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JONG ERICA.
SERENISSIMA.
ACROPOLE.. 1987.. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 282 pages. Jaquette illustrée en couleurs.. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Reference : R150000101
Traduit de l'américain par Hortense CHABRIER et Georges BELMONT. Classification Dewey : 820-Littératures anglaise et anglo-saxonne
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5 book(s) with the same title
Marco Polo n°73- Febraio 1990Sommaire: Che la festa cominci par Severino Faccin- Vivere la festa da protagonisti- dalla serenissima alla monarchia un'unica parola d'ordine: divertirsi par Lina Urban- Let the good times roll- Good manners and masks in the
Omaggio Marsilio Editori. 1990. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages+ Supplément, programme de 24 pages. Texte en italien et anglais. Nombreuses photos en couleurs et en noir et blanc, in et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire: Che la festa cominci par Severino Faccin- Vivere la festa da protagonisti- dalla serenissima alla monarchia un'unica parola d'ordine: divertirsi par Lina Urban- Let the good times roll- Good manners and masks in the streets of Venice-etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues
DISQUE VINYLE 33T : VENISE DE l'AN 2000 - Sinfonia Per Un Addio, La Serenissima, Notte Amalfitana, Rondò Veneziano, Aria Di Festa, Arlecchino, Aria Di Festa, Rondò Veneziano, San Marco, Canal Grande, Arabesco, Scaramucce, Giochi D'Acqua, San Marco...
CARRERE. 1983. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Sinfonia Per Un Addio, La Serenissima, Notte Amalfitana, Rondò Veneziano, Aria Di Festa, Arlecchino, Aria Di Festa, Rondò Veneziano, San Marco, Canal Grande, Arabesco, Scaramucce, Giochi D'Acqua, San Marco, Colombina.. . . . Classification : 410-33 Tours
Disque n° 66181. Classification : 410-33 Tours
TUTTITALIA, N° 152, GENN. 1964, LE VENEZIE, 5, ENCICLOPEDIA DELL'ITALIA ANTICA E MODERNA (Sommario: Veneto I. Venezia e la sua Laguna. E. Bevilacqua: Una mano tesa alla terraferma (fine). Fr. Gaeta: Le vicende della Serenissima.)
Sansoni - Istituto Geografico de Agostini. 1964. In-4. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur acceptable. Paginé de 137 à 168. Illustré de nombreuses photos en couleur et en noir et blanc. Texte sur 3 colonnes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Sommario: Veneto I. Venezia e la sua Laguna. E. Bevilacqua: Una mano tesa alla terraferma (fine). Fr. Gaeta: Le vicende della Serenissima. Classification Dewey : 450-Italien, roumain, rhéto-romain
TUTTITALIA, N° 153, GENN. 1964, LE VENEZIE, 6, ENCICLOPEDIA DELL'ITALIA ANTICA E MODERNA (Sommario: Veneto I. Venezia e la sua Laguna. Fr. Gaeta: Le vicende della Serenissima. G. Mariacher: la patria del colore. P. Lino Zovatto: Torcello e Murano...)
Sansoni - Istituto Geografico de Agostini. 1964. In-4. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur acceptable. Paginé de 169 à 200. Illustré de nombreuses photos en couleur et en noir et blanc. Texte sur 3 colonnes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Sommario: Veneto I. Venezia e la sua Laguna. Fr. Gaeta: Le vicende della Serenissima. G. Mariacher: la patria del colore. P. Lino Zovatto: Torcello e Murano. M. Muraro: Lo spirito delle acque. Classification Dewey : 450-Italien, roumain, rhéto-romain
Venice Reimagined. The Resurgence of View Painting in Venice after the Fall of the Serenissima between 1797 and 1866
, Brepols - Harvey Miller, 2026 Hardback, 224 pages, Size:240 x 240 mm, Illustrations:186 col., Language: English. ISBN 9781915487711.
Summary This book is the first comprehensive study of Venetian viewscapes painted between 1797, when the Republic of Venice fell to Napoleon's armies, and 1866, the date of the city's annexation into the new Kingdom of Italy. By examining the works of an international array of artists-nearly sixty men and one woman-from Venice and Europe, the U.S. and South America, and studying their art against Venetian political history of the period, I open a vivid panorama onto the artistic response to one of the world's unique cities during foreign occupation, an era of national uprisings and the Industrial Revolution. Departing from Canaletto's and Guardi's viewscapes of the previous century, those of the nineteenth century yield many surprises. Some artists like Richard Bonington depicted old sites but from novel vantage points; Ippolito Caffi and others portrayed neighborhoods never before considered; watercolors of anonymous bridges and small corners of the city by James Holland and William Callow attracted collectors as did their oil paintings of famous monuments; and a number of foreign painters such as Peter Christian Skovgaard and Edward William Cooke ventured into the remote Venetian lagoon to capture its loneliness. Lastly, the advent of the railroad and the invention of photography reshaped the genre after mid-century. Yet despite the popularity through most of the period of what I call depictive views, they began to disappear after c.1870. Questioning why they were replaced by pictorially novel and affectively charged images concludes my book's account of the view tradition in nineteenth-century Venice. TABLE OF CONTENTS Preface Introduction Chapter One: The Beginnings, 1797-c. 1820 Chapter Two: The First Foreigners Arrive, c. 1820-c. 1835 Chapter Three: The 1830s Chapter Four: The Late 1830s into the Mid-'40s: Artists Returning and Artists Arriving for the First Time Chapter Five: Artistic Renewal amidst Revolution and Defeat, c. 1845-c. 1855 Chapter Six: Changing Viewscapes and Changing Styles, 1855-c. 1865-1875 Conclusion Bibliography
