‎STEWART Edward‎
‎PRIVILEGES‎

‎Privileges des FOIRES DE LYON, Octroyez par les Roys Tres-Chretiens, aux Marchands François & Estrangers y negocians sous lesdits Privileges, ou residens en ladite Ville.‎

‎ LYON, GUILLAUME BARBIER, 1649, 1 volume in-8 de 230x170x30 mm environ, 1f.blanc, 12 ff. (titre avec belle vignette de titre, epître, Avertissement, Extrait du Privilège, Table), 398 pages,4 ff. (table), 1f.blanc, parchemin crème ancien, ex-libris collés sur la page de titre. Des rousseurs et pages fortement brunies par endroits, des cernes et mouillures très claires, quelques défauts de marge et taches d'encre, déchirures sans manque (p. 107 et p. 353), quelques accrocs et taches sur le parchemin.‎

‎Guillaume Barbier (16..-1665. Imprimeur-libraire ; imprimeur ordinaire du Roi (1647). Originaire de Chalon-sur-Saône. Établi à Lyon vers 1633. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Recueil des TITRES et Autres Pièces authentiques concernant Les Privileges & Franchises du Franc-Lyonnais, Extrait sur les Originaux qui sont dans les Archives à Neufville. ‎

‎ Impirmez aux dépens de la Communauté, Et se vend à Lyon, chez Pierre Vialon, sur les Courtines du Rhône à l'Image Saint Joseph, 1740, 1 volume in-8 de 245x195 mm environ, 1f.blanc, 4ff. (titre, epistre, avertissement), 1 carte dépliante, 216 pages, 1f. (privilège), 1f.blanc, pleine basane marbrée cognac, dos à nerfs portant titres dorés sur pièce de titre havane, orné de caissons à fleurons dorés, un nom doré sur le premier plat. Mouillures rousseurs et cernes claires, brunissures dans la marge interne, des dessins et ratures au crayon à papier sur les pages de garde, cuir épidermé et frotté.‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎De la conservation des foires et privilèges de Lyon au tribunal de commerce de Lyon. 1791 1793, années de transition.‎

‎ Vers 1989, feuillets libres sous chemise, haut du dos et coins de la chemise émoussés, intérieur propre.‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Royal Navy. Notes on maneuvers, customs and privileges. The royal navy. Some ac‎

‎Royal Navy. Notes on maneuvers, customs and privileges. The royal navy. Some accounts of her manners customs and privileges. London: Sampson Low, Marston & Co, ltd. 19/Korolevskiy flot. Zametki o manevrakh, obychayakh i privilegiyakh. The royal navy. Some accounts of her manners customs and privileges. Na angl. yaz. London: Sampson Low, Marston & Co, ltd., 19 Royal Navy. Notes on maneuvers, customs and privileges. The royal navy. Some accounts of her manners customs and privileges. London: Sampson Low, Marston & Co, ltd. 1942. XII, 575, 5 p., 5 l.: 10.5 - 13.5 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-d959ac7717164ced.‎

‎MADE IN FLANDERS. THE MASTER OF THE GHENT PRIVILEGES AND MANUSCRIPT PAINTING IN THE SOUTHERN NETHERLANDS IN THE TIME OF PHILIP THE GOOD,‎

‎, Turnhout, Brepols, 2000, Bound, black cloth, illustrated dustjacket, 205 x 305mm., 499pp., profoundly illustrated in colour and b/w. ISBN 9782503508788.‎

‎The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin. Book is in very good condition.‎