalogue explores this painterly phenomenon. This copy was once owned by interior and garden designer Henriette Suhr and carries her bookplate at front.
