‎Vollmann William T.‎
‎Central Europe.‎

‎Peoples of the Eastern Habsburg Lands 1526-1918: Volume 6 (History of East Central Europe)‎

‎University of washington press 1984 559 pages 23 876x3 81x15 494cm. 1984. Relié. 559 pages.‎

‎Bon état bonne tenue bords jaquette un peu frottés intérieur propre‎

‎Literacy and Written Culture in Early Modern Central Europe‎

‎Central European University Press (CEU PRESS) Cartonné avec jaquette 2000 In-8 (16,3 x 23,5 cm), cartonné avec jaquette, 266 pages, texte en anglais ; très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Luc Tuymans The Reality of the Lowest Rank : a vision of Central Europe ‎

‎Tielt, Lannoo, 2010 Hardcover, 286 pages, 26 x 28 cm, English text ISBN 9789020989977.‎

‎Luc Tuymans : The Reality of the Lowest Rank : a vision of Central Europe This book is the official catalogue for the exhibition 'A Vision of Central Europe' that will be held at the concert hall in Bruges from the end of 2010 until January 23rd 2011. Luc Tuymans has selected the works of artists from East and Central Europe, dating from World War II until the present day. His fascination with Central Europe's eventful history has been translated into a highly personal exhibition. Some thirty refreshingly innovative artists from that region show work that displays a clear vision of society. Like Tuymans, they don't shy away from themes such as war, violence and trauma. The main text of the book is written by Alison Gas, curator of the San Francisco Museum of Modern Art (SFMOMA), with a contribution by Takashi Murakami, one of the most important contemporary artists working today. With works by Pawel Althamer, Miroslaw Balka, Wojciech Bakowski, Hans Bellmer, Guillaume Bijl, Walerian Borowczyk, Piotr Bosacki, Pavel Buchler, Nemanja Cvijanovic, Armen Eloyan, Igor Eskinja, Katharina Fritsch, Isa Genzken, Tadeusz Kantor, Alex Katz, Martin Kippenberger, Zlatko Kopljar, Igor Kovalyov, Klara Kristalova, Zbigniew Libera, David Maljkovic, Takashi Murakami, Deimantas Narkevicius, Priit Parn, Sigmar Polke, Quay Brothers (Stephen and Timothy), Neo Rauch, Gerhard Richter, Zbigniew Rybczyn'ski, Anri Sala, Bruno Schulz, Andreas Slominski, Jan Svankmajer, Alina Szapocznikow, Paul Thek, Luc Tuymans, Meyer Vaisman, Andy Warhol, Weegee, Andrzej Wroblewski. ‎

‎The Tragedy of Central Europe: Nazi and Soviet Conquest and Aftermath (Yale Russian & East European Publications Band 2)‎

‎Slavica Pub 1980 274 pages 14 22x2 29x22 35cm. 1980. Cartonné jaquette. 274 pages.‎

‎Bon état intérieur propre avec sa jaquette‎

‎Collecting Asian Art. Cultural Politics and Transregional Networks in Twentieth-Century Central Europe‎

‎Leuven, UPL - KU Leuven, 2024 Paperback, 272 pages, 234 x 156 x 13 mm,Illustrations and other content description: 32 pp. in colour. English text. ISBN 9789462703780.‎

‎Museum collections of Asian art in Central Europe. Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Krak w, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones. Contributors: Zdenka Klimtov (National Gallery in Prague); Agnieszka Kluczewska-W jcik (Polish Institute of World Art Studies); Partha Mitter (University of Sussex); Michaela Pej?ochov (National Gallery in Prague); Uta Rahman Steinert (Staatliche Museen zu Berlin); Iv n Sz nt (E tv s Lor nd University); Nata?a Vampelj Suhadolnik (University of Ljubljana); Johannes Wieninger (MAK ? Museum of Applied Arts); Tom ? Winter (Czech Academy of Sciences).‎