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The Dickens Press. 1971. In-24. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages agrafées - nombreux dessins en couleur et en noir et blanc dans le texte - livre en Anglais. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : R200121814
Livre en Anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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5 book(s) with the same title
The Book of Common Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church, According to the Use of the United Church of England and Ireland: Together with The Psalter or Psalms of David, Pointed as they are to be Sung or Said in Churches. Bound with: A New Version of the Psalms of David, Fitted to the Tunes Used in Churches by N. Tate and N. Brady.
Oxford, At the Clarendon Press, by Samuel Collingwood and Co. 1829, 140x80mm, 263pages, Bound in full morocco. Gilt decoration on the spine and gilt framing on both boards. Gilt edges. Name of previous owner, otherwise book in godd condition.
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Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period
, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.
Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places
Divine Interiors. Experience Churches in the Age of Rubens.
, BAI -Museum Mayer Van Den Bergh, 2016 Hardback, 280x210mm, 192p, 200 colour illustrations, English edition. With new CD GRAINDELAVOIX Antwerp World Premieres anno 1600. ISBN 9789085867265.
Expo: 17/6/2016 - 16/12/2016, Museum Mayer van den Bergh, Antwerpen. 450 years ago, anecdotes that we would now relate via social media were shared in churches, then the most important places for meeting up with others. In 2016, Museum Mayer van den Bergh is presenting for the first time a selection of church interiors that speak to us about daily life in that period. As well as being places of liturgy, churches were where people celebrated, grieved, paraded, begged, gossiped and even played. Everyday life played out within. And this can be seen in paintings on the subject made in such great quantity in Antwerp in the 16th and 17th centuries. These church interiors are not only masterpieces of perspective, but also present fascinating scenes of existing or lost churches replete with splendid indoor vistas, every corner revealing to us daily life. Museum Mayer van den Bergh is bringing together a number of these church interiors for the first time. This beautifully illustrated catalogue introduces the reader to locations that were the places to meet in the 16th and 17th centuries.
General Councils of the Eastern Christian Churches
, Brepols, 2023 Hardback, 2 vols, xxxvi + 1593 pages, Size:155 x 245 mm, Language(s):Syriac, English, Arabic. ISBN 9782503545059.
Summary This selection of decisions of the Synods of the Eastern and Oriental Orthodox Churches illustrates the richness and vitality of the various Orthodox Churches. The criteria employed are those of historical prominence and present-day relevance. The combination of these two elements considerably reduces the number of decrees which may be chosen, but still allows one to point out individual and unique characteristics of each type of synod. TABLE OF CONTENTS Tome 5.1 SYNODS OF THE SYRIAN ORTHODOX CHURCH 628 MAR MATTAI (R. Kitchen) 726 MANAVAZGERD (R. Kitchen) 785 KFARNABU (H. Kaufhold) 794 BETH BOTIN (H. Kaufhold) 812/3 ?ARRAN (H. Kaufhold) 817 QALLINIQOS (R. Kitchen) 846 MAR SHILA (R. Kitchen) 878 MAR ZAKKAY (R. Kitchen) 896 MAR SHILA SERUGH (R. Kitchen) 1304 BAR WAHIB / MAR ?ANANYA (E. A. Ishac) 1521 ?ANANYA IV (E. A. Ishac) 1576 MART SHMOUNI / HATTACKH (E. A. Ishac) 1914 THE JOINT COUNCIL / MARDIN (M.-D. J. Kawak & E. A. Ishac) 1930 MAR MATTAI III / MOSUL (R. Kitchen & E. A. Ishac) 1933-1957 ?OMS I/V (K. Dinno & E. A. Ishac) 1954 ?OMS IV (G. A. Kiraz & E. A. Ishac) 1998-2002 MOR EPHRAIM / DAMASCUS (R. Kitchen & E. A. Ishac) Tome 5.2. SYNODS OF THE CHURCH OF THE EAST 410 ISAAC (M.-J. Pierre & C. Nakano) 419/420 YABALAHA (L. Van Rompay) 424 DADISHO? (K. Smith) 486 AQAQ (E. Fiori) 497 BABAI (E. A. Ishac - R. Kitchen - I. Timrs) 540-544 ABA (E. A. Ishac - R. Kitchen - V. Berti) 554 JOSEPH (C. Jullien) 576 ?AZQIEL (E. A. Ishac - R. Kitchen - I. Timrs) 585 ISHO?YAHB (R. Kitchen - M.-A. Royel - I. Timrs) 596-598 SABRISHO? (F. Jullien) 605 GRIGOR (E. A. Ishac - R. Kitchen - I. Timrs) 612 THE SYNOD OF 612 (E. A. Ishac & R. Kitchen) 676 GEWARGIS I (A. Becker) 678/679 THE LETTER OF GEWARGIS I TO MINA (C.-S. Popa) 775 ?ENANISHO? II (V. Berti) 782 TIMOTHEOS I (M. Heimgartner) 1318 TIMOTHEOS II (H. Teule) 1970 ESHAI SHIMUN XXIII (R. Kitchen - M.-A. Royel - I. Timrs) 1978 DINKHA IV (R. Kitchen & I. Timrs) 1999 DINKHA IV (R. Kitchen & E. A. Ishac) Appendix 484-496 BAR?AWMA (E. A. Ishac & R. Kitchen)
Harvey Miller. Mosaics and Wallpaintings in Roman Churches,
Turnhout, Brepols, 2000 Hardback, 384 p., incl. 264 ills. with 152 in colour, 22 x 28,5. ISBN 9781872501628.
This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the Paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. The drawings and watercolours catalogued and illustrated here are all in the Royal Collection, Windsor Castle, and are mostly by the artist Antonio Eclissi. The reproductions are generally in full colour, and frequently accompanied by illustrations showing the actual decoration in situ. The introductory essays outline the important phases of Cassiano dal Pozzo's career, discuss the history and significance of the 'Paper Museum', and explore the Christian tradition in seventeeth-century Rome. The Catalogue Raisonnee analyses each drawing in the greatest detail. This volume, the first to appear in the series, will be of special interest to archaeologists and medievalists engaged in the study of Rome's Early Christian churches, since many of the buildings, mosaics and paintings are now no longer extant. Languages : English.
