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TAKADA YUZO.
3 X 3 EYES 2.
CHEZ L AUTEUR. COLLECTION MANGA PLAYER. AOUT 1997. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 260 pages environ. Manga en noir et blanc.. Avec Jaquette. . . Classification Dewey : 843.065-Mangas
Reference : R150167211
ISBN : 2910104257
Classification Dewey : 843.065-Mangas
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5 book(s) with the same title
For Your Eyes Only: Miniaturen der Romantik
Sabine Zorn, et.al: For Your Eyes Only: Miniaturen der Romantik. Exhibition: Hamburg, Hamburger Kunsthalle, 2026. 160 pages, illustrated. Catalogue for the exhibition at Hamburger Kunsthalle, looking at the tradition of miniature portraits in Hamburg in the 19th century. 12 essays discuss previously unseen examples of the city's miniature production, drawn and photographed pieces, and foreign artists working in Hamburg. Includes the result of technical analysis on five miniatures. Text in German.
Catalogue for the exhibition at Hamburger Kunsthalle, looking at the tradition of miniature portraits in Hamburg in the 19th century. 12 essays discuss previously unseen examples of the city's miniature production, drawn and photographed pieces, and foreign artists working in Hamburg. Includes the result of technical analysis on five miniatures. Text in German
[Josef Albers] - Horowitz, Frederick A. and Brenda Danilowitz
Reference : 085371
(2009)
ISBN : 9780714849652
Josef Albers: To Open Eyes
Horowitz, Frederick A. and Brenda Danilowitz: Josef Albers: To Open Eyes. London: 2009. 288pp with 150 colour and 200 monochrome illustrations. Paperback. 29x25cms. With rare archival material included, this examination of Albers' life reveals his teaching methods at the Bauhaus, Black Mountain College and Yale, looking at his formative philosophies on art, life and the nature of perception through the first-hand accounts of over 150 students and colleagues. Includes a colour reproduction of his classic 1963 'Interaction of Color' taken from original press proofs.
With rare archival material included, this examination of Albers' life reveals his teaching methods at the Bauhaus, Black Mountain College and Yale, looking at his formative philosophies on art, life and the nature of perception through the first-hand accounts of over 150 students and colleagues. Includes a colour reproduction of his classic 1963 'Interaction of Color' taken from original press proofs. Text in English
EYES ONLY Classic Cars, extraordinary individuals cars.
Antwerp, Crafted by EYES ONLY STUDIOS, 2025 Hardcover, Cloth, Pages: 303, Photographs: 300 curated images, Language: English, Dimensions: 24,5 33 x 3,5 cm, Weight: 2.5 kg, Printed on luxurious Paper: 170 gsm, FSC-certified, Edition: First print *Brandnew. ISBN 9789090396477.
EYES ONLY - Classic Cars Life's finest moments, for your eyes only. Crafted by EYES ONLY STUDIOS, this limited and numbered edition brings together 20 extraordinary individuals from around the globe, each selected for their deep affinity with automotive art, heritage, and craftsmanship. Through their eyes, we uncover the intimate stories behind the machines: tales of discovery, devotion, and the quiet power of obsession. Inside, over 300 handpicked photographs unfold like a cinematic reel, capturing the essence of form, texture, and time. Printed on luxurious 170 gsm FSC-certified paper, each page offers a tactile, analog experience. Bound in a linen hardcover and designed to complement and elevate any interior, this 303 page volume is a testament to the art of collecting and the value of slowing down. Measuring 24,5 33 x 3,5 cm and weighing 2.5 kg, it becomes a sculptural presence. This is where people meet passion, where machines become muses, and where storytelling is preserved in its purest form.
Masters of the Dark Eyes. Late Medieval Manuscript Painting in Holland,
Turnhout, Brepols, 2009 Hardback, VIII 472 p., 141 b/w ill. 40 colour ill. ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. New book.
Masters of the Dark Eyes. Late Medieval Manuscript Painting in Holland,
Turnhout, Brepols, 2009 Hardback, VIII+472 p., 141 b/w ill. + 40 colour ill. + + ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. Languages: English.
