Arnoldo Mondadori. vers 1991. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 58 pages - nombreuses reproductions en couleurs dans et hors texte. Dos décollé du dos.. . . . Classification Dewey : 750-La peinture et les peintres
Reference : R300300508
ISBN : 8824201075
Classification Dewey : 750-La peinture et les peintres
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Knapp, Fritz: Andrea Mantegna - des Meisters GemÀlde und Kupferstiche. Berlin / Leipzig: Deutsche, 1910. Series: Klassiker der Kunst. XVI. 193pp with 193 monochrome illustrations. Cloth. 26x19cms. Text in German.
Text in German
1992 Distributed for the Metropolitan Museum in North America by Abrams Hardcover Fine 1st Edition
Langue: anglais. Andrea Mantegna Reliure rigide, toile bleue avec impression argentée, avec jaquette, 300 x 260 mm, 499 pg, richement illustré en couleur, certaines illustrations sont en pleine page, très belle édition en très bon état [Cette description peut avoir été traduite par une IA.]
, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.
Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
Martineau, Jane: Andrea Mantegna. Exhibition: London, Royal Academy and New York, Metropolitan Museum, 1992. 504 pages, fully illustrated. Very good condition. Paperback. 29.5 x 25cms.
Text in English
Reference : alb4f6dc80a65fe7242
Andrea Mantegna. Teacher's work in 200 reproductions (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivreIn Russian (ask us if in doubt)./Andrea Manten'ya (Andrea Mantegna). Rabota uchitelya v 200 reproduktsiy (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivre Paintings etchings on copper. (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivre) In German) Paris Librairie Hachette 1911. XLIX 190 p. SKUalb4f6dc80a65fe7242.