‎MCCULLOUGH COLLEEN.‎
‎TIM.‎

‎Petit Livre Blanc, Debut, Tim van Steenbergen.‎

‎Antwerp, company Mitzlavv PRIVATE EDITION , 2002 Bound, special design white hardcover, 64 pages with illudstration and an frontispiece with litho. "Le Petit Livre Blanc", a publication on Tim is a booklet printed on hand-layered paper evokes his special story. tirage limite no. 36 / 600.‎

‎Tim Van Steenbergen graduates Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he takes classes in drapery and couture techniques and works as the first assistant of Olivier Theyskens. His first collection is launched in 2002 in Paris and in the same year he sets up his own Meanwhile he's up to his twelfth collection/fashion show and the label Tim Van Steenbergen is being sold in various exclusive boutiques all over the world. His style evolves into a refined pureness, female elegance, but is still very comfortable and wearable. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for. Tim Van Steenbergen also creates jewellery for Swarovski UK, shoes for Novella Italia, a "Barbie" outfit, a jean for Xfit by Lycra, an haute couture dress for the Museum of Fine Arts and Lace in Calais (France) and the bag "le Seau Elsa" for the french label Lancel. He presents a fashion show for Prince Philippe and Princess Mathilde on the Belgian Gala Night during an economic mission in Warshaw (Poland). Further Tim Van Steenbergen exposes four haute couture dresses within the project "Framed", in The Groeninge Museum in Brugge and at the occasion of the motion pictures festival in Cannes. He also sets up an installation "Stills" at the Biennale of Venice in 2003, besides several other expositions into which he participates. He creates the costumes for the opera "Hanjo" , directed by Anne Teresa De Keersmaecker for the Festival Lyrique d'Aix-en-Provence and the Monnaie Opera in Brussels. as artistic director of the fashion company Donaldson he designs 3 collections Tim Van Steenbergen designs the costumes for "Hersenschimmen" of the RO Theatre in Rotterdam and for ?D?Un Soir Un Jour?, a dance creation by Rosas / Anne Teresa De Keersmaecker in collaboration with De Munt Brussels. He works as costume designer for ?Mefisto? By het Toneelhuis Antwerp in corporation with artistic director Guy Cassiers and for ?Steve Reich Evening? by Rosas / Anne Teresa De Keersmaecker. For more information you can consult www.timvansteenbergen.com‎

‎Victory Tim. (Tim Vicary). The coldest place on Earth. In Russian (ask us if in doubt)./Vicary Tim. (Tim Vikari). The ‎

‎Victory Tim. (Tim Vicary). The coldest place on Earth. In Russian (ask us if in doubt)./Vicary Tim. (Tim Vikari). The coldest place on Earth. Oxford Bookworms Library. Oxford University Press. 2001. 56 p. SKUalb5d25c8f47c3e2ffa.‎

‎Adrian Ghenie, Jonathan Meese, Rinus Van De Velde: Kunst, Kunst, Kunst, catalogue Tim Van Laere Gallery.‎

‎Antwerpen , Tim Van Laere Books 2019, 2019 Bound, hardcover, 136 pages, Illustrated. 25,8 21,7 cm NL/ENG. ISBN 9789082714562.‎

‎Tim Van Laere Gallery volgt de filosofie van een artist?s gallery, waar het faciliteren en begeleiden van kunstenaars op de eerste plaats staat. Over de jaren heeft Tim Van Laere, samen zijn director Elke Segers en het TVLG team, een sterk programma uitgebouwd met een reeks memorabele solotentoonstellingen. Naarmate de ambities van de galerie en haar kunstenaars groeiden, werd het steeds voelbaarder dat de ruimte in de Verlatstraat niet meer voldeed om mee te groeien met de evolutie van de kunstenaars. Tim Van Laere droomde al langer van een eigen galerie te bouwen als losstaand paviljoen dat helemaal op maat van de kunst werd ontworpen. Die droom wist hij waar te maken via de samenwerking met OFFICE Kersten Geers David Van Severen en projectontwikkelaar Triple Living op Nieuw Zuid. De galerie opende met de tentoonstelling KUNST KUNST KUNST, een groepstentoonstelling waarbij Adrian Ghenie, Jonathan Meese en Rinus Van de Velde met elkaars visie werden geconfronteerd. Verschillende media werden getoond zoals schilderijen, sculpturen en tekeningen.‎

‎In Der Minne, Colin H. Van Eeckhout (AMENRA) Photography by Tim Tronckoe‎

‎, Tim Tronckoe featuring, 2023 Hardcover, Collector's edition, limited to 600 copies. and SIGNED. Size: 31 x 30 cm Pages: 104 pages, including foldout. FINE!‎

‎?In Der Minne?, the highly anticipated photographic art project by Tim Tronckoe featuring Colin H. Van Eeckhout (Amenra), honouring the works by Belgian sculptor and draftsman George Minne. ?In Der Minne? is a black and white photography project, focusing on human tragedy. Being an undeniably relevant theme, Tim starts from the sculptural work by 19th century Minne, to transpose his themes onto the photographic medium, using Colin as a medium to echo the feelings of pain, loss and grief. Tim?s ambitious project has landed him into this book, a museum launch and a gallery show most creatives can only dream of.‎

‎Franz West (Tim Van Laere Gallery) Tim Van Laere, Interview Franz West by Andreas Reiter Raabe‎

‎Antwerpen -, Tim Van Laere Books , 2017 Bound, Hardcover, 96 pages, Illustrated. NL/ENG. ISBN 9789082714531.‎

‎The catalog to the third solo exhibition by the internationally acclaimed Austrian artist Franz West ( 1947, Vienna 2012, Vienna) at Tim Van Laere Gallery. West is without doubt one of the most important sculptors and environment artists of contemporary art. His oeuvre is characterized not only by the forms he invents, but also for the communicative quality with which he directly addresses the viewer, urging him/ her to participate. The exhibition brings together various aspects from the broad oeuvre of Franz West. Both collages, sculptures from papier-m ch , plaster and polyester, furniture, an outdoor sculpture in aluminium and installations from different periods of his career are shown. In the mid-1970s, West made his so-called Pa st cke (Adaptives), movable sculptures made of plaster and metal that were intended to be moved, touched, and handled ? transforming viewers into participants. For West, the essence of the artwork is not the aesthetic quality, but how the work is used. These objects stimulate the ingenuity of the public and disrupt conditioned behavior in the exhibition space. From the 80s, he incorporated more fragile materials, such as papier-m ch and glass bottles in his sculptures, which he combined in the Labst cke (Refresher Pieces). As a consistent continuation of the Pa st cke, West has been working since 1987 to construct furniture for sitting and reclining, using prefabricated elements and discarded industrial products which he covered by stretching fabrics or carpets over them. His work makes us think about our living space and the social and personal activities that are happening there. The artist aims to create a certain interaction between artwork and viewer, between object and subject. An interaction that must ensure that art becomes an open and interactive process. Later in his career, Franz West also focuses on sculptures in the public space. In fall 2018, a major retrospective will open at the Centre Pompidou, Paris, and will travel to the Tate Modern, London the following year.‎