BARRAULT.. 1990.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages. 1ère de couverture illustrée en couleurs.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
Reference : R150015725
ISBN : 2736000900
Roman. Classification Dewey : 840-Littératures des langues romanes. Littérature française
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J'ai Lu 2001 249 pages 17x11x2cm. 2001. Poche. 249 pages.
French édition - Petites marques taches plis de stockage et/ou de lecture mais du reste en bon état d'ensemble . Envoi rapide et soigné dans une enveloppe à bulle depuis France
EDITIONS J'AI LU N°3389. 1993. In-12. Broché. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 249 pages.. . . . Classification Dewey : 0-GENERALITES
Classification Dewey : 0-GENERALITES
, Posture Editions Nr 49, 2022 softcover PB, 297 x 210 mm, 160 pages, Illustrated. ENG-NL edition. ISBN 9789491262524.
In her work, Lisa Vlaemminck explores the boundaries of painting, creating an exciting, vibrating and disorienting universe. In her images, she questions very classical phenomena in painting, such as the landscape and the still life, by freezing them behind semi-transparent layers of paint. We catch a glimpse that feels familiar, but soon find that nothing is what it seems. Vlaemminck's work oscillates between the microscopic and the interstellar, as well as the amorphous spaces in between. Image, material, shape, texture and form mutate into compositional playgrounds floating in a newly created universe where different laws and rules apply. The book 'Screensaver Error' is conceived as a symmetrical, folded stack of sheets with images of Lisa's paintings and collages. At the heart of the book is the sixty-metre long, worm-shaped textile sculpture, which runs like a stream through the book for many pages. The book consists of one section of 144 pages held together in the centre by coloured bookbinder's thread. The 'stack' of sewn paper sheets are not trimmed on the cut, creating a convex shape that is entirely in keeping with the language of Lisa's work. As an object, the book has the status of an autonomous work of art. Dominique De Groen wrote an electrically charged shimmering poem tailored to the work. The introductory text was written by Simon Delobel. In KIOSK, Lisa Vlaemminck presented a series of new paintings and a sixty-metre long textile sculpture that occupied the various exhibition spaces. For the design of the fabric, Lisa worked patterns that form a long colour gradient. At the end of the exhibition, the sculpture, Meat A Morph Hose, was cut into 35 separate, new sculptures that were offered as unique artworks. The artist is reprented by gallery rodolphe janssen