Write to the booksellers
COLLECTIF
BOLOGNA.
THE ENIT. 1938. In-8. Broché. Etat d'usage, Couv. convenable, Agraffes rouillées, Intérieur acceptable. 32 pages agrafées - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 945-Italie
Reference : R240140449
Classification Dewey : 945-Italie
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Payment mode
Sale conditions
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
Il Museo Civico Archeologico Di Bologna
University Press broché Bristol illustré Bologna 1982 343 pages en format 17 - 24 cm - nombreuses photographies d' oeuvres d' art
Très Bon État
Bologna Cope: Patronage, Iconography, History, and Conservation
, Brepols - Harvey Miller, 2022 Hardback, 228 pages, Size:225 x 300 mm, Illustrations:160 col., Language: English. ISBN 9781912554874.
Summary This second volume in the series Studies in English Medieval Embroidery is dedicated to the Opus Anglicanum Cope of St Domenico, Bologna now housed in the Museo Civico Medievale. Essays are by the Director, curators and conservation staff of the Museo Civico in collaboration with new archival research by leading scholars in the field of textiles and the production of medieval liturgical vestments. It is edited by Dr. M.A. Michael, head of the Opus Anglicanum Project at the University of Glasgow. This volume presents the first detailed investigation of the iconographical cycle depicted on the cope and provides new evidence for dating which places the Bologna Cope within the short-lived patronage of Pope Benedict XI before 1304. A comprehensive investigation of the archival materials relating to the Cope and its rediscovery in the 19th century is also accompanied by a detailed historiography of the literature and exhibition history of the cope and an account of the challenges faced during its recent conservation. TABLE OF CONTENTS Massimo Medica ? A King's Gift to a Pope: Benedict XI and the Bologna Cope M.A. Michael ? The Cultural Context of the Bologna Cope: The Design and Production of Opus Anglicanum Liturgical Vestments in England Franco Faranda and M. A. Michael ? The Iconography of the Cope of San Domenico in Bologna Giancarlo Benevolo ? The San Domenico Cope in the Inventories of the Sacristy and Convent of the Friars Preachers, Bologna: 14th -19th centuries Silvia Battistini ? An Historiography of the Bologna Cope Marta Cuoghi-Costantini ? Textiles and Embroidery in Italy between 1200 and 1300 Manuela Farinelli ? The Conservation of the Bologna Cope Silvia Battistini ? The Bologna Cope (Catalogue description) Bibliography Glossary Index
Reference : 19237
NUMERO 14 PRINCIPALI VEDUTE DI BOLOGNA IN BOLOGNA PRESSO GIO. ZECCHI
BOLOGNA PRESSO GIO. ZECCHI
Album del 1840 circa stampato da Giovanni Zecchi, stampatore e venditore di stampe in Bologna, raccolta delle vedute numero 14. L'album comprende 14 vedute di diversi autori (Franceschini, Romagnoli, Magazzari) e in più la mappa circolare di Bologna e Prospetto della Chiesa della B. V. di San Luca per un totale di 16 stampe. Le vedute: Piazza del Nettuno, Piazza Mag. e Basilica di San Petronio in Bologna, Piazza Mag. e Palazzo del Re Enzio, Fontana del Nettuno, Le torri Asinelli e Garisenda, Metropolitana di San Pietro, Foro dei mercanti, Chiesa di san Giacomo, Palazzo Baciocchi, Piazza di San Domenico, Strada Maggiore, Piazza La Seliciata, Prospetto del cimitero, Palazzo Aldini ecc... Ogni veduta misura alla battuta mm 105x140. In buone condizioni. Copertina editoriale in discrete condizioni generali con usure e strappi marginali. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con rare fioriture. In 8. Dim. 14,5x20,5 cm. Pp. (16). Peso Kg. 0,065. Album of 1840 circa published by Giovanni Zecchi, publisher and engraver in Bologna, collection of views number 14. The album includes 14 view of different authors (Franceschini, Romagnoli, Magazzari) and also the circular map and the Church of Saint Luca. The views: Piazza del Nettuno, Piazza Mag. e Basilica di San Petronio in Bologna, Piazza Mag. e Palazzo del Re Enzio, Fontana del Nettuno, Le torri Asinelli e Garisenda, Metropolitana di San Pietro, Foro dei mercanti, Chiesa di san Giacomo, Palazzo Baciocchi, Piazza di San Domenico, Strada Maggiore, Piazza La Seliciata, Prospetto del cimitero, Palazzo Aldini ecc... Each view measures mm 105x140. In good conditions Editorial cover in fair general conditions lightly worn with tears in the extremities. Binding in good conditions. Inside pages are in very good conditions with occasional foxing. In 8. Dim. 14,5x20,5 cm. Pp. (16). Peso Kg. 0,065
Neptune Fountain in Bologna. Bronze, Marble, and Water in the Making of a Papal City
, Brepols - Harvey Miller, 2015 Hardback with dj., VI+248 p., 150 colour ill., 220 x 280 mm. Languages: English, Italian, Latin. ISBN 9781909400245.
