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PAOLO D ANCONA
MICHELANGELO
ARNOLDO MONDADORI EDITORE. 1951. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 152 pages illustrées de 115 photos en noire et blanc et 4 photos en couleurs. Ouvrage en Italien.. . . . Classification Dewey : 700-LES ARTS
Reference : R200004350
Classification Dewey : 700-LES ARTS
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5 book(s) with the same title
Trattato di scientia d’arme, con un dialogo di filosofia. "The fine illustration has been attributed to I. A. Michelangelo (a friend of the author)."
Edition originale rarissime, “fort recherchée à cause des figures” (Brunet). Roma, Ant. Blado, 1553. In-4. Figures, 4 ff. ; 70 ff ; 1 f. Plein maroquin rouge janséniste, dos à nerfs, filets or sur les coupes, roulette intérieure, tranches dorées; infimes restaurations sans manque à deux planches. Reliure du XIXè siècle signée de Chambolle-Duru. 225 x 171 mm.
Edition originale rarissime. «Belle édition, fort recherchée à cause des figures qui sont dans le style de l’école de Marc-Antoine. Il y en a deux grandes, l’une au commencement du livre et l’autre avant le dialogo. Les figures d’escrime sont au nombre de 55, plus, au frontispice, le portrait de l’auteur. Ce livre, qui s’est souvent donné pour 10 ou 12 fr. est plus cher aujourd’hui; on l’a même payé jusqu’à 170 fr. à la vente Riva, en 1856, ce qui est excessif. Jos. Molini en a possédé un exemplaire sur le frontispice duquel se lisait ces mots écrits de la main du Tasse: le figure intagliate da Michel Angiolo Buonarroti. Les éditions de Venise, par Pinagetto, 1568, et presso Roberto, 1608; in-4 fig. sont moins belles et moins chères que celle de Rome.» (Brunet I, 115). « A côté de l'intérêt qu'offre ce Traité de l'escrime ancienne, le bibliophile remarquera les gravures, qui sont de l’école de Marc-Antoine. (.) Un autre côté intéressant pour nous, de cet ouvrage, est de connaître qu'il a été consulté par Saint-Didier dont le Traité parut en France vingt ans après." (Vigeant). First edition of this beautifully illustrated, very important early fencing-treatise, by the highly educated author who introduced a practicle reduction in the number of guards to only 4, and who was the first swordsman to have advocated the almost sole use of the point of the sword. "Seventeen years after the first appearance of Marozzo's system of fencing, the printer Antonio Blado published in Rome (.) a remarkable work on swordsmanship, which advocated some very bold and new principles. () Agrippa is better known to biography as architect, mathematician, and engineer, in which capacity he wrote sundry books. He is especially celebrated for having brought to a successful issue the operation of raising the needle in the middle of the Piazza di San Pietro. (.) Agrippa devoted much of his time to practice in the schools of fence. Not being a teacher, he was not shackled by any conventions, and accordingly the book is original and much in advance of the popular notions of his days." (Castle). The fine illustrations have been attributed to i.a. Michelangelo (a friend of the author) and to Jan van der Straat. The immense popularity of the author is depicted in one of the full-page illustration: it shows Agrippa surrounded by friends from Venice and Rome, the Venetians dragging him away, the Romans trying to retain him in Rome. Précieux et bel exemplaire de ce précieux et rarissime volume. Ref. En Garde 26 ; Thimm p. 3f ; Pardoel 15; Vigeant p.23f ; Castle, Schools and masters of fence p. XXV and p. 45 ; Cockle 745 ; Lipperheide 2948 ; Harvard, Italian, 6.
[Michelangelo Buonarroti] - Poggi, Giovanni, Paola Barrocchi e Renzo Ristori
Reference : 126075
(1965)
Il Carteggio di Michelangelo. 5 vols
Poggi, Giovanni, Paola Barrocchi e Renzo Ristori: Il Carteggio di Michelangelo. 5 vols. Florence: Sansoni & S.P.E.S., 1965-1983. The correspondence of Michelangelo comprising: I. Lettere di Michelangelo e suoi corrispondenti dal 2 luglio 1496 al 27 aprile 1518. II. Lettere di Michelangelo e suoi corrispondenti dall' [1-8 maggio 1518] al 9 agosto 1523. III. Lettere di Michelangelo e suoi corrispondenti dal 25 novembre [1523] all'[1 gennaio 1533]. IV. Lettere di Michelangelo e suoi corrispondenti dall' 1 gennaio [1533] al [1552]. V. Lettere di Michelangelo e suoi corrispondenti dal 23 marzo 1553 al 14 febbraio 1564. In all over 2500 pages. Hardback. 26 x 17cms. Text in Italian.