As a gateway to the central Piazza Maggiore and a work of singular beauty and elegance, the Neptune Fountain is one of Bologna?s most prized artistic gems, recognized by all but understood by very few. Richard Tuttle?s monograph represents the first comprehensive study of this iconic monument, executed between 1563 and 1567 by the Flemish artist Giambologna and the Sicilian architect Tomaso Laureti, that considers all of the complex aspects of its commission, planning, execution, iconography, and urban impact. Working with an extraordinary body of documentary and visual materials, Richard Tuttle (1941-2009)?one of the world?s foremost authorities on Renaissance Bologna?reveals how the fountain was created collaboratively by papal administrators and artists, how it depended on contemporary hydraulic technology, communicated political messages, and became an instrument of urban renewal. The book?s broad appeal, scholarly rigor, and eloquent writing promise to make it an indispensable source on Italian sixteenth-century sculpture, architecture and urban planning, as well as a definitive text on this remarkable Renaissance fountain. Richard J. Tuttle (1941?2009) taught Renaissance architectural history at Tulane University for thirty years (1977?2007), before moving to the University of Bologna?s Department of Architecture and Urban Planning in 2007. He was the author of numerous groundbreaking and award-winning studies on Renaissance architecture, sculpture, and urbanism, and was the world authority on sixteenth-century Bologna and the architect and theorist Jacopo Barozzi da Vignola. Nadja Aksamija is Associate Professor of Art History at Wesleyan University. Her published and forthcoming books and articles have examined, among others, sixteenth-century villas and castles in Bologna and Dubrovnik, notions of sacred landscape in Counter- Reformation painting and emblematics, and the restoration of Renaissance architectural monuments in the nineteenth and twentieth centuries. She is the recipient of prestigious grants and fellowships from the Getty Foundation, the Kress Foundation, and the Villa I Tatti in Florence, among others. Francesco Ceccarelli is Associate Professor of Architectural History at the University of Bologna. The focus of his research is the early modern and modern Italian city, from the Renaissance through Neoclassicism. He is the recipient of the Accademia Nazionale dei Lincei?s prestigious prize in History and History of Geography (2000) for his innovative research on the strategies of urban development in the Po valley during the Renaissance.
LA VOCE DI BOLOGNA
ROMA DOTT. GIOVANNI BARDI - EDITORE 1942
In 8. Dim. 21x14 cm. Pp. 72. Edizione del 1942 di questa raccolta di racconti dello scrittore e poeta Antonio Bruers (1887-1957). In copertina bella xilografia di Pettinati rappresentante una vedutina della città di Bologna sovrastata dalla Madonna di San Luca. Alcuni racconti riguardano la città di Bologna (Porta San Mamolo, Madonna di San Luca, la croce e l'aquila). Dedica autografata dall'autore alla prima pagina di sguardia. Brossura editoriale in buone condizioni generali con lievi usure ai margini e dorso; piccole parti mancanti al dorso. Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Edition of 1942 of this colelction of tales byt he poet and writer Antonio Bruers (1887-1957). In the cover a beautiful woodcut by Pettinati representing a little view of the city of Bologna with the Madonna of Saint Luca. Soem tales are related to the city of Bologna (Porta San Mamolo, Madonna di San Luca, la croce e l'aquila). Dedication with signature of the author in the first endpaper. Editorial cover in good general conditions slightly worn in the edges and spine with little missing parts in the spine. Binding in good conditions. Inside pages are in very good conditions with occasional foxings.