Text in Italian
Sebastiano del Piombo and Michelangelo: The Compass and the Mirror. An Anthology
, Brepols, 2022 Paperback, 344 pages, Size:210 x 297 mm, Illustrations:10 b/w, 150 col., Language(s):English, Italian. ISBN 9782503580265.
Summary The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance. TABLE OF CONTENTS Matthias Wivel ? The Compass and the Mirror Elena Calvillo ? Friendship, Medium and the Diverging Lives of Sebastiano del Piombo and Michelangelo Piers Baker-Bates ? Copies and Versions in Sebastiano's Art? The Christ Carrying the Cross Sheryl E. Reiss ? A Word Portrait of a Medici Maecenas: Giulio de' Medici (Pope Clement VII) as Patron of Art Arnold Nesselrath ? Raphael: Of Heirs and Pretenders Matthias Wivel and Rachel Billinge ? Sebastiano's Vich Triptych Carlo Piga ? Da Michelangelo a Sebastiano: antiche suggestioni e moderne invenzioni nel ciclo decorativo della Cappella Borgherini in San Pietro in Montorio a Roma Stefania Pasti ? Aperietur in tempore: Sebastiano del Piombo and the Borgherini Chapel in the Light of Prophetic Readings Paul Joannides ? A New Drawing by Sebastiano del Piombo for the Semi-Dome of the Borgherini Chapel Costanza Barbieri ? Sebastiano as Portraitist and a Case Study: The Portrait of Michelangelo Pointing at His Drawings Oriana Sartiani ? A Portrait of Michelangelo Attributed to Sebastiano del Piombo: Technical Examination, Discoveries, and Treatment Simonetta Antellini ? L'originalità compositiva della Nascita della Vergine di Sebastiano del Piombo Daniela Luzi ? 'Il bel secreto': La pittura sperimentale sulla pietra di Sebastiano nella Cappella Chigi Morten Steen Hansen ? The Readings of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception Andrea Donati ? Marcello Venusti, Michelangelo and the Legacy of Sebastiano del Piombo Charles Robertson ? Michelangelo's Last Judgement: Sebastiano del Piombo's Contribution
[Michelangelo Buonarroti] - Bambach, Carmen C.
Reference : 115886
(2017)
ISBN : 9781588396372
Michelangelo: Divine Draftsman and Designer
Bambach, Carmen C.: Michelangelo: Divine Draftsman and Designer. Exhibition: New York, Metropolitan Museum, 2017. 400 pages; 350 colour illustrations. Hardback. 30.5 x 24.1cms. This catalogue examines Michelangelo's 'disegno', featuring over 200 drawings as well as paintings, sculpture, and architectural plans and views. Each thematic chapter relates drawings to other works, often for the first time, and provides new insights into the Renaissance Master's creative process. Michelangelo's art theories are explored, and there is also an emphasis on the effect of his personal life on his creative output. Featured projects include the Sistine Chapel ceiling, the Tomb of Pope Julius II, and the architecture of the Campidoglio in Rome.
This catalogue examines Michelangelo's 'disegno', featuring over 200 drawings as well as paintings, sculpture, and architectural plans and views. Each thematic chapter relates drawings to other works, often for the first time, and provides new insights into the Renaissance Master's creative process. Michelangelo's art theories are explored, and there is also an emphasis on the effect of his personal life on his creative output. Featured projects include the Sistine Chapel ceiling, the Tomb of Pope Julius II, and the architecture of the Campidoglio in Rome.
[Michelangelo Buonarroti] - Botke, Klazina (ed.), Terry van Druten (ed.), Martin Gayford (ed.)
Reference : 125534
(2025)
ISBN : 9789464941975
Michelangelo and Men. The Male Body in the Life and Work of Michelangelo.
Botke, Klazina (ed.), Terry van Druten (ed.), Martin Gayford (ed.): Michelangelo and Men. The Male Body in the Life and Work of Michelangelo. Exhibition: Haarlem, Teyler Museum, 2025. 224 pages, illustrated. Hardback. 29.2 x 24.5cms. Teylers Museum exhibition catalogue of 48 works on paper, 4 sculptures and 1 painting, examining Michelangelo's depictions of the male from through his Neoplatonic ideas of perfection, drawn from his letters and poems.
Teylers Museum exhibition catalogue of 48 works on paper, 4 sculptures and 1 painting, examining Michelangelo's depictions of the male from through his Neoplatonic ideas of perfection, drawn from his letters and poems
